. . . . . "1964"^^ . . . . "17583261"^^ . . . . . "2731"^^ . "1963"^^ . . . . . . . . . . . . . "Recorded Live On Stage"@en . . . "1962"^^ . . . "noref"@en . "September 1963"@en . . "Mary wells Live.jpg"@en . . . "Recorded Live On Stage"@en . . . . . . . . . . . "(M 611)"@en . . . . . "Regal Theatre, Chicago; Graystone Ballroom, Detroit; Apollo Theater, New York City"@en . . . . . . . . "Recorded Live On Stage is the name of a 1963 live album recorded by Motown star Mary Wells. The album was the only live album released by the soul singer during her short but successful tenure with Motown Records in the early sixties. The album starts off with an a cappella introduction of Wells by her backup vocalists, The Love-Tones, who are heard throughout the album. Her live version of her first release, \"Bye, Bye, Baby\" improved upon the studio version and became the way she would perform it from then on. The only other live performances Wells recorded on Motown can be found on the first two volumes of the Motortown Revue series. Marvin Gaye, the Marvelettes, (Little) Stevie Wonder and Smokey Robinson & The Miracles also recorded albums in the Recorded Live On Stage series."@en . . . . "Recorded Live On Stage is the name of a 1963 live album recorded by Motown star Mary Wells. The album was the only live album released by the soul singer during her short but successful tenure with Motown Records in the early sixties. The album starts off with an a cappella introduction of Wells by her backup vocalists, The Love-Tones, who are heard throughout the album. Her live version of her first release, \"Bye, Bye, Baby\" improved upon the studio version and became the way she would perform it from then on. The only other live performances Wells recorded on Motown can be found on the first two volumes of the Motortown Revue series. Marvin Gaye, the Marvelettes, (Little) Stevie Wonder and Smokey Robinson & The Miracles also recorded albums in the Recorded Live On Stage series."@en . . . . "1081699829"^^ . . "June 2019"@en . . . . . . . . .