"Ronda (m\u00FAsica)"@pt . . . "Canone perpetuo"@it . "1110102359"^^ . "\uB3CC\uB9BC\uB178\uB798"@ko . . . . . . . "Un canone perpetuo, anche canone infinito, canone circolare o rota (in inglese round, latino canon perpetuus) \u00E8 un tipo di canone, una composizione musicale in cui due o pi\u00F9 voci cantano esattamente uguali melodie (e possono continuare a ripeterle all'infinito), ma con ogni voce che inizia in momenti diversi in modo che le diverse parti della melodia coincidano nelle diverse voci e tuttavia si fondano insieme armoniosamente. Non tutti i \"round\" sono rime per bambini. Compositori di musiche serie come Thomas Arne, John Blow, William Byrd, Henry Purcell e hanno scritto canoni perpetui."@it . . . . . . . . . . . . . . . . "\uB3CC\uB9BC\uB178\uB798 \uB610\uB294 \uC724\uCC3D(\u8F2A\u5531)\uC740 \uAC19\uC740 \uC120\uC728\uC744 \uC2DC\uAC04\uCC28\uB97C \uB450\uACE0 \uC5EC\uB7EC \uC131\uBD80\uC5D0\uC11C \uBD80\uB974\uB294 \uB178\uB798\uB85C \uCE74\uB17C\uC758 \uC77C\uC885\uC774\uB2E4. \uD55C \uC608\uB85C \uB2E4\uC12F \uC131\uBD80\uAC00 \uAC19\uC774 \uBD80\uB974\uB294 \u3008\uB3D9\uB124 \uD55C \uBC14\uD034\u3009\uAC00 \uC788\uB2E4. \uAC00\uC7A5 \uC624\uB798\uB41C \uB3CC\uB9BC\uB178\uB798\uB294 13\uC138\uAE30 \uD6C4\uBC18 \uC911\uC138\uC601\uC5B4\uB85C \uC4F0\uC778 \u3008\uC5EC\uB984\uC774 \uC624\uB2E4\u3009(Sumer is icumen in)\uC774\uB2E4."@ko . . . "A ronda (ou c\u00E2none perp\u00E9tuo), \u00E9 um tipo de c\u00E2none executado em un\u00EDssono ou em uma oitava, por tr\u00EAs ou mais vozes, em que as entradas s\u00E3o sucessivas e cada voz pode reiniciar assim que terminar sua linha mel\u00F3dica, de modo que a pe\u00E7a pode ser repetida infinitas vezes."@pt . . "Ronda (m\u00FAsica)"@es . . "A ronda (ou c\u00E2none perp\u00E9tuo), \u00E9 um tipo de c\u00E2none executado em un\u00EDssono ou em uma oitava, por tr\u00EAs ou mais vozes, em que as entradas s\u00E3o sucessivas e cada voz pode reiniciar assim que terminar sua linha mel\u00F3dica, de modo que a pe\u00E7a pode ser repetida infinitas vezes."@pt . . . . . . . . . . . . "\u8F2A\u5531 (\u5927\u8846\u97F3\u697D)"@ja . . . . . . . . "\uB3CC\uB9BC\uB178\uB798 \uB610\uB294 \uC724\uCC3D(\u8F2A\u5531)\uC740 \uAC19\uC740 \uC120\uC728\uC744 \uC2DC\uAC04\uCC28\uB97C \uB450\uACE0 \uC5EC\uB7EC \uC131\uBD80\uC5D0\uC11C \uBD80\uB974\uB294 \uB178\uB798\uB85C \uCE74\uB17C\uC758 \uC77C\uC885\uC774\uB2E4. \uD55C \uC608\uB85C \uB2E4\uC12F \uC131\uBD80\uAC00 \uAC19\uC774 \uBD80\uB974\uB294 \u3008\uB3D9\uB124 \uD55C \uBC14\uD034\u3009\uAC00 \uC788\uB2E4. \uAC00\uC7A5 \uC624\uB798\uB41C \uB3CC\uB9BC\uB178\uB798\uB294 13\uC138\uAE30 \uD6C4\uBC18 \uC911\uC138\uC601\uC5B4\uB85C \uC4F0\uC778 \u3008\uC5EC\uB984\uC774 \uC624\uB2E4\u3009(Sumer is icumen in)\uC774\uB2E4."@ko . . . . "A round (also called a perpetual canon [canon perpetuus] or infinite canon) is a musical composition, a limited type of canon, in which a minimum of three voices sing exactly the same melody at the unison (and may continue repeating it indefinitely), but with each voice beginning at different times so that different parts of the melody coincide in the different voices, but nevertheless fit harmoniously together. It is one of the easiest forms of part singing, as only one line of melody need be learned by all parts, and is part of a popular musical tradition. They were particularly favoured in glee clubs, which combined amateur singing with regular drinking. The earliest known rounds date from 12th century Europe. One characteristic of rounds is that, \"There is no fixed ending,\" in the sense that they may be repeated as many times as possible, although many do have \"fixed\" endings, often indicated by a fermata. \"Row, Row, Row Your Boat\" is a well-known children's round for four voices. Other well-known examples are \"Fr\u00E8re Jacques\", \"Three Blind Mice\", and, more recently, the outro of \"God Only Knows\" by The Beach Boys. A catch is a round in which a phrase that is not apparent in a single line of lyrics emerges when the lyrics are split between the different voices. \"Perpetual canon\" refers to the end of the melody leading back to the beginning, allowing easy and immediate repetition. Often, \"the final cadence is the same as the first measure\"."@en . . "\u8F2A\u5531 (\u308A\u3093\u3057\u3087\u3046\uFF09\u306F\u5408\u5531\u306B\u53C2\u52A0\u3059\u308B\u4EBA\u305F\u3061\u30922\u3064\u4EE5\u4E0A\u306E\u30B0\u30EB\u30FC\u30D7\u306B\u5206\u3051\u3001\u305D\u308C\u305E\u308C\u306E\u30B0\u30EB\u30FC\u30D7\u3092\u591A\u5C11\u305A\u3089\u3057\u3066\u540C\u3058\uFF08\u307E\u305F\u306F\u591A\u5C11\u9055\u3046\uFF09\u65CB\u5F8B\u3068\u6B4C\u8A5E\u3092\u6B4C\u308F\u305B\u3001\u30CF\u30FC\u30E2\u30CB\u30FC\u3092\u697D\u3057\u3080\u3082\u306E\u3002\u7279\u306B\u5B66\u6821\u3067\u3001\u3042\u308B\u3044\u306F\u5B50\u4F9B\u305F\u3061\u306E\u96C6\u307E\u308A\u3067\u76DB\u3093\u306B\u6B4C\u308F\u308C\u308B\u3002"@ja . "25801"^^ . . . . . . . . "A round (also called a perpetual canon [canon perpetuus] or infinite canon) is a musical composition, a limited type of canon, in which a minimum of three voices sing exactly the same melody at the unison (and may continue repeating it indefinitely), but with each voice beginning at different times so that different parts of the melody coincide in the different voices, but nevertheless fit harmoniously together. It is one of the easiest forms of part singing, as only one line of melody need be learned by all parts, and is part of a popular musical tradition. They were particularly favoured in glee clubs, which combined amateur singing with regular drinking. The earliest known rounds date from 12th century Europe. One characteristic of rounds is that, \"There is no fixed ending,\" in the sens"@en . . . . . . "10538"^^ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Un canone perpetuo, anche canone infinito, canone circolare o rota (in inglese round, latino canon perpetuus) \u00E8 un tipo di canone, una composizione musicale in cui due o pi\u00F9 voci cantano esattamente uguali melodie (e possono continuare a ripeterle all'infinito), ma con ogni voce che inizia in momenti diversi in modo che le diverse parti della melodia coincidano nelle diverse voci e tuttavia si fondano insieme armoniosamente. Questa \u00E8 una delle forme pi\u00F9 facili di canto a pi\u00F9 voci, poich\u00E9 una sola melodia viene cantata da tutte le voci, e fa parte della tradizione della musicale popolare. \"Row, Row, Row Your Boat\" \u00E8 un noto canone perpetuo per bambini a 4 voci, come anche \"Fra Martino\", \"London's Burning\" e \"Three Blind Mice\". Non tutti i \"round\" sono rime per bambini. Compositori di musiche serie come Thomas Arne, John Blow, William Byrd, Henry Purcell e hanno scritto canoni perpetui. Anche il catch \u00E8 un \"round\" in cui una frase, che apparentemente non \u00E8 presente in un singolo verso cantato da ogni voce, emerge quando lo stesso viene cantato dalle singole voci con entrata in tempi differenti. Erano particolarmente eseguiti nei club in cui si univa il canto dilettante al bere vino in allegria (The Aldrich Book of Catches (1989) , pp 8\u201322, particolarmente a p 21: \"Catch-singing is unthinkable without a supply of liquor to hand...\"). In alcuni casi il catch pu\u00F2 assumere contorni osceni, come in quello del I conte di Mornington del 1774, \"See the bowl sparkles\", in cui, alle battute 5-8, le differenti voci cantano e tengono, successivamente, le parole \"see\", \"you\", \"end\" e \"tea\" che sono innocue nel contesto di ogni singola parte ma che chiaramente danno \"cunt\" (fica) durante l'esecuzione (n. 200 in The Aldrich Book of Catches (1989))."@it . "La ronda es una composici\u00F3n vocal corta donde todas las voces cantan la misma melod\u00EDa en el mismo tono, y puede continuarse repitiendo indefinidamente hasta que los cantantes decidan concluir, pero en la que cada voz comienza a cantar una serie de tiempos despu\u00E9s de la anterior, de modo que la melod\u00EDa se imita a s\u00ED misma de forma similar al canon. Es una de las formas musicales m\u00E1s f\u00E1ciles del canto, ya que basta con que todas las partes aprendan una \u00FAnica l\u00EDnea de melod\u00EDa. Esta forma musical forma parte de la m\u00FAsica tradicional popular de muchos pa\u00EDses."@es . . . . . . . "La ronda es una composici\u00F3n vocal corta donde todas las voces cantan la misma melod\u00EDa en el mismo tono, y puede continuarse repitiendo indefinidamente hasta que los cantantes decidan concluir, pero en la que cada voz comienza a cantar una serie de tiempos despu\u00E9s de la anterior, de modo que la melod\u00EDa se imita a s\u00ED misma de forma similar al canon. Es una de las formas musicales m\u00E1s f\u00E1ciles del canto, ya que basta con que todas las partes aprendan una \u00FAnica l\u00EDnea de melod\u00EDa. Esta forma musical forma parte de la m\u00FAsica tradicional popular de muchos pa\u00EDses."@es . . . . . . . . . . . . . . . . "Round (music)"@en . "\u8F2A\u5531 (\u308A\u3093\u3057\u3087\u3046\uFF09\u306F\u5408\u5531\u306B\u53C2\u52A0\u3059\u308B\u4EBA\u305F\u3061\u30922\u3064\u4EE5\u4E0A\u306E\u30B0\u30EB\u30FC\u30D7\u306B\u5206\u3051\u3001\u305D\u308C\u305E\u308C\u306E\u30B0\u30EB\u30FC\u30D7\u3092\u591A\u5C11\u305A\u3089\u3057\u3066\u540C\u3058\uFF08\u307E\u305F\u306F\u591A\u5C11\u9055\u3046\uFF09\u65CB\u5F8B\u3068\u6B4C\u8A5E\u3092\u6B4C\u308F\u305B\u3001\u30CF\u30FC\u30E2\u30CB\u30FC\u3092\u697D\u3057\u3080\u3082\u306E\u3002\u7279\u306B\u5B66\u6821\u3067\u3001\u3042\u308B\u3044\u306F\u5B50\u4F9B\u305F\u3061\u306E\u96C6\u307E\u308A\u3067\u76DB\u3093\u306B\u6B4C\u308F\u308C\u308B\u3002"@ja .