. . . . . . . . "1987"^^ . . . . . . . . . . . . . . . . . . . . . . . "Henri Deca\u00EB"@en . . . "Henri Deca\u00EB (Saint-Denis, 31 juli 1915 - Parijs, 7 maart 1987) was een Frans cameraman."@nl . "Saint-Denis, France"@en . . "\u0410\u043D\u0440\u0438\u0301 \u0414\u0435\u043A\u0430\u044D\u0301 (\u0444\u0440. Henri Deca\u00EB; 31 \u0438\u044E\u043B\u044F 1915, \u0421\u0435\u043D-\u0414\u0435\u043D\u0438 \u2014 7 \u043C\u0430\u0440\u0442\u0430 1987, \u041F\u0430\u0440\u0438\u0436) \u2014 \u0444\u0440\u0430\u043D\u0446\u0443\u0437\u0441\u043A\u0438\u0439 \u043A\u0438\u043D\u043E\u043E\u043F\u0435\u0440\u0430\u0442\u043E\u0440."@ru . . . . . "\u0410\u043D\u0440\u0456 \u0414\u0435\u043A\u0430\u0435"@uk . . "Paris, France"@en . . . . . . . . "1949"^^ . "1915-07-31"^^ . "\u30A2\u30F3\u30EA\u30FB\u30C9\u30AB\u30A8\uFF08\u30D5\u30E9\u30F3\u30B9\u8A9E: Henri Deca\u00EB\uFF1A\u30C9\u30AB\u306E\u65B9\u304C\u6B63\u3057\u3044, 1915\u5E747\u670831\u65E5 - 1987\u5E743\u67087\u65E5\uFF09\u306F\u3001\u30D5\u30E9\u30F3\u30B9\u306E\u64AE\u5F71\u76E3\u7763\u3067\u3042\u308B\u3002\u30CC\u30FC\u30F4\u30A7\u30EB\u30F4\u30A1\u30FC\u30B0\u306E\u6620\u753B\u4F5C\u54C1\u3092\u652F\u3048\u3001\u30A2\u30E1\u30EA\u30AB\u6620\u753B\u3067\u3082\u30AB\u30E1\u30E9\u3092\u56DE\u3057\u305F\u3002"@ja . . . . . . . . . . . . . . . . . . . . . . . . . "\u0414\u0435\u043A\u0430\u044D, \u0410\u043D\u0440\u0438"@ru . . . . "\u0647\u0646\u0631\u064A \u062F\u064A\u0643\u0627\u0648 (\u0628\u0627\u0644\u0641\u0631\u0646\u0633\u064A\u0629: Henri Deca\u00EB)\u200F31 \u064A\u0648\u0644\u064A\u0648 1915 - 7 \u0645\u0627\u0631\u0633 1987) \u062F\u062E\u0644 \u0635\u0646\u0627\u0639\u0629 \u0627\u0644\u0633\u064A\u0646\u0645\u0627 \u0643\u0645\u0647\u0646\u062F\u0633 \u0635\u0648\u062A \u0648\u0645\u062D\u0631\u0631 \u0635\u0648\u062A. \u0643\u0627\u0646 \u0645\u0635\u0648\u0631\u064B\u0627 \u0635\u062D\u0641\u064A\u064B\u0627 \u0641\u064A \u0627\u0644\u062C\u064A\u0634 \u0627\u0644\u0641\u0631\u0646\u0633\u064A \u062E\u0644\u0627\u0644 \u0627\u0644\u062D\u0631\u0628 \u0627\u0644\u0639\u0627\u0644\u0645\u064A\u0629 \u0627\u0644\u062B\u0627\u0646\u064A\u0629. \u0628\u0639\u062F \u0627\u0644\u062D\u0631\u0628 \u0628\u062F\u0623 \u0641\u064A \u0635\u0646\u0627\u0639\u0629 \u0627\u0644\u0623\u0641\u0644\u0627\u0645 \u0627\u0644\u0648\u062B\u0627\u0626\u0642\u064A\u0629 \u0627\u0644\u0642\u0635\u064A\u0631\u0629 \u0648\u0625\u062E\u0631\u0627\u062C \u0648\u062A\u0635\u0648\u064A\u0631 \u0627\u0644\u0623\u0641\u0644\u0627\u0645 \u0627\u0644\u0635\u0646\u0627\u0639\u064A\u0629 \u0648\u0627\u0644\u062A\u062C\u0627\u0631\u064A\u0629. \u0641\u064A \u0639\u0627\u0645 1947 \u0642\u062F\u0645 \u0641\u064A\u0644\u0645\u0647 \u0627\u0644\u0637\u0648\u064A\u0644 \u0627\u0644\u0623\u0648\u0644. \u064A\u0631\u062A\u0628\u0637 \u062F\u064A\u0643\u0627\u0648 \u0628\u0642\u0648\u0629 \u0628\u0627\u0644\u0645\u062E\u0631\u062C\u064A\u0646 \u0627\u0644\u0630\u064A\u0646 \u0623\u062B\u0631\u0648\u0627 \u0628\u0642\u0648\u0629 \u0623\u0648 \u0643\u0627\u0646\u0648\u0627 \u062C\u0632\u0621\u064B\u0627 \u0645\u0646 \u0627\u0644\u0645\u0648\u062C\u0629 \u0627\u0644\u0641\u0631\u0646\u0633\u064A\u0629 \u0627\u0644\u062C\u062F\u064A\u062F\u0629. \u0648\u0645\u0646 \u0647\u0624\u0644\u0627\u0621 \u062C\u0627\u0646-\u0628\u064A\u064A\u0631 \u0645\u064A\u0644\u0641\u064A\u0644 \u0648\u0644\u0648\u064A\u0633 \u0645\u0627\u0644\u064A\u0647 \u0648\u0643\u0644\u0648\u062F \u0634\u0627\u0628\u0631\u0648\u0644 \u0648\u0641\u0631\u0627\u0646\u0633\u0648\u0627 \u062A\u0631\u0648\u0641\u0648 \u0648\u0623\u064A\u0636\u0627\u064B \u0635\u0648\u0631 \u0641\u064A\u0644\u0645 \u0644\u0644\u0645\u062E\u0631\u062C \u0627\u0644\u0623\u0645\u0631\u064A\u0643\u064A \u0627\u0644\u0645\u064F\u0647\u0645 \u0633\u064A\u062F\u0646\u064A \u0628\u0648\u0644\u0627\u0643. \u0639\u0645\u0644 \u062F\u064A\u0643\u0627 \u0644\u0623\u0648\u0644 \u0645\u0631\u0629 \u0643\u0645\u0635\u0648\u0631 \u0633\u064A\u0646\u0645\u0627\u0626\u064A \u0645\u0639 \u0645\u0644\u0641\u064A\u0644 \u0641\u064A \u0635\u0645\u062A \u0627\u0644\u0628\u062D\u0631 \u0625\u0646\u062A\u0627\u062C 1949 \u0627\u0644\u0630\u064A \u064A\u0639\u062F \u0623\u0648\u0644 \u0641\u064A\u0644\u0645 \u0644\u0645\u0641\u064A\u0644 \u0623\u064A\u0636\u0627\u064B."@ar . . . "Henri Deca\u00EB (* 31. Juli 1915 in Saint-Denis; \u2020 7. M\u00E4rz 1987 in Paris) war ein franz\u00F6sischer Kameramann. Er gilt als einer der produktivsten und renommiertesten Kameram\u00E4nner der Nouvelle Vague."@de . "Henri Deca\u00EB"@nl . . . . . . "\u0410\u043D\u0440\u0438\u0301 \u0414\u0435\u043A\u0430\u044D\u0301 (\u0444\u0440. Henri Deca\u00EB; 31 \u0438\u044E\u043B\u044F 1915, \u0421\u0435\u043D-\u0414\u0435\u043D\u0438 \u2014 7 \u043C\u0430\u0440\u0442\u0430 1987, \u041F\u0430\u0440\u0438\u0436) \u2014 \u0444\u0440\u0430\u043D\u0446\u0443\u0437\u0441\u043A\u0438\u0439 \u043A\u0438\u043D\u043E\u043E\u043F\u0435\u0440\u0430\u0442\u043E\u0440."@ru . . "1949"^^ . . . "\u30A2\u30F3\u30EA\u30FB\u30C9\u30AB\u30A8"@ja . . . "\u0410\u043D\u0440\u0456\u0301 \u0414\u0435\u043A\u0430\u0435\u0301 (\u0444\u0440. Henri Deca\u00EB; 31 \u043B\u0438\u043F\u043D\u044F 1915, \u0421\u0435\u043D-\u0414\u0435\u043D\u0456 \u2014 7 \u0431\u0435\u0440\u0435\u0437\u043D\u044F 1987, \u041F\u0430\u0440\u0438\u0436) \u2014 \u0444\u0440\u0430\u043D\u0446\u0443\u0437\u044C\u043A\u0438\u0439 \u043A\u0456\u043D\u043E\u043E\u043F\u0435\u0440\u0430\u0442\u043E\u0440."@uk . "Henri Robert Georges Deca\u00EB (Saint-Denis, 31 luglio 1915 \u2013 Suresnes, 7 marzo 1987) \u00E8 stato un direttore della fotografia francese. Alla fine degli anni cinquanta ha curato le immagini dei primi film di Louis Malle (Ascensore per il patibolo, Gli amanti), Claude Chabrol (Le beau Serge, I cugini) e Fran\u00E7ois Truffaut (I quattrocento colpi), incarnando \u00ABl'anima figurativa meno dirompente ma pi\u00F9 romantica\u00BB della Nouvelle Vague, un movimento di cui \u00E8 stato insieme a Raoul Coutard il maggior direttore della fotografia. \u00C8 stato collaboratore abituale di Jean-Pierre Melville, per il quale ha curato la fotografia di gran parte dei suoi film dall'esordio Il silenzio del mare (1947) a I senza nome (1970)."@it . . . . "Henri Deca\u00EB"@en . . "Henri Deca\u00EB"@it . . . . "Henri Deca\u00EB, ou Henri Decae, n\u00E9 le 31 juillet 1915 \u00E0 Saint-Denis, et mort le 7 mars 1987 \u00E0 Suresnes, est un directeur de la photographie fran\u00E7ais."@fr . . "Henri Deca\u00EB"@en . . . . . "1987"^^ . . . "Henri Deca\u00EB"@de . . . . . . . . . "1075109449"^^ . . . . . "Henri Deca\u00EB (* 31. Juli 1915 in Saint-Denis; \u2020 7. M\u00E4rz 1987 in Paris) war ein franz\u00F6sischer Kameramann. Er gilt als einer der produktivsten und renommiertesten Kameram\u00E4nner der Nouvelle Vague."@de . . . . "3854503"^^ . . . . "Henri Deca\u00EB (31 July 1915 \u2013 7 March 1987) gained fame as a cinematographer entering the film industry as a sound engineer and sound editor. He was a photojournalist in the French army during World War II. After the war he began making documentary shorts, directing and photographing industrial and commercial films. In 1947 he made his first feature film. For bibliographical references see bibliography under Cinema of France."@en . . "1987-03-07"^^ . . . "Henri Deca\u00EB (Saint-Denis, 31 juli 1915 - Parijs, 7 maart 1987) was een Frans cameraman."@nl . . . . . . . . . . "\u0647\u0646\u0631\u064A \u062F\u064A\u0643\u0627\u0648"@ar . . . . . "Henri Deca\u00EB, ou Henri Decae, n\u00E9 le 31 juillet 1915 \u00E0 Saint-Denis, et mort le 7 mars 1987 \u00E0 Suresnes, est un directeur de la photographie fran\u00E7ais."@fr . "\u0410\u043D\u0440\u0456\u0301 \u0414\u0435\u043A\u0430\u0435\u0301 (\u0444\u0440. Henri Deca\u00EB; 31 \u043B\u0438\u043F\u043D\u044F 1915, \u0421\u0435\u043D-\u0414\u0435\u043D\u0456 \u2014 7 \u0431\u0435\u0440\u0435\u0437\u043D\u044F 1987, \u041F\u0430\u0440\u0438\u0436) \u2014 \u0444\u0440\u0430\u043D\u0446\u0443\u0437\u044C\u043A\u0438\u0439 \u043A\u0456\u043D\u043E\u043E\u043F\u0435\u0440\u0430\u0442\u043E\u0440."@uk . . . "\u30A2\u30F3\u30EA\u30FB\u30C9\u30AB\u30A8\uFF08\u30D5\u30E9\u30F3\u30B9\u8A9E: Henri Deca\u00EB\uFF1A\u30C9\u30AB\u306E\u65B9\u304C\u6B63\u3057\u3044, 1915\u5E747\u670831\u65E5 - 1987\u5E743\u67087\u65E5\uFF09\u306F\u3001\u30D5\u30E9\u30F3\u30B9\u306E\u64AE\u5F71\u76E3\u7763\u3067\u3042\u308B\u3002\u30CC\u30FC\u30F4\u30A7\u30EB\u30F4\u30A1\u30FC\u30B0\u306E\u6620\u753B\u4F5C\u54C1\u3092\u652F\u3048\u3001\u30A2\u30E1\u30EA\u30AB\u6620\u753B\u3067\u3082\u30AB\u30E1\u30E9\u3092\u56DE\u3057\u305F\u3002"@ja . . . "Henri Robert Georges Deca\u00EB (Saint-Denis, 31 luglio 1915 \u2013 Suresnes, 7 marzo 1987) \u00E8 stato un direttore della fotografia francese. Alla fine degli anni cinquanta ha curato le immagini dei primi film di Louis Malle (Ascensore per il patibolo, Gli amanti), Claude Chabrol (Le beau Serge, I cugini) e Fran\u00E7ois Truffaut (I quattrocento colpi), incarnando \u00ABl'anima figurativa meno dirompente ma pi\u00F9 romantica\u00BB della Nouvelle Vague, un movimento di cui \u00E8 stato insieme a Raoul Coutard il maggior direttore della fotografia."@it . . "1915"^^ . . . . . . . "1915-07-31"^^ . "Henri Deca\u00EB"@fr . "1987-03-07"^^ . . . . . . . "7440"^^ . . . . . . . "Henri Deca\u00EB (31 July 1915 \u2013 7 March 1987) gained fame as a cinematographer entering the film industry as a sound engineer and sound editor. He was a photojournalist in the French army during World War II. After the war he began making documentary shorts, directing and photographing industrial and commercial films. In 1947 he made his first feature film. Deca\u00EB is strongly associated with directors who strongly influenced, or were part of, the French New Wave. These include Jean-Pierre Melville, Louis Malle and Claude Chabrol. Deca\u00EB first worked as a cinematographer with Melville on Le Silence de la Mer (1949). Deca\u00EB also edited and mixed the sound. Although Deca\u00EB worked with Melville on Les enfants terribles, which as Williams commented (1992, p333) \"...the work is more accurately to be viewed as a stunning demonstration of the cinematic possibilities of faithful literary adaptation in the hands of a gifted director\", according to Marie (p 88) it was his distinctive camera work on Bob le flambeur which caught the attention of the Cahiers critics. Malle hired him for his first two features and Chabrol for his first three features. They had been lucky as Deca\u00EB was finding it hard to get work at that time as he was being informally shunned by many after participating in a critical film about the Korean War. By the time Deca\u00EB worked for Fran\u00E7ois Truffaut on The 400 Blows he came with a reputation, which meant that he was the highest-paid person on the film. Deca\u00EB's liking for natural light, his ability to work at speed as well as his excellent photographic sensibility led to him working with Ren\u00E9 Cl\u00E9ment on several features beginning with Plein soleil (1960). It was Deca\u00EB \"...who liberated the camera, from its fixed tripod. He made the New Wave possible, backing up Melville, Malle, Chabrol and Truffaut.\" (Marie, 2003 p 89) For bibliographical references see bibliography under Cinema of France."@en . . . . "\u0647\u0646\u0631\u064A \u062F\u064A\u0643\u0627\u0648 (\u0628\u0627\u0644\u0641\u0631\u0646\u0633\u064A\u0629: Henri Deca\u00EB)\u200F31 \u064A\u0648\u0644\u064A\u0648 1915 - 7 \u0645\u0627\u0631\u0633 1987) \u062F\u062E\u0644 \u0635\u0646\u0627\u0639\u0629 \u0627\u0644\u0633\u064A\u0646\u0645\u0627 \u0643\u0645\u0647\u0646\u062F\u0633 \u0635\u0648\u062A \u0648\u0645\u062D\u0631\u0631 \u0635\u0648\u062A. \u0643\u0627\u0646 \u0645\u0635\u0648\u0631\u064B\u0627 \u0635\u062D\u0641\u064A\u064B\u0627 \u0641\u064A \u0627\u0644\u062C\u064A\u0634 \u0627\u0644\u0641\u0631\u0646\u0633\u064A \u062E\u0644\u0627\u0644 \u0627\u0644\u062D\u0631\u0628 \u0627\u0644\u0639\u0627\u0644\u0645\u064A\u0629 \u0627\u0644\u062B\u0627\u0646\u064A\u0629. \u0628\u0639\u062F \u0627\u0644\u062D\u0631\u0628 \u0628\u062F\u0623 \u0641\u064A \u0635\u0646\u0627\u0639\u0629 \u0627\u0644\u0623\u0641\u0644\u0627\u0645 \u0627\u0644\u0648\u062B\u0627\u0626\u0642\u064A\u0629 \u0627\u0644\u0642\u0635\u064A\u0631\u0629 \u0648\u0625\u062E\u0631\u0627\u062C \u0648\u062A\u0635\u0648\u064A\u0631 \u0627\u0644\u0623\u0641\u0644\u0627\u0645 \u0627\u0644\u0635\u0646\u0627\u0639\u064A\u0629 \u0648\u0627\u0644\u062A\u062C\u0627\u0631\u064A\u0629. \u0641\u064A \u0639\u0627\u0645 1947 \u0642\u062F\u0645 \u0641\u064A\u0644\u0645\u0647 \u0627\u0644\u0637\u0648\u064A\u0644 \u0627\u0644\u0623\u0648\u0644. \u064A\u0631\u062A\u0628\u0637 \u062F\u064A\u0643\u0627\u0648 \u0628\u0642\u0648\u0629 \u0628\u0627\u0644\u0645\u062E\u0631\u062C\u064A\u0646 \u0627\u0644\u0630\u064A\u0646 \u0623\u062B\u0631\u0648\u0627 \u0628\u0642\u0648\u0629 \u0623\u0648 \u0643\u0627\u0646\u0648\u0627 \u062C\u0632\u0621\u064B\u0627 \u0645\u0646 \u0627\u0644\u0645\u0648\u062C\u0629 \u0627\u0644\u0641\u0631\u0646\u0633\u064A\u0629 \u0627\u0644\u062C\u062F\u064A\u062F\u0629. \u0648\u0645\u0646 \u0647\u0624\u0644\u0627\u0621 \u062C\u0627\u0646-\u0628\u064A\u064A\u0631 \u0645\u064A\u0644\u0641\u064A\u0644 \u0648\u0644\u0648\u064A\u0633 \u0645\u0627\u0644\u064A\u0647 \u0648\u0643\u0644\u0648\u062F \u0634\u0627\u0628\u0631\u0648\u0644 \u0648\u0641\u0631\u0627\u0646\u0633\u0648\u0627 \u062A\u0631\u0648\u0641\u0648 \u0648\u0623\u064A\u0636\u0627\u064B \u0635\u0648\u0631 \u0641\u064A\u0644\u0645 \u0644\u0644\u0645\u062E\u0631\u062C \u0627\u0644\u0623\u0645\u0631\u064A\u0643\u064A \u0627\u0644\u0645\u064F\u0647\u0645 \u0633\u064A\u062F\u0646\u064A \u0628\u0648\u0644\u0627\u0643. \u0639\u0645\u0644 \u062F\u064A\u0643\u0627 \u0644\u0623\u0648\u0644 \u0645\u0631\u0629 \u0643\u0645\u0635\u0648\u0631 \u0633\u064A\u0646\u0645\u0627\u0626\u064A \u0645\u0639 \u0645\u0644\u0641\u064A\u0644 \u0641\u064A \u0635\u0645\u062A \u0627\u0644\u0628\u062D\u0631 \u0625\u0646\u062A\u0627\u062C 1949 \u0627\u0644\u0630\u064A \u064A\u0639\u062F \u0623\u0648\u0644 \u0641\u064A\u0644\u0645 \u0644\u0645\u0641\u064A\u0644 \u0623\u064A\u0636\u0627\u064B."@ar . "0005684" . . . . . . .