. . . . . "Techno \u00E9 uma forma de electronic dance music que surgiu em Detroit, Michigan (Estados Unidos) em meados da d\u00E9cada de 1980. O primeiro registro da palavra \u201Ctechno\u201D em refer\u00EAncia a um g\u00EAnero musical data de 1988. Existem muitos estilos de techno, mas o detroit techno \u00E9 visto como a base sobre a qual v\u00E1rios subg\u00EAneros foram desenvolvidos. Em Detroit, o techno resultou da fus\u00E3o da m\u00FAsica afro-americana \u2014 incluindo funk, electro, jazz el\u00E9trico e chicago house \u2014 com m\u00FAsica eletr\u00F4nica de artistas como Kraftwerk, Giorgio Moroder e Yellow Magic Orchestra."@pt . . . . . . . . "El techno o tecno \u00E9s un estil de m\u00FAsica electr\u00F2nica creada a final dels anys 80, per\u00F2 adquir\u00ED la m\u00E0xima popularitat als 90. \u00C9s una evoluci\u00F3 del rock progressiu, per\u00F2 t\u00E9 unes melodies m\u00E9s electr\u00F2niques i uns ritmes m\u00E9s durs i obsessius. Utilitzaci\u00F3 d'instruments electr\u00F2nics, com sintetitzadors i samplers. No utilitza l'estructura d'una can\u00E7\u00F3, sin\u00F3 que \u00E9s estructurat de manera repetitiva segons el patr\u00F3 r\u00EDtmic anomenat four-on-the-floor, per a maximitzar l'efecte ballable de la m\u00FAsica. Actualment, el tecno ha modificat melodies cl\u00E0ssiques, barrejant-les amb ritmes DJ. A les discoteques utilitzen la t\u00E8cnica de barrejar el rap i el house."@ca . . . . . . . . . . . . . . . . . . . "Technoa (edo teknoa) musika mota bat da. Instrumentu eta sintetizadoreen erabilera izan ohi du ezaugarri. Technoak ez du abesti baten egitura errespetatzen: oso errepikakorra da, eta honek dantza egiteko egokia bihurtzen du. Musika mota honen jatorria Detroiten kokatzen da, 1980ko hamarkadaren hasieran."@eu . . . . . . . . . . . . . . . . . . . . . . . "\u0422\u0435\u0445\u043D\u043E (\u0430\u043D\u0433\u043B. Techno) \u2014 \u0436\u0430\u043D\u0440 \u044D\u043B\u0435\u043A\u0442\u0440\u043E\u043D\u043D\u043E\u0439 \u0442\u0430\u043D\u0446\u0435\u0432\u0430\u043B\u044C\u043D\u043E\u0439 \u043C\u0443\u0437\u044B\u043A\u0438, \u0437\u0430\u0440\u043E\u0434\u0438\u0432\u0448\u0438\u0439\u0441\u044F \u0432 \u0413\u0435\u0440\u043C\u0430\u043D\u0438\u0438 \u0438 \u0432\u043F\u043E\u0441\u043B\u0435\u0434\u0441\u0442\u0432\u0438\u0438 \u043F\u043E\u0434\u0445\u0432\u0430\u0447\u0435\u043D\u043D\u044B\u0439 \u0430\u043C\u0435\u0440\u0438\u043A\u0430\u043D\u0441\u043A\u0438\u043C\u0438 \u043F\u0440\u043E\u0434\u044E\u0441\u0435\u0440\u0430\u043C\u0438. \u0422\u0435\u0440\u043C\u0438\u043D \u00AB\u0442\u0435\u0445\u043D\u043E\u00BB \u0438\u043D\u043E\u0433\u0434\u0430 \u043E\u0448\u0438\u0431\u043E\u0447\u043D\u043E \u0438\u0441\u043F\u043E\u043B\u044C\u0437\u0443\u0435\u0442\u0441\u044F \u0434\u043B\u044F \u043E\u0431\u043E\u0437\u043D\u0430\u0447\u0435\u043D\u0438\u044F \u0432\u0441\u0435\u0439 \u044D\u043B\u0435\u043A\u0442\u0440\u043E\u043D\u043D\u043E\u0439 \u043C\u0443\u0437\u044B\u043A\u0438 \u0432 \u0446\u0435\u043B\u043E\u043C."@ru . . . . . . . . . . . "Te\u0125no-muziko - en multaj lingvoj la\u016D anglalingva modelo nomata Techno [\u02C8t\u025Bkno\u028A] - estas stilaro de elektronika muziko. La termino ne estas tutprecize difinita kaj kutime karakterizas plurajn, inter si proksime parencajn stilojn de elektronika muziko. \u0108irka\u016D la fenomeno de tekno-muziko evolui\u011Dis propra junulara kulturo; kaj krom en specifaj tekno-muzikaj dancejoj la muzika stilo publike videbli\u011Das aparte en publikaj strataj tekno-muzikaj paradoj kiel la \"Loveparade\" en Germanio, en kiuj granda nombro da junuloj surstrate celebras la muzikan stilon."@eo . . . . . . . . . . . . . . . . . . . . . . . . . . . "1988"^^ . . . . . . . . . "Techno \u00E4r en elektronisk dansmusikstil som uppstod under mitten och slutet av 1980-talet i Detroit i Michigan. I dag existerar m\u00E5nga typer av techno, men Detroit techno \u00E4r genren som anses ha lagt grunden f\u00F6r utvecklingen av \u00F6vriga subgenrer. Musikjournalister och technofantaster \u00E4r generellt sett f\u00F6rsiktiga i anv\u00E4ndandet av termen techno; betydelsen av namnet ska inte j\u00E4mf\u00F6ras med n\u00E4rliggande men ofta kvalitativt olika genrer (till exempel house, trance), eller med n\u00E5gon av technons m\u00E5nga subgenrer."@sv . . . . ""@en . . . . . . . . . . "\u0422\u0435\u0445\u043D\u043E"@uk . . . . . . . . . "Techno"@zh . "Techno"@el . . "Techno \u2013 gatunek muzyki rozrywkowej b\u0119d\u0105cy nurtem muzyki elektronicznej i elektronicznej muzyki tanecznej (klubowej) powsta\u0142ym w Detroit w latach 80. XX wieku. Ze wzgl\u0119du na typowo elektroniczny charakter gatunku i du\u017C\u0105 popularno\u015B\u0107 na pocz\u0105tku lat 90. oraz wp\u0142yw na powstanie gatunk\u00F3w muzyki elektronicznej m.in. trance, hardcore, jungle, eurodance, rave oraz dubstep, nazw\u0105 techno bywa powszechnie mylnie okre\u015Blana ca\u0142o\u015B\u0107 elektronicznej muzyki tanecznej (klubowej) i muzyki elektronicznej."@pl . . . . . . . . . "-1980.0"^^ . . "Electronic musical instruments"@en . . "Techno \u00E4r en elektronisk dansmusikstil som uppstod under mitten och slutet av 1980-talet i Detroit i Michigan. I dag existerar m\u00E5nga typer av techno, men Detroit techno \u00E4r genren som anses ha lagt grunden f\u00F6r utvecklingen av \u00F6vriga subgenrer. Musikjournalister och technofantaster \u00E4r generellt sett f\u00F6rsiktiga i anv\u00E4ndandet av termen techno; betydelsen av namnet ska inte j\u00E4mf\u00F6ras med n\u00E4rliggande men ofta kvalitativt olika genrer (till exempel house, trance), eller med n\u00E5gon av technons m\u00E5nga subgenrer."@sv . . . . . . . . . . . "\uD14C\uD06C\uB178(techno)\uB294 \uC804\uC790 \uC74C\uC545\uC758 \uD55C \uAC08\uB798\uB85C, \uC2E0\uC2DC\uC0AC\uC774\uC800\uB97C \uC774\uC6A9\uD574\uC11C \uB514\uC790\uC778\uD55C \uAE30\uACC4\uC74C\uC744 \uC911\uC2EC\uC73C\uB85C \uB300\uCCB4\uB85C 4/4\uBC15\uC790\uB85C \uAD6C\uC131\uB418\uBA70, \uAE30\uACC4\uC74C\uC774 \uBC18\uBCF5\uB418\uB294 \uD2B9\uC9D5\uC744 \uBCF4\uC774\uB294 \uC74C\uC545\uC774\uB2E4. 80\uB144\uB300 \uC988\uC74C\uC5D0 \uB4F1\uC7A5\uD558\uC5EC \uD6C4\uC5D0 \uD2B8\uB79C\uC2A4(Trance)/\uD558\uC6B0\uC2A4(House) \uB4F1\uC758 \uC5EC\uB7EC \uC804\uC790 \uC74C\uC545\uC5D0 \uC601\uD5A5\uC744 \uC8FC\uC5C8\uB294\uB370 \uADF8\uC911 \uD2B9\uD788 \uD2B8\uB79C\uC2A4\uC640\uB294 \uC5F0\uAD00\uC774 \uAE4A\uC5C8\uB2E4 (\uCD08\uAE30\uC758 \uD2B8\uB79C\uC2A4\uB294 \uD14C\uD06C\uB178\uC758 \uD558\uC704\uAC08\uB798\uB85C \uBD84\uB958\uB418\uC5C8\uB2E4.) \uB113\uC740 \uC758\uBBF8\uC758 \uD14C\uD06C\uB178\uB294 \uC804\uC790 \uC74C\uC545 \uADF8 \uC790\uCCB4\uB97C \uAC00\uB9AC\uD0A4\uAE30\uB3C4 \uD55C\uB2E4. \uB300\uD55C\uBBFC\uAD6D\uC758 \uACBD\uC6B0 \uD14C\uD06C\uB178\uAC00 \uD2B8\uB85C\uD2B8 \uD639\uC740 \uB2F9\uC2DC \uB098\uC774\uD2B8\uD074\uB7FD\uC758 \uC601\uD5A5\uC744 \uBC1B\uC544 \uC18C\uC704 '\uBF55'\uC73C\uB85C \uBD84\uD654\uD558\uAE30\uB3C4 \uD588\uB2E4."@ko . . ""@en . . . . "teknivals"@en . . . . . "\uD14C\uD06C\uB178(techno)\uB294 \uC804\uC790 \uC74C\uC545\uC758 \uD55C \uAC08\uB798\uB85C, \uC2E0\uC2DC\uC0AC\uC774\uC800\uB97C \uC774\uC6A9\uD574\uC11C \uB514\uC790\uC778\uD55C \uAE30\uACC4\uC74C\uC744 \uC911\uC2EC\uC73C\uB85C \uB300\uCCB4\uB85C 4/4\uBC15\uC790\uB85C \uAD6C\uC131\uB418\uBA70, \uAE30\uACC4\uC74C\uC774 \uBC18\uBCF5\uB418\uB294 \uD2B9\uC9D5\uC744 \uBCF4\uC774\uB294 \uC74C\uC545\uC774\uB2E4. 80\uB144\uB300 \uC988\uC74C\uC5D0 \uB4F1\uC7A5\uD558\uC5EC \uD6C4\uC5D0 \uD2B8\uB79C\uC2A4(Trance)/\uD558\uC6B0\uC2A4(House) \uB4F1\uC758 \uC5EC\uB7EC \uC804\uC790 \uC74C\uC545\uC5D0 \uC601\uD5A5\uC744 \uC8FC\uC5C8\uB294\uB370 \uADF8\uC911 \uD2B9\uD788 \uD2B8\uB79C\uC2A4\uC640\uB294 \uC5F0\uAD00\uC774 \uAE4A\uC5C8\uB2E4 (\uCD08\uAE30\uC758 \uD2B8\uB79C\uC2A4\uB294 \uD14C\uD06C\uB178\uC758 \uD558\uC704\uAC08\uB798\uB85C \uBD84\uB958\uB418\uC5C8\uB2E4.) \uB113\uC740 \uC758\uBBF8\uC758 \uD14C\uD06C\uB178\uB294 \uC804\uC790 \uC74C\uC545 \uADF8 \uC790\uCCB4\uB97C \uAC00\uB9AC\uD0A4\uAE30\uB3C4 \uD55C\uB2E4. \uB300\uD55C\uBBFC\uAD6D\uC758 \uACBD\uC6B0 \uD14C\uD06C\uB178\uAC00 \uD2B8\uB85C\uD2B8 \uD639\uC740 \uB2F9\uC2DC \uB098\uC774\uD2B8\uD074\uB7FD\uC758 \uC601\uD5A5\uC744 \uBC1B\uC544 \uC18C\uC704 '\uBF55'\uC73C\uB85C \uBD84\uD654\uD558\uAE30\uB3C4 \uD588\uB2E4."@ko . . . "Technoa (edo teknoa) musika mota bat da. Instrumentu eta sintetizadoreen erabilera izan ohi du ezaugarri. Technoak ez du abesti baten egitura errespetatzen: oso errepikakorra da, eta honek dantza egiteko egokia bihurtzen du. Musika mota honen jatorria Detroiten kokatzen da, 1980ko hamarkadaren hasieran."@eu . . . . . . . . . . . "Juan Atkins"@en . . . . . . . . . . . . . . . . . . . . . "\u062A\u0643\u0646\u0648\u0647\u064A \u0646\u0648\u0639 \u0645\u0646 \u0645\u0648\u0633\u064A\u0642\u0649 \u0627\u0644\u0643\u062A\u0631\u0648\u0646\u064A\u0643 \u062F\u0627\u0646\u0633 \u0627\u0644\u062A\u064A \u0627\u0645\u062A\u0632\u062C\u062A \u0641\u064A \u062F\u064A\u062A\u0631\u0648\u064A\u062A\u060C \u0645\u064A\u0634\u064A\u063A\u0627\u0646\u060C \u0628\u0627\u0644\u0648\u0644\u0627\u064A\u0627\u062A \u0627\u0644\u0645\u062A\u062D\u062F\u0629 \u0627\u062B\u0646\u0627\u0621 \u0623\u0648\u0627\u062E\u0631 \u0645\u0646\u062A\u0635\u0641 1980. \u0623\u0648\u0644 \u0627\u0633\u062A\u0639\u0645\u0627\u0644 \u0644\u0643\u0644\u0645\u0629 \u062A\u0643\u0646\u0648 \u0628\u0631\u062C\u0639 \u0644\u0646\u0648\u0639 \u062E\u0627\u0635 \u0645\u0646 \u0627\u0644\u0645\u0648\u0633\u064A\u0642\u0649 \u0643\u0627\u0646 \u0641\u064A1988. \u0639\u062F\u0629 \u0627\u0633\u0627\u0644\u064A\u0628 \u0645\u0646 \u0627\u0644\u062A\u0643\u0646\u0648 \u0645\u0648\u062C\u0648\u062F\u0629 \u0627\u0644\u0622\u0646\u060C \u0644\u0643\u0646 \u0647\u064A \u0627\u0644\u0623\u0633\u0627\u0633 \u0627\u0644\u0630\u064A \u0628\u064F\u0646\u064A\u062A \u0639\u0644\u064A\u0647 \u0628\u0627\u0642\u064A \u0627\u0644\u0627\u0646\u0648\u0627\u0639 \u0627\u0644\u0641\u0631\u0639\u064A\u0629."@ar . . . . . "El techno (adaptado al espa\u00F1ol como tecno) es un g\u00E9nero de m\u00FAsica electr\u00F3nica que surgi\u00F3 en Detroit (Estados Unidos) y Alemania hacia mediados de los a\u00F1os 1980.\u200B El primer uso registrado de la palabra techno como referencia a un g\u00E9nero musical data de 1988 y aparece vinculado a la m\u00FAsica en un art\u00EDculo que Stuart Cosgrove publicaba en la revista The Face de Detroit. En la actualidad, existen multitud de estilos de techno, aunque generalmente se ha aceptado que la g\u00E9nesis del g\u00E9nero se encuentra en el Detroit techno y en sus precursores.\u200B\u200B\u200B"@es . . . . . . . . . . . . . . "Tekno-muziko"@eo . . . . . . . . . . . . . . . . . "Techno"@en . . . . . . . . . "\uD14C\uD06C\uB178"@ko . . . . . . "Techno"@ca . . . . . . . . . . . . . . . . . . . "Techno"@es . "Techno [\u02C8t\u025Bkno(\u028A)] ist eine Musikrichtung, die in der zweiten H\u00E4lfte der 1980er-Jahre durch die Verschmelzung mehrerer Stilarten der elektronischen Tanzmusik entstanden ist. Als Basis dient insbesondere der minimalistische, bassdrum-betonte Grundrhythmus der House-Musik. Weitere essentielle Elemente zieht Techno aus den elektronisch generierten, meist in Europa entwickelten Stilen der 1970er- und 1980er-Jahre (wie Synthiepop, EBM und New Beat, aber auch Detroit Techno). Der in der Anfangszeit noch als Techno House bezeichnete Stil erlebte im Verlauf der 1990er-Jahre eine Bl\u00FCtezeit und brachte zahlreiche Unterarten hervor. Rund um die Musik existiert eine eigene Jugendkultur, die Technoszene."@de . . . . . . . . . . . . . . . ""@en . . . . . ""@en . . . . . . . . "RSX_r0u3uzE"@en . . . . . . . . . . . . . . . "La techno est un genre de musique \u00E9lectronique ayant \u00E9merg\u00E9 aux \u00C9tats-Unis au milieu des ann\u00E9es 1980. Le plus souvent compos\u00E9e en home studio et r\u00E9interpr\u00E9t\u00E9e par des disc jockeys lors de pratiques festives, la techno est avant tout une musique de danse, par essence r\u00E9p\u00E9titive. Sa gestation se fait en parall\u00E8le de l'apparition de la house music \u00E0 Chicago, mais la techno s'inspire plus volontiers encore de l'electro et de la new wave, ainsi que de la soul, du funk et des th\u00E8mes musicaux futuristes qui pr\u00E9valaient dans la culture populaire, notamment de l'Am\u00E9rique industrielle de la fin de la guerre froide. Au cours des ann\u00E9es 1990, la techno se d\u00E9veloppe en v\u00E9ritable culture musicale gr\u00E2ce \u00E0 l'accueil que r\u00E9servent l'Angleterre et surtout l'Allemagne aux artistes de D\u00E9troit. Stylistiquement, la techno est une musique instrumentale g\u00E9n\u00E9ralement r\u00E9p\u00E9titive, souvent produite pour des mixsets. La presse sp\u00E9cialis\u00E9e et les connaisseurs de musique techno utilisent diff\u00E9remment ce terme parfois pour d\u00E9crire les musiques tech house et trance. La \u00AB techno \u00BB est souvent confondue avec les autres termes g\u00E9n\u00E9ralistes de musique \u00E9lectronique et dance."@fr . . . . "Techno"@pt . . "23958411"^^ . . . . . . . . . . . . ""@en . . "Techno je sub\u017E\u00E1nr elektronick\u00E9 tane\u010Dn\u00ED hudby, kter\u00FD vzniknul v 80. a pln\u011B se rozvinul v 90. letech 20. stolet\u00ED. V techno hudb\u011B je (jako u v\u011Bt\u0161iny druh\u016F elektronick\u00E9 tane\u010Dn\u00ED hudby) kladen d\u016Fraz na v\u00FDrazn\u00FD rytmus (zalo\u017Een\u00FD zejm\u00E9na na monot\u00F3nn\u00EDm st\u0159\u00EDd\u00E1n\u00ED \u00FAder\u016F basov\u00E9ho bubnu a hi-hat) a rychl\u00E9 tempo, p\u0159i\u010Dem\u017E prakticky ve\u0161ker\u00E9 pou\u017E\u00EDvan\u00E9 zvuky jsou generov\u00E1ny elektronick\u00FDmi hudebn\u00EDmi n\u00E1stroji a p\u0159\u00EDstroji. Podstatou techno hudby je opakov\u00E1n\u00ED ur\u010Dit\u00E9 , co\u017E v poslucha\u010Di vytv\u00E1\u0159\u00ED pocit ur\u010Dit\u00E9ho nap\u011Bt\u00ED a dokonce m\u016F\u017Ee vyvolat jist\u00FD druh extatick\u00E9ho transu, pocitu. Tak, jak vznikalo i Trance postupovalo vst\u0159\u00EDc. Techno hudba je v drtiv\u00E9 v\u011Bt\u0161in\u011B \u010Dist\u011B instrument\u00E1ln\u00ED, skladby obvykle postr\u00E1daj\u00ED klasickou strukturu pou\u017E\u00EDvanou v popov\u00E9 hudb\u011B (sloka/refr\u00E9n), pou\u017E\u00EDvan\u00E9 zvuky nijak nep\u0159ipom\u00EDnaj\u00ED b\u011B\u017En\u00E9 hudebn\u00ED n\u00E1stroje a melodie se zde objevuj\u00ED pouze z\u0159\u00EDdkakdy. Mezi dal\u0161\u00ED sub\u017E\u00E1nry elektronick\u00E9 tane\u010Dn\u00ED hudby pat\u0159\u00ED nap\u0159. trance, rave, house, jungle, freetekno, electro, drum'n'bass apod."@cs . . . . . . "Techno"@en . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Techno is a genre of electronic dance music (EDM) which is generally produced for use in a continuous DJ set, with tempo often varying between 120 and 150 beats per minute (bpm). The central rhythm is typically in common time (4/4) and often characterized by a repetitive four on the floor beat. Artists may use electronic instruments such as drum machines, sequencers, and synthesizers, as well as digital audio workstations. Drum machines from the 1980s such as Roland's TR-808 and TR-909 are highly prized, and software emulations of such retro instruments are popular."@en . . . . . "Techno\uFF0C\u53C8\u8B6F\u300C\u9AD8\u79D1\u6280\u821E\u66F2\u300D\u3001\u300C\u9435\u514B\u8AFE\u97F3\u6A02\u300D\uFF0C\u662F\u4E00\u7A2E\u96FB\u5B50\u821E\u66F2\uFF0C\u767C\u6E90\u65BC1980\u5E74\u4EE3\u4E2D\u671F\u5230\u665A\u671F\u7684\u7F8E\u570B\u5BC6\u897F\u6839\u5DDE\u5E95\u7279\u5F8B\u3002\u57281988\u5E74\uFF0C\u300CTechno\u300D\u4E00\u8A5E\u9996\u5EA6\u88AB\u7528\u4F5C\u6A19\u793A\u97F3\u6A02\u985E\u578B\uFF0C\u5982\u4ECA\u821E\u6C60\u4E0A\u5404\u7A2E\u66F2\u98A8\u4E94\u82B1\u516B\u9580\uFF0C\u65CF\u7E41\u4E0D\u53CA\u5099\u8F09\uFF0C\u7136\u800C\u5E95\u7279\u5F8B\u6D3E\uFF08Detroit techno\uFF09\u4ECD\u88AB\u8996\u70BA\u6240\u6709\u5206\u652F\u66F2\u98A8\u7684\u57FA\u5E95\u3002 \u6A02\u98A8\u6210\u5F62\u59CB\u65BC\u5169\u7A2E\u97F3\u6A02\u7684\u878D\u5408\uFF1A\u4F86\u81EA\u767D\u4EBA\u7684\u6B50\u9678\u96FB\u97F3\u5B50\u97F3\u6A02\uFF0C\u4F8B\u5982Kraftwerk\uFF0C\u4EE5\u53CA\u653E\u514B\uFF08funk\uFF09\u3001electro\u3001\u829D\u52A0\u54E5House\u8207\u96FB\u8072\u7235\u58EB\u7B49\u7F8E\u570B\u9ED1\u4EBA\u97F3\u6A02\uFF1B\u9664\u6B64\u4E4B\u5916\uFF0C\u8207\u7F8E\u570B\u665A\u671F\u8CC7\u672C\u4E3B\u7FA9\u793E\u6703\u76F8\u95DC\uFF0C\u5145\u6EFF\u672A\u4F86\u611F\u7684\u79D1\u5E7B\u4E3B\u984C\u4E5F\u5C0D\u9435\u53EF\u8AFE\u5F71\u97FF\u6DF1\u9060\uFF0C\u5C24\u5176\u662F\u827E\u6587\u00B7\u6258\u4F5B\u52D2 \uFF08Alvin Toffler\uFF09\u7684\u8457\u4F5C\u300A\u7B2C\u4E09\u6CE2\u300B\uFF08The Third Wave\uFF09\u3002\u9435\u514B\u8AFE\u88FD\u4F5C\u4EBA\u59CB\u7956\u80E1\u5B89\u00B7\u963F\u7279\u91D1\u65AF\uFF08Juan Atkins\uFF09\u66FE\u8AAA\u904E\uFF0C\u4ED6\u4E4B\u6240\u4EE5\u7528\u300CTechno\u300D\u4F86\u5F62\u5BB9\u81EA\u5DF1\u6240\u5275\u9020\u7684\u97F3\u6A02\u98A8\u683C\uFF0C\u5C31\u662F\u53D7\u5230\u6258\u4F5B\u52D2\u767C\u660E\u7684\u8A5E\u5F59\u300CTechno\u53DB\u8ECD\u300D\uFF08\"techno rebels\"\uFF09\u555F\u767C\u6240\u81F4\uFF1B\u57FA\u65BC\u4EE5\u4E0A\u7368\u7279\u5F71\u97FF\u5143\u7D20\uFF0C\u4EBA\u5011\u6703\u5C07\u9435\u514B\u8AFE\u7D0D\u5165\u4E00\u7A2E\u7A31\u9ED1\u4EBA\u672A\u4F86\u6D3E\u4E3B\u7FA9\uFF08afrofuturism\uFF09\u7684\u7F8E\u5B78\u6982\u5FF5\u3002\u5C0D\u5FB7\u91CC\u514B\u00B7\u6885\uFF08Derrick May\uFF09\u7B49\u88FD\u4F5C\u4EBA\u4F86\u8AAA\uFF0C\u5C07\u9748\u9B42\u5F9E\u8089\u8EAB\u79FB\u8F49\u81F3\u6A5F\u68B0\uFF0C\u662F\u4ED6\u5011\u7684\u4E2D\u5FC3\u601D\u60F3\uFF0C\u4E00\u7A2E\u79D1\u6280\u9748\u9B42\u7684\u8868\u73FE\uFF1B\u5F9E\u9019\u89D2\u5EA6\u5207\u5165\uFF0C\u300C\u9435\u514B\u8AFE\u821E\u66F2\u64CA\u6F70\u4E86\u72C4\u5967\u591A\u00B7\u963F\u591A\u8AFE\uFF08Theodor Adorno\uFF09\u6240\u8A8D\u70BA\u6A5F\u68B0\u5316\u5C0D\u73FE\u4EE3\u610F\u8B58\u9020\u6210\u7684\u758F\u96E2\u6548\u679C\u300D\u3002"@zh . . . . . . . . . . . . . . . . . . . . . . "\u0422\u0435\u0301\u0445\u043D\u043E (\u0430\u043D\u0433\u043B. Techno) \u2014 \u043D\u0430\u043F\u0440\u044F\u043C\u043E\u043A \u0435\u043B\u0435\u043A\u0442\u0440\u043E\u043D\u043D\u043E\u0457 \u043C\u0443\u0437\u0438\u043A\u0438, \u0449\u043E \u0437\u0430\u0440\u043E\u0434\u0438\u0432\u0441\u044F \u0432 \u0441\u0435\u0440\u0435\u0434\u0438\u043D\u0456 1980-\u0445 \u0440\u043E\u043A\u0456\u0432 \u0443 \u0414\u0435\u0442\u0440\u043E\u0439\u0442\u0456 (\u0421\u0428\u0410) \u0442\u0430 \u0439\u043E\u0433\u043E \u043E\u043A\u043E\u043B\u0438\u0446\u044F\u0445 \u0456 \u0437\u0433\u043E\u0434\u043E\u043C \u0431\u0443\u0432 \u043F\u0456\u0434\u0445\u043E\u043F\u043B\u0435\u043D\u0438\u0439 \u0454\u0432\u0440\u043E\u043F\u0435\u0439\u0441\u044C\u043A\u0438\u043C\u0438 \u043F\u0440\u043E\u0434\u044E\u0441\u0435\u0440\u0430\u043C\u0438. \u0425\u0430\u0440\u0430\u043A\u0442\u0435\u0440\u0438\u0437\u0443\u0454\u0442\u044C\u0441\u044F \u0448\u0442\u0443\u0447\u043D\u0456\u0441\u0442\u044E \u0437\u0432\u0443\u043A\u0443, \u043F\u0456\u0434\u043A\u0440\u0435\u0441\u043B\u0435\u043D\u043E \u043C\u0435\u0445\u0430\u043D\u0456\u0447\u043D\u0438\u043C\u0438 \u0440\u0438\u0442\u043C\u0430\u043C\u0438, \u0431\u0430\u0433\u0430\u0442\u043E\u0440\u0430\u0437\u043E\u0432\u0438\u043C\u0438 \u043F\u043E\u0432\u0442\u043E\u0440\u0435\u043D\u043D\u044F\u043C\u0438 \u0441\u0442\u0440\u0443\u043A\u0442\u0443\u0440\u043D\u0438\u0445 \u0435\u043B\u0435\u043C\u0435\u043D\u0442\u0456\u0432 \u043C\u0443\u0437\u0438\u0447\u043D\u043E\u0433\u043E \u0442\u0432\u043E\u0440\u0443. \u0406\u043D\u043E\u0434\u0456 \u0442\u0435\u0440\u043C\u0456\u043D \u00AB\u0442\u0435\u0445\u043D\u043E\u00BB \u0432\u0436\u0438\u0432\u0430\u044E\u0442\u044C \u0441\u0442\u043E\u0441\u043E\u0432\u043D\u043E \u0432\u0441\u0456\u0454\u0457 \u0435\u043B\u0435\u043A\u0442\u0440\u043E\u043D\u043D\u043E\u0457 \u0442\u0430\u043D\u0446\u044E\u0432\u0430\u043B\u044C\u043D\u043E\u0457 \u043C\u0443\u0437\u0438\u043A\u0438, \u043E\u0434\u043D\u0430\u043A \u0446\u0435 \u043D\u0435 \u0437\u043E\u0432\u0441\u0456\u043C \u043A\u043E\u0440\u0435\u043A\u0442\u043D\u043E \u2014 \u043E\u0441\u0442\u0430\u043D\u043D\u044F \u0432\u043A\u043B\u044E\u0447\u0430\u0454 \u0442\u0430\u043A\u043E\u0436 \u043D\u0430\u043F\u0440\u044F\u043C\u043A\u0438 \u0445\u0430\u0443\u0437, \u0442\u0440\u0430\u043D\u0441, \u0430 \u0442\u0430\u043A\u043E\u0436 \u043F\u0456\u0434\u0441\u0442\u0438\u043B\u0456, \u0442\u0430\u043A\u0456 \u044F\u043A \u0445\u0430\u0440\u0434\u043A\u043E\u0440 \u0442\u0435\u0445\u043D\u043E."@uk . "Techno"@cs . . . "Techno"@en . "1.57788E8"^^ . . . . . . . . . "El techno (adaptado al espa\u00F1ol como tecno) es un g\u00E9nero de m\u00FAsica electr\u00F3nica que surgi\u00F3 en Detroit (Estados Unidos) y Alemania hacia mediados de los a\u00F1os 1980.\u200B El primer uso registrado de la palabra techno como referencia a un g\u00E9nero musical data de 1988 y aparece vinculado a la m\u00FAsica en un art\u00EDculo que Stuart Cosgrove publicaba en la revista The Face de Detroit. En la actualidad, existen multitud de estilos de techno, aunque generalmente se ha aceptado que la g\u00E9nesis del g\u00E9nero se encuentra en el Detroit techno y en sus precursores.\u200B\u200B\u200B El origen del techno proviene de la m\u00FAsica house junto con la fusi\u00F3n de ciertas corrientes de m\u00FAsica europea, basadas en el uso experimental del sintetizador o el primer electro. A esto se a\u00F1ade la influencia de una est\u00E9tica y tem\u00E1tica de corte futurista, basada tanto en la ciencia ficci\u00F3n como en algunas ideas de la obra de Alvin Toffler. El propio t\u00E9rmino techno deriva del concepto de techno rebels presente en el libro La tercera ola del soci\u00F3logo estadounidense.\u200B Esta combinaci\u00F3n de ideas acerca el techno a un tipo de est\u00E9tica afrofuturista y cyberpunk.\u200B\u200B En ocasiones, el t\u00E9rmino techno se utiliza en medios no especializados con un sentido m\u00E1s gen\u00E9rico que abarca a toda la m\u00FAsica electr\u00F3nica de baile, un uso poco riguroso que ha sido criticado por la prensa especializada y los seguidores del g\u00E9nero.\u200B\u200B\u200B"@es . . "La techno est un genre de musique \u00E9lectronique ayant \u00E9merg\u00E9 aux \u00C9tats-Unis au milieu des ann\u00E9es 1980. Le plus souvent compos\u00E9e en home studio et r\u00E9interpr\u00E9t\u00E9e par des disc jockeys lors de pratiques festives, la techno est avant tout une musique de danse, par essence r\u00E9p\u00E9titive. Sa gestation se fait en parall\u00E8le de l'apparition de la house music \u00E0 Chicago, mais la techno s'inspire plus volontiers encore de l'electro et de la new wave, ainsi que de la soul, du funk et des th\u00E8mes musicaux futuristes qui pr\u00E9valaient dans la culture populaire, notamment de l'Am\u00E9rique industrielle de la fin de la guerre froide. Au cours des ann\u00E9es 1990, la techno se d\u00E9veloppe en v\u00E9ritable culture musicale gr\u00E2ce \u00E0 l'accueil que r\u00E9servent l'Angleterre et surtout l'Allemagne aux artistes de D\u00E9troit."@fr . . . . . "Techno"@it . . "Techno \u2013 gatunek muzyki rozrywkowej b\u0119d\u0105cy nurtem muzyki elektronicznej i elektronicznej muzyki tanecznej (klubowej) powsta\u0142ym w Detroit w latach 80. XX wieku. Ze wzgl\u0119du na typowo elektroniczny charakter gatunku i du\u017C\u0105 popularno\u015B\u0107 na pocz\u0105tku lat 90. oraz wp\u0142yw na powstanie gatunk\u00F3w muzyki elektronicznej m.in. trance, hardcore, jungle, eurodance, rave oraz dubstep, nazw\u0105 techno bywa powszechnie mylnie okre\u015Blana ca\u0142o\u015B\u0107 elektronicznej muzyki tanecznej (klubowej) i muzyki elektronicznej."@pl . . . . . . . . "\u062A\u0643\u0646\u0648\u0647\u064A \u0646\u0648\u0639 \u0645\u0646 \u0645\u0648\u0633\u064A\u0642\u0649 \u0627\u0644\u0643\u062A\u0631\u0648\u0646\u064A\u0643 \u062F\u0627\u0646\u0633 \u0627\u0644\u062A\u064A \u0627\u0645\u062A\u0632\u062C\u062A \u0641\u064A \u062F\u064A\u062A\u0631\u0648\u064A\u062A\u060C \u0645\u064A\u0634\u064A\u063A\u0627\u0646\u060C \u0628\u0627\u0644\u0648\u0644\u0627\u064A\u0627\u062A \u0627\u0644\u0645\u062A\u062D\u062F\u0629 \u0627\u062B\u0646\u0627\u0621 \u0623\u0648\u0627\u062E\u0631 \u0645\u0646\u062A\u0635\u0641 1980. \u0623\u0648\u0644 \u0627\u0633\u062A\u0639\u0645\u0627\u0644 \u0644\u0643\u0644\u0645\u0629 \u062A\u0643\u0646\u0648 \u0628\u0631\u062C\u0639 \u0644\u0646\u0648\u0639 \u062E\u0627\u0635 \u0645\u0646 \u0627\u0644\u0645\u0648\u0633\u064A\u0642\u0649 \u0643\u0627\u0646 \u0641\u064A1988. \u0639\u062F\u0629 \u0627\u0633\u0627\u0644\u064A\u0628 \u0645\u0646 \u0627\u0644\u062A\u0643\u0646\u0648 \u0645\u0648\u062C\u0648\u062F\u0629 \u0627\u0644\u0622\u0646\u060C \u0644\u0643\u0646 \u0647\u064A \u0627\u0644\u0623\u0633\u0627\u0633 \u0627\u0644\u0630\u064A \u0628\u064F\u0646\u064A\u062A \u0639\u0644\u064A\u0647 \u0628\u0627\u0642\u064A \u0627\u0644\u0627\u0646\u0648\u0627\u0639 \u0627\u0644\u0641\u0631\u0639\u064A\u0629."@ar . . "Techno"@fr . . . . . . "Techno"@eu . . . . . . . . . "raves"@en . . . . . . . . "Techno"@sv . . . . . . . . . . . . . "La techno \u00E8 un genere musicale nato a Detroit, negli Stati Uniti d'America, negli anni ottanta e appartenente alla electronic dance music."@it . "Techno"@pl . "\u0422\u0435\u0445\u043D\u043E (\u0430\u043D\u0433\u043B. Techno) \u2014 \u0436\u0430\u043D\u0440 \u044D\u043B\u0435\u043A\u0442\u0440\u043E\u043D\u043D\u043E\u0439 \u0442\u0430\u043D\u0446\u0435\u0432\u0430\u043B\u044C\u043D\u043E\u0439 \u043C\u0443\u0437\u044B\u043A\u0438, \u0437\u0430\u0440\u043E\u0434\u0438\u0432\u0448\u0438\u0439\u0441\u044F \u0432 \u0413\u0435\u0440\u043C\u0430\u043D\u0438\u0438 \u0438 \u0432\u043F\u043E\u0441\u043B\u0435\u0434\u0441\u0442\u0432\u0438\u0438 \u043F\u043E\u0434\u0445\u0432\u0430\u0447\u0435\u043D\u043D\u044B\u0439 \u0430\u043C\u0435\u0440\u0438\u043A\u0430\u043D\u0441\u043A\u0438\u043C\u0438 \u043F\u0440\u043E\u0434\u044E\u0441\u0435\u0440\u0430\u043C\u0438. \u0422\u0435\u0440\u043C\u0438\u043D \u00AB\u0442\u0435\u0445\u043D\u043E\u00BB \u0438\u043D\u043E\u0433\u0434\u0430 \u043E\u0448\u0438\u0431\u043E\u0447\u043D\u043E \u0438\u0441\u043F\u043E\u043B\u044C\u0437\u0443\u0435\u0442\u0441\u044F \u0434\u043B\u044F \u043E\u0431\u043E\u0437\u043D\u0430\u0447\u0435\u043D\u0438\u044F \u0432\u0441\u0435\u0439 \u044D\u043B\u0435\u043A\u0442\u0440\u043E\u043D\u043D\u043E\u0439 \u043C\u0443\u0437\u044B\u043A\u0438 \u0432 \u0446\u0435\u043B\u043E\u043C."@ru . . . . . . . . . . "Techno"@de . . . . . "\u0397 Techno (\u03B5\u03BB\u03BB\u03B7\u03BD\u03B9\u03BA\u03AE \u03B1\u03C0\u03CC\u03B4\u03BF\u03C3\u03B7: \u03A4\u03AD\u03BA\u03BD\u03BF) \u03B5\u03AF\u03BD\u03B1\u03B9 \u03BC\u03BF\u03C1\u03C6\u03AE \u03B7\u03BB\u03B5\u03BA\u03C4\u03C1\u03BF\u03BD\u03B9\u03BA\u03AE\u03C2 \u03C7\u03BF\u03C1\u03B5\u03C5\u03C4\u03B9\u03BA\u03AE\u03C2 \u03BC\u03BF\u03C5\u03C3\u03B9\u03BA\u03AE\u03C2 \u03C0\u03BF\u03C5 \u03B5\u03BC\u03C6\u03B1\u03BD\u03AF\u03C3\u03C4\u03B7\u03BA\u03B5 \u03C3\u03C4\u03BF \u039D\u03C4\u03B9\u03C4\u03C1\u03CC\u03B9\u03C4 \u03C4\u03BF\u03C5 \u039C\u03AF\u03C3\u03B9\u03B3\u03BA\u03B1\u03BD \u03C3\u03C4\u03B9\u03C2 \u0397\u03BD\u03C9\u03BC\u03AD\u03BD\u03B5\u03C2 \u03A0\u03BF\u03BB\u03B9\u03C4\u03B5\u03AF\u03B5\u03C2 \u03C0\u03C1\u03BF\u03C2 \u03C4\u03B1 \u03C4\u03AD\u03BB\u03B7 \u03C4\u03B7\u03C2 \u03B4\u03B5\u03BA\u03B1\u03B5\u03C4\u03AF\u03B1\u03C2 \u03C4\u03BF\u03C5 1980. \u0397 \u03C0\u03C1\u03CE\u03C4\u03B7 \u03BA\u03B1\u03C4\u03B1\u03B3\u03C1\u03B1\u03C6\u03CC\u03BC\u03B5\u03BD\u03B7 \u03C7\u03C1\u03AE\u03C3\u03B7 \u03C4\u03B7\u03C2 \u03BB\u03AD\u03BE\u03B7\u03C2 techno \u03C9\u03C2 \u03B1\u03BD\u03B1\u03C6\u03BF\u03C1\u03AC \u03C3\u03B5 \u03AD\u03BD\u03B1 \u03C3\u03C5\u03B3\u03BA\u03B5\u03BA\u03C1\u03B9\u03BC\u03AD\u03BD\u03BF \u03B5\u03AF\u03B4\u03BF\u03C2 \u03BC\u03BF\u03C5\u03C3\u03B9\u03BA\u03AE\u03C2 \u03AE\u03C4\u03B1\u03BD \u03C4\u03BF 1988. \u03A0\u03BF\u03BB\u03BB\u03AC \u03B5\u03AF\u03B4\u03B7 techno \u03C5\u03C0\u03AC\u03C1\u03C7\u03BF\u03C5\u03BD \u03C4\u03CE\u03C1\u03B1, \u03B1\u03BB\u03BB\u03AC \u03B7 Detroit techno \u03B8\u03B5\u03C9\u03C1\u03B5\u03AF\u03C4\u03B1\u03B9 \u03C9\u03C2 \u03C4\u03BF \u03B8\u03B5\u03BC\u03AD\u03BB\u03B9\u03BF \u03C0\u03AC\u03BD\u03C9 \u03C3\u03C4\u03BF \u03BF\u03C0\u03BF\u03AF\u03BF \u03AD\u03C7\u03BF\u03C5\u03BD \u03B4\u03B7\u03BC\u03B9\u03BF\u03C5\u03C1\u03B3\u03B7\u03B8\u03B5\u03AF \u03C0\u03BF\u03BB\u03BB\u03AC \u03C5\u03C0\u03BF\u03B5\u03AF\u03B4\u03B7 \u03BC\u03BF\u03C5\u03C3\u03B9\u03BA\u03AE\u03C2."@el . . . . . . "Te\u0125no-muziko - en multaj lingvoj la\u016D anglalingva modelo nomata Techno [\u02C8t\u025Bkno\u028A] - estas stilaro de elektronika muziko. La termino ne estas tutprecize difinita kaj kutime karakterizas plurajn, inter si proksime parencajn stilojn de elektronika muziko. \u0108irka\u016D la fenomeno de tekno-muziko evolui\u011Dis propra junulara kulturo; kaj krom en specifaj tekno-muzikaj dancejoj la muzika stilo publike videbli\u011Das aparte en publikaj strataj tekno-muzikaj paradoj kiel la \"Loveparade\" en Germanio, en kiuj granda nombro da junuloj surstrate celebras la muzikan stilon."@eo . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Techno [\u02C8t\u025Bkno(\u028A)] ist eine Musikrichtung, die in der zweiten H\u00E4lfte der 1980er-Jahre durch die Verschmelzung mehrerer Stilarten der elektronischen Tanzmusik entstanden ist. Als Basis dient insbesondere der minimalistische, bassdrum-betonte Grundrhythmus der House-Musik. Weitere essentielle Elemente zieht Techno aus den elektronisch generierten, meist in Europa entwickelten Stilen der 1970er- und 1980er-Jahre (wie Synthiepop, EBM und New Beat, aber auch Detroit Techno). Der in der Anfangszeit noch als Techno House bezeichnete Stil erlebte im Verlauf der 1990er-Jahre eine Bl\u00FCtezeit und brachte zahlreiche Unterarten hervor. Rund um die Musik existiert eine eigene Jugendkultur, die Technoszene. \u201ETechno\u201C wird auch als Oberbegriff f\u00FCr verschiedene miteinander verwandte Stilrichtungen der elektronischen Tanzmusik verwendet. In diesem Zusammenhang kn\u00FCpft er an das Verst\u00E4ndnis der 1980er-Jahre an, als \u201ETechno\u201C eine Funktion als Sammelbezeichnung f\u00FCr \u201Etechnologisch-fortschrittliche Musik\u201C innehatte."@de . "La techno \u00E8 un genere musicale nato a Detroit, negli Stati Uniti d'America, negli anni ottanta e appartenente alla electronic dance music."@it . . . . . . . . . . . . "\u062A\u0643\u0646\u0648"@ar . . . . . ""@en . . . . "El techno o tecno \u00E9s un estil de m\u00FAsica electr\u00F2nica creada a final dels anys 80, per\u00F2 adquir\u00ED la m\u00E0xima popularitat als 90. \u00C9s una evoluci\u00F3 del rock progressiu, per\u00F2 t\u00E9 unes melodies m\u00E9s electr\u00F2niques i uns ritmes m\u00E9s durs i obsessius. Utilitzaci\u00F3 d'instruments electr\u00F2nics, com sintetitzadors i samplers. No utilitza l'estructura d'una can\u00E7\u00F3, sin\u00F3 que \u00E9s estructurat de manera repetitiva segons el patr\u00F3 r\u00EDtmic anomenat four-on-the-floor, per a maximitzar l'efecte ballable de la m\u00FAsica."@ca . . . . . . . . . . . . . . . . "Techno is een elektronische muziekstijl die het levenslicht zag in de jaren zeventig van de twintigste eeuw, maar zich met name in de jaren 80 ontwikkelde in onder andere Detroit (VS) en Frankfurt (Duitsland). De term techno is vanaf het begin van de jaren negentig in de VS in gebruik geraakt als verzamelnaam voor een veel groter geheel aan elektronische muziekstijlen. Minimale veranderingen in de opzwepende baslijnen zijn essentieel voor een technoplaat waarbij het publiek een of meerdere handen dan wel vuisten in de lucht kan gooien."@nl . . . . . . . . . . . . . . . . . . . . "1123343748"^^ . . "\u0422\u0435\u0445\u043D\u043E"@ru . . . . . . . . . . "\u30C6\u30AF\u30CE (\u30C0\u30F3\u30B9\u30DF\u30E5\u30FC\u30B8\u30C3\u30AF)"@ja . . . . . . . . . . "\u30C6\u30AF\u30CE\uFF08\u82F1: Techno\uFF09\u3068\u306F\u3001\u30A2\u30E1\u30EA\u30AB\u306E\u30DF\u30B7\u30AC\u30F3\u5DDE\u30C7\u30C8\u30ED\u30A4\u30C8\u3092\u767A\u7965\u3068\u3059\u308B\u30AF\u30E9\u30D6\u30DF\u30E5\u30FC\u30B8\u30C3\u30AF\u3002\u306A\u304A\u3001\u30AF\u30E9\u30D5\u30C8\u30EF\u30FC\u30AF\u3092\u306F\u3058\u3081\u3068\u3059\u308B\u30C9\u30A4\u30C4\u3067\u751F\u307E\u308C\u305F\u96FB\u5B50\u97F3\u697D\u306F\u300C\u30C6\u30AF\u30CE\u30DD\u30C3\u30D7\u300D\u3068\u3082\u547C\u3070\u308C\u308B\u3002\u3000"@ja . . . . . . . "Universal Techno"@en . . "Techno"@nl . . . . . . "Techno\uFF0C\u53C8\u8B6F\u300C\u9AD8\u79D1\u6280\u821E\u66F2\u300D\u3001\u300C\u9435\u514B\u8AFE\u97F3\u6A02\u300D\uFF0C\u662F\u4E00\u7A2E\u96FB\u5B50\u821E\u66F2\uFF0C\u767C\u6E90\u65BC1980\u5E74\u4EE3\u4E2D\u671F\u5230\u665A\u671F\u7684\u7F8E\u570B\u5BC6\u897F\u6839\u5DDE\u5E95\u7279\u5F8B\u3002\u57281988\u5E74\uFF0C\u300CTechno\u300D\u4E00\u8A5E\u9996\u5EA6\u88AB\u7528\u4F5C\u6A19\u793A\u97F3\u6A02\u985E\u578B\uFF0C\u5982\u4ECA\u821E\u6C60\u4E0A\u5404\u7A2E\u66F2\u98A8\u4E94\u82B1\u516B\u9580\uFF0C\u65CF\u7E41\u4E0D\u53CA\u5099\u8F09\uFF0C\u7136\u800C\u5E95\u7279\u5F8B\u6D3E\uFF08Detroit techno\uFF09\u4ECD\u88AB\u8996\u70BA\u6240\u6709\u5206\u652F\u66F2\u98A8\u7684\u57FA\u5E95\u3002 \u6A02\u98A8\u6210\u5F62\u59CB\u65BC\u5169\u7A2E\u97F3\u6A02\u7684\u878D\u5408\uFF1A\u4F86\u81EA\u767D\u4EBA\u7684\u6B50\u9678\u96FB\u97F3\u5B50\u97F3\u6A02\uFF0C\u4F8B\u5982Kraftwerk\uFF0C\u4EE5\u53CA\u653E\u514B\uFF08funk\uFF09\u3001electro\u3001\u829D\u52A0\u54E5House\u8207\u96FB\u8072\u7235\u58EB\u7B49\u7F8E\u570B\u9ED1\u4EBA\u97F3\u6A02\uFF1B\u9664\u6B64\u4E4B\u5916\uFF0C\u8207\u7F8E\u570B\u665A\u671F\u8CC7\u672C\u4E3B\u7FA9\u793E\u6703\u76F8\u95DC\uFF0C\u5145\u6EFF\u672A\u4F86\u611F\u7684\u79D1\u5E7B\u4E3B\u984C\u4E5F\u5C0D\u9435\u53EF\u8AFE\u5F71\u97FF\u6DF1\u9060\uFF0C\u5C24\u5176\u662F\u827E\u6587\u00B7\u6258\u4F5B\u52D2 \uFF08Alvin Toffler\uFF09\u7684\u8457\u4F5C\u300A\u7B2C\u4E09\u6CE2\u300B\uFF08The Third Wave\uFF09\u3002\u9435\u514B\u8AFE\u88FD\u4F5C\u4EBA\u59CB\u7956\u80E1\u5B89\u00B7\u963F\u7279\u91D1\u65AF\uFF08Juan Atkins\uFF09\u66FE\u8AAA\u904E\uFF0C\u4ED6\u4E4B\u6240\u4EE5\u7528\u300CTechno\u300D\u4F86\u5F62\u5BB9\u81EA\u5DF1\u6240\u5275\u9020\u7684\u97F3\u6A02\u98A8\u683C\uFF0C\u5C31\u662F\u53D7\u5230\u6258\u4F5B\u52D2\u767C\u660E\u7684\u8A5E\u5F59\u300CTechno\u53DB\u8ECD\u300D\uFF08\"techno rebels\"\uFF09\u555F\u767C\u6240\u81F4\uFF1B\u57FA\u65BC\u4EE5\u4E0A\u7368\u7279\u5F71\u97FF\u5143\u7D20\uFF0C\u4EBA\u5011\u6703\u5C07\u9435\u514B\u8AFE\u7D0D\u5165\u4E00\u7A2E\u7A31\u9ED1\u4EBA\u672A\u4F86\u6D3E\u4E3B\u7FA9\uFF08afrofuturism\uFF09\u7684\u7F8E\u5B78\u6982\u5FF5\u3002\u5C0D\u5FB7\u91CC\u514B\u00B7\u6885\uFF08Derrick May\uFF09\u7B49\u88FD\u4F5C\u4EBA\u4F86\u8AAA\uFF0C\u5C07\u9748\u9B42\u5F9E\u8089\u8EAB\u79FB\u8F49\u81F3\u6A5F\u68B0\uFF0C\u662F\u4ED6\u5011\u7684\u4E2D\u5FC3\u601D\u60F3\uFF0C\u4E00\u7A2E\u79D1\u6280\u9748\u9B42\u7684\u8868\u73FE\uFF1B\u5F9E\u9019\u89D2\u5EA6\u5207\u5165\uFF0C\u300C\u9435\u514B\u8AFE\u821E\u66F2\u64CA\u6F70\u4E86\u72C4\u5967\u591A\u00B7\u963F\u591A\u8AFE\uFF08Theodor Adorno\uFF09\u6240\u8A8D\u70BA\u6A5F\u68B0\u5316\u5C0D\u73FE\u4EE3\u610F\u8B58\u9020\u6210\u7684\u758F\u96E2\u6548\u679C\u300D\u3002"@zh . . . . "Techno \u00E9 uma forma de electronic dance music que surgiu em Detroit, Michigan (Estados Unidos) em meados da d\u00E9cada de 1980. O primeiro registro da palavra \u201Ctechno\u201D em refer\u00EAncia a um g\u00EAnero musical data de 1988. Existem muitos estilos de techno, mas o detroit techno \u00E9 visto como a base sobre a qual v\u00E1rios subg\u00EAneros foram desenvolvidos. Em Detroit, o techno resultou da fus\u00E3o da m\u00FAsica afro-americana \u2014 incluindo funk, electro, jazz el\u00E9trico e chicago house \u2014 com m\u00FAsica eletr\u00F4nica de artistas como Kraftwerk, Giorgio Moroder e Yellow Magic Orchestra. Al\u00E9m disso, houve a influ\u00EAncia de temas fict\u00EDcios e futuristas relevantes para a vida da sociedade estadunidense capitalista tardia. O livro A Terceira Onda, de Alvin Toffler, foi uma refer\u00EAncia not\u00E1vel. O produtor pioneiro Juan Atkins cita a express\u00E3o \u201Crebeldes tecno\u201D, de Toffler, como uma inspira\u00E7\u00E3o para a descri\u00E7\u00E3o do estilo musical que ele ajudou a criar. Essa mistura de influ\u00EAncias alinha o techno com a est\u00E9tica do afrofuturismo. Para produtores como Derrick May, a transfer\u00EAncia de esp\u00EDrito do corpo para a m\u00E1quina \u00E9, muitas vezes, uma preocupa\u00E7\u00E3o central e uma express\u00E3o da espiritualidade tecnol\u00F3gica: \u201Ca m\u00FAsica techno derrota o que Adorno viu como o efeito alienante da mecaniza\u00E7\u00E3o na consci\u00EAncia moderna\u201D. Geralmente o techno \u00E9 uma m\u00FAsica instrumental repetitiva, muitas vezes produzida para uso em uma setlist de um DJ. O componente r\u00EDtmico central frequentemente \u00E9 o tempo comum (4/4), que \u00E9 marcado com um bumbo em cada pulso de nota de um quarto; um ret\u00E2ngulo jogado por snare ou aplauso no segundo; e quatro pulsos da barra e um aberto oi-hat toca a cada segunda oitava nota. O tempo tende a variar entre 120 e 150 batimentos por minuto (BPM). O uso criativo da tecnologia de produ\u00E7\u00E3o de m\u00FAsica, como tambores, sintetizadores e digital audio workstations, \u00E9 visto como um aspecto importante da est\u00E9tica da m\u00FAsica techno. Muitos produtores usam dispositivos musicais eletr\u00F4nicos retr\u00F4s para criar o que eles consideram ser um aut\u00EAntico som techno. As m\u00E1quinas de cilindro da d\u00E9cada de 1980, como o TR-808 e o TR-909 da Roland, s\u00E3o altamente apreciadas, e as emula\u00E7\u00F5es de software dessa tecnologia retr\u00F4 s\u00E3o populares entre os produtores de techno. F\u00E3s e jornalistas de m\u00FAsica costumam ser seletivos no uso do termo. Ent\u00E3o, uma distin\u00E7\u00E3o clara pode ser feita entre os estilos relacionados, mas muitas vezes diferentes, como o trance e o tech house."@pt . . . "Techno is een elektronische muziekstijl die het levenslicht zag in de jaren zeventig van de twintigste eeuw, maar zich met name in de jaren 80 ontwikkelde in onder andere Detroit (VS) en Frankfurt (Duitsland). De term techno is vanaf het begin van de jaren negentig in de VS in gebruik geraakt als verzamelnaam voor een veel groter geheel aan elektronische muziekstijlen. Minimale veranderingen in de opzwepende baslijnen zijn essentieel voor een technoplaat waarbij het publiek een of meerdere handen dan wel vuisten in de lucht kan gooien."@nl . . "Techno is a genre of electronic dance music (EDM) which is generally produced for use in a continuous DJ set, with tempo often varying between 120 and 150 beats per minute (bpm). The central rhythm is typically in common time (4/4) and often characterized by a repetitive four on the floor beat. Artists may use electronic instruments such as drum machines, sequencers, and synthesizers, as well as digital audio workstations. Drum machines from the 1980s such as Roland's TR-808 and TR-909 are highly prized, and software emulations of such retro instruments are popular. Much of the instrumentation in techno emphasizes the role of rhythm over other musical parameters. Techno tracks mainly progress over manipulation of timbral characteristics of synthesizer presets and, unlike forms of EDM that tend to be produced with synthesizer keyboards, techno does not always strictly adhere to the harmonic practice of Western music and such structures are often ignored in favor of timbral manipulation alone. Another distinguishing feature of techno music and techno aesthetic is the general embracement of creative use of music production technology. Use of the term \"techno\" to refer to a type of electronic music originated in Germany in the early 1980s. In 1988, following the UK release of the compilation Techno! The New Dance Sound of Detroit, the term came to be associated with a form of EDM produced in Detroit. Detroit techno resulted from the melding of synth-pop by artists such as Kraftwerk, Giorgio Moroder and Yellow Magic Orchestra with African American styles such as house, electro, and funk. Added to this is the influence of futuristic and science-fiction themes relevant to life in American late capitalist society, with Alvin Toffler's book The Third Wave a notable point of reference. The music produced in the mid-to-late 1980s by Juan Atkins, Derrick May, and Kevin Saunderson (collectively known as The Belleville Three), along with Eddie Fowlkes, Blake Baxter, James Pennington and others is viewed as the first wave of techno from Detroit. After the success of house music in a number of European countries, techno grew in popularity in the UK, Germany, Belgium and the Netherlands. In Europe regional variants quickly evolved and by the early 1990s techno subgenres such as acid, hardcore, bleep, ambient, and dub techno had developed. Music journalists and fans of techno are generally selective in their use of the term, so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance."@en . . . . . "123695"^^ . . . "\u30C6\u30AF\u30CE\uFF08\u82F1: Techno\uFF09\u3068\u306F\u3001\u30A2\u30E1\u30EA\u30AB\u306E\u30DF\u30B7\u30AC\u30F3\u5DDE\u30C7\u30C8\u30ED\u30A4\u30C8\u3092\u767A\u7965\u3068\u3059\u308B\u30AF\u30E9\u30D6\u30DF\u30E5\u30FC\u30B8\u30C3\u30AF\u3002\u306A\u304A\u3001\u30AF\u30E9\u30D5\u30C8\u30EF\u30FC\u30AF\u3092\u306F\u3058\u3081\u3068\u3059\u308B\u30C9\u30A4\u30C4\u3067\u751F\u307E\u308C\u305F\u96FB\u5B50\u97F3\u697D\u306F\u300C\u30C6\u30AF\u30CE\u30DD\u30C3\u30D7\u300D\u3068\u3082\u547C\u3070\u308C\u308B\u3002\u3000"@ja . "\u0397 Techno (\u03B5\u03BB\u03BB\u03B7\u03BD\u03B9\u03BA\u03AE \u03B1\u03C0\u03CC\u03B4\u03BF\u03C3\u03B7: \u03A4\u03AD\u03BA\u03BD\u03BF) \u03B5\u03AF\u03BD\u03B1\u03B9 \u03BC\u03BF\u03C1\u03C6\u03AE \u03B7\u03BB\u03B5\u03BA\u03C4\u03C1\u03BF\u03BD\u03B9\u03BA\u03AE\u03C2 \u03C7\u03BF\u03C1\u03B5\u03C5\u03C4\u03B9\u03BA\u03AE\u03C2 \u03BC\u03BF\u03C5\u03C3\u03B9\u03BA\u03AE\u03C2 \u03C0\u03BF\u03C5 \u03B5\u03BC\u03C6\u03B1\u03BD\u03AF\u03C3\u03C4\u03B7\u03BA\u03B5 \u03C3\u03C4\u03BF \u039D\u03C4\u03B9\u03C4\u03C1\u03CC\u03B9\u03C4 \u03C4\u03BF\u03C5 \u039C\u03AF\u03C3\u03B9\u03B3\u03BA\u03B1\u03BD \u03C3\u03C4\u03B9\u03C2 \u0397\u03BD\u03C9\u03BC\u03AD\u03BD\u03B5\u03C2 \u03A0\u03BF\u03BB\u03B9\u03C4\u03B5\u03AF\u03B5\u03C2 \u03C0\u03C1\u03BF\u03C2 \u03C4\u03B1 \u03C4\u03AD\u03BB\u03B7 \u03C4\u03B7\u03C2 \u03B4\u03B5\u03BA\u03B1\u03B5\u03C4\u03AF\u03B1\u03C2 \u03C4\u03BF\u03C5 1980. \u0397 \u03C0\u03C1\u03CE\u03C4\u03B7 \u03BA\u03B1\u03C4\u03B1\u03B3\u03C1\u03B1\u03C6\u03CC\u03BC\u03B5\u03BD\u03B7 \u03C7\u03C1\u03AE\u03C3\u03B7 \u03C4\u03B7\u03C2 \u03BB\u03AD\u03BE\u03B7\u03C2 techno \u03C9\u03C2 \u03B1\u03BD\u03B1\u03C6\u03BF\u03C1\u03AC \u03C3\u03B5 \u03AD\u03BD\u03B1 \u03C3\u03C5\u03B3\u03BA\u03B5\u03BA\u03C1\u03B9\u03BC\u03AD\u03BD\u03BF \u03B5\u03AF\u03B4\u03BF\u03C2 \u03BC\u03BF\u03C5\u03C3\u03B9\u03BA\u03AE\u03C2 \u03AE\u03C4\u03B1\u03BD \u03C4\u03BF 1988. \u03A0\u03BF\u03BB\u03BB\u03AC \u03B5\u03AF\u03B4\u03B7 techno \u03C5\u03C0\u03AC\u03C1\u03C7\u03BF\u03C5\u03BD \u03C4\u03CE\u03C1\u03B1, \u03B1\u03BB\u03BB\u03AC \u03B7 Detroit techno \u03B8\u03B5\u03C9\u03C1\u03B5\u03AF\u03C4\u03B1\u03B9 \u03C9\u03C2 \u03C4\u03BF \u03B8\u03B5\u03BC\u03AD\u03BB\u03B9\u03BF \u03C0\u03AC\u03BD\u03C9 \u03C3\u03C4\u03BF \u03BF\u03C0\u03BF\u03AF\u03BF \u03AD\u03C7\u03BF\u03C5\u03BD \u03B4\u03B7\u03BC\u03B9\u03BF\u03C5\u03C1\u03B3\u03B7\u03B8\u03B5\u03AF \u03C0\u03BF\u03BB\u03BB\u03AC \u03C5\u03C0\u03BF\u03B5\u03AF\u03B4\u03B7 \u03BC\u03BF\u03C5\u03C3\u03B9\u03BA\u03AE\u03C2."@el . . . . . . . . . . . "\u0422\u0435\u0301\u0445\u043D\u043E (\u0430\u043D\u0433\u043B. Techno) \u2014 \u043D\u0430\u043F\u0440\u044F\u043C\u043E\u043A \u0435\u043B\u0435\u043A\u0442\u0440\u043E\u043D\u043D\u043E\u0457 \u043C\u0443\u0437\u0438\u043A\u0438, \u0449\u043E \u0437\u0430\u0440\u043E\u0434\u0438\u0432\u0441\u044F \u0432 \u0441\u0435\u0440\u0435\u0434\u0438\u043D\u0456 1980-\u0445 \u0440\u043E\u043A\u0456\u0432 \u0443 \u0414\u0435\u0442\u0440\u043E\u0439\u0442\u0456 (\u0421\u0428\u0410) \u0442\u0430 \u0439\u043E\u0433\u043E \u043E\u043A\u043E\u043B\u0438\u0446\u044F\u0445 \u0456 \u0437\u0433\u043E\u0434\u043E\u043C \u0431\u0443\u0432 \u043F\u0456\u0434\u0445\u043E\u043F\u043B\u0435\u043D\u0438\u0439 \u0454\u0432\u0440\u043E\u043F\u0435\u0439\u0441\u044C\u043A\u0438\u043C\u0438 \u043F\u0440\u043E\u0434\u044E\u0441\u0435\u0440\u0430\u043C\u0438. \u0425\u0430\u0440\u0430\u043A\u0442\u0435\u0440\u0438\u0437\u0443\u0454\u0442\u044C\u0441\u044F \u0448\u0442\u0443\u0447\u043D\u0456\u0441\u0442\u044E \u0437\u0432\u0443\u043A\u0443, \u043F\u0456\u0434\u043A\u0440\u0435\u0441\u043B\u0435\u043D\u043E \u043C\u0435\u0445\u0430\u043D\u0456\u0447\u043D\u0438\u043C\u0438 \u0440\u0438\u0442\u043C\u0430\u043C\u0438, \u0431\u0430\u0433\u0430\u0442\u043E\u0440\u0430\u0437\u043E\u0432\u0438\u043C\u0438 \u043F\u043E\u0432\u0442\u043E\u0440\u0435\u043D\u043D\u044F\u043C\u0438 \u0441\u0442\u0440\u0443\u043A\u0442\u0443\u0440\u043D\u0438\u0445 \u0435\u043B\u0435\u043C\u0435\u043D\u0442\u0456\u0432 \u043C\u0443\u0437\u0438\u0447\u043D\u043E\u0433\u043E \u0442\u0432\u043E\u0440\u0443. \u0406\u043D\u043E\u0434\u0456 \u0442\u0435\u0440\u043C\u0456\u043D \u00AB\u0442\u0435\u0445\u043D\u043E\u00BB \u0432\u0436\u0438\u0432\u0430\u044E\u0442\u044C \u0441\u0442\u043E\u0441\u043E\u0432\u043D\u043E \u0432\u0441\u0456\u0454\u0457 \u0435\u043B\u0435\u043A\u0442\u0440\u043E\u043D\u043D\u043E\u0457 \u0442\u0430\u043D\u0446\u044E\u0432\u0430\u043B\u044C\u043D\u043E\u0457 \u043C\u0443\u0437\u0438\u043A\u0438, \u043E\u0434\u043D\u0430\u043A \u0446\u0435 \u043D\u0435 \u0437\u043E\u0432\u0441\u0456\u043C \u043A\u043E\u0440\u0435\u043A\u0442\u043D\u043E \u2014 \u043E\u0441\u0442\u0430\u043D\u043D\u044F \u0432\u043A\u043B\u044E\u0447\u0430\u0454 \u0442\u0430\u043A\u043E\u0436 \u043D\u0430\u043F\u0440\u044F\u043C\u043A\u0438 \u0445\u0430\u0443\u0437, \u0442\u0440\u0430\u043D\u0441, \u0430 \u0442\u0430\u043A\u043E\u0436 \u043F\u0456\u0434\u0441\u0442\u0438\u043B\u0456, \u0442\u0430\u043A\u0456 \u044F\u043A \u0445\u0430\u0440\u0434\u043A\u043E\u0440 \u0442\u0435\u0445\u043D\u043E."@uk . . . "Techno je sub\u017E\u00E1nr elektronick\u00E9 tane\u010Dn\u00ED hudby, kter\u00FD vzniknul v 80. a pln\u011B se rozvinul v 90. letech 20. stolet\u00ED. V techno hudb\u011B je (jako u v\u011Bt\u0161iny druh\u016F elektronick\u00E9 tane\u010Dn\u00ED hudby) kladen d\u016Fraz na v\u00FDrazn\u00FD rytmus (zalo\u017Een\u00FD zejm\u00E9na na monot\u00F3nn\u00EDm st\u0159\u00EDd\u00E1n\u00ED \u00FAder\u016F basov\u00E9ho bubnu a hi-hat) a rychl\u00E9 tempo, p\u0159i\u010Dem\u017E prakticky ve\u0161ker\u00E9 pou\u017E\u00EDvan\u00E9 zvuky jsou generov\u00E1ny elektronick\u00FDmi hudebn\u00EDmi n\u00E1stroji a p\u0159\u00EDstroji. Podstatou techno hudby je opakov\u00E1n\u00ED ur\u010Dit\u00E9 , co\u017E v poslucha\u010Di vytv\u00E1\u0159\u00ED pocit ur\u010Dit\u00E9ho nap\u011Bt\u00ED a dokonce m\u016F\u017Ee vyvolat jist\u00FD druh extatick\u00E9ho transu, pocitu. Tak, jak vznikalo i Trance postupovalo vst\u0159\u00EDc. Techno hudba je v drtiv\u00E9 v\u011Bt\u0161in\u011B \u010Dist\u011B instrument\u00E1ln\u00ED, skladby obvykle postr\u00E1daj\u00ED klasickou strukturu pou\u017E\u00EDvanou v popov\u00E9 hudb\u011B (sloka/refr\u00E9n), pou\u017E\u00EDvan\u00E9 zvuky nijak nep\u0159ipom\u00EDnaj\u00ED b\u011B\u017En\u00E9 hudebn\u00ED "@cs . . . . . . . . . . . . . . . . . . . . . . .