Dispokinesis (neologism from: “disponese” = lat. “to have at one’s disposal” and “kinesis” = gr. “movement”) is a form of training and therapy specially developed for musicians and stage artists by Gerrit Onne van de Klashorst (Netherlands). First scientific evidence for the effect of Dispokinesis on musicians, both professional and musicians-in-training, has been published.Dispokinesis can be employed in a pedagogy and preventive medicine setting as well as in therapy and rehabilitation. By means of the Original Shapes of Movement and Posture, the human being's sensori- and psychomotor development is being worked through from lying down to crawling to the upright standing position. By doing so, possibly existing developmental gaps can be closed and especially the postural reflexes (postur
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| - Die Dispokinesis (Wortschöpfung aus: „disponere“ = lat. „verfügen können über“ und „kinesis“ = griech. „Bewegung“) ist eine speziell für Musiker und Bühnenkünstler entwickelte Schulungs- und Therapieform nach Gerrit Onne van de Klashorst (Niederlande). (de)
- Dispokinesis (neologism from: “disponese” = lat. “to have at one’s disposal” and “kinesis” = gr. “movement”) is a form of training and therapy specially developed for musicians and stage artists by Gerrit Onne van de Klashorst (Netherlands). First scientific evidence for the effect of Dispokinesis on musicians, both professional and musicians-in-training, has been published.Dispokinesis can be employed in a pedagogy and preventive medicine setting as well as in therapy and rehabilitation. By means of the Original Shapes of Movement and Posture, the human being's sensori- and psychomotor development is being worked through from lying down to crawling to the upright standing position. By doing so, possibly existing developmental gaps can be closed and especially the postural reflexes (postur (en)
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| - Die Dispokinesis (Wortschöpfung aus: „disponere“ = lat. „verfügen können über“ und „kinesis“ = griech. „Bewegung“) ist eine speziell für Musiker und Bühnenkünstler entwickelte Schulungs- und Therapieform nach Gerrit Onne van de Klashorst (Niederlande). Dispokinesis kann sowohl in Pädagogik und Prävention als auch in Therapie und Rehabilitation eingesetzt werden. Mit ihren sogenannten Urgestalten von Haltung, Atmung und Bewegung wird die senso- und psychomotorische Entwicklung des Menschen vom Liegen über das Krabbeln bis hin zum Stehen durchgearbeitet. Dabei sollen eventuelle Entwicklungslücken geschlossen und insbesondere die posturalen Reflexe (Haltungsreflexe, Aufrichtungsreflexe) gefördert werden. Eine besondere Rolle spielen weiterhin die speziell entwickelten Übungen zur Instrumental- und Gesangstechnik sowie die im Umfeld der Dispokinesis entstandene ergonomischen Hilfsmittel. Dazu zählen Sitzhilfen für Orchester- und Tasteninstrumente, Kinnhalter und Schulterstützen für hohe Streichinstrumente oder Gurte, Daumen- und Kniestützen für Blas- und Zupfinstrumente. Die instrumental- bzw. gesangstechnische Kompetenz und das Körper- und Ausdrucksbewusstsein sollen konsequent hinsichtlich der Erfordernisse einer Bühnensituation ausgebildet werden. (de)
- Dispokinesis (neologism from: “disponese” = lat. “to have at one’s disposal” and “kinesis” = gr. “movement”) is a form of training and therapy specially developed for musicians and stage artists by Gerrit Onne van de Klashorst (Netherlands). First scientific evidence for the effect of Dispokinesis on musicians, both professional and musicians-in-training, has been published.Dispokinesis can be employed in a pedagogy and preventive medicine setting as well as in therapy and rehabilitation. By means of the Original Shapes of Movement and Posture, the human being's sensori- and psychomotor development is being worked through from lying down to crawling to the upright standing position. By doing so, possibly existing developmental gaps can be closed and especially the postural reflexes (postural motor system) are being fostered. Specific exercises focussing on instrumental and vocal technique as well as ergonomic aids developed in connection with Dispokinesis also play an important role. Among them can be found sitting aids for instruments played in orchestra and for the keyboard family, chin rests and shoulder pads for the upper strings or belts, thumb or knee-supports for wind and plucked instruments. The competence in instrumental and vocal technique as well as body awareness and expressivity are consistently developed in view of the requirements to be met on stage. (en)
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