. "Progressive soul (often shortened to prog-soul; also called black prog, black rock, and progressive R&B) is a type of African-American music that uses a progressive approach, particularly in the context of the soul and funk genres. It developed in the late 1960s and early 1970s through the recordings of innovative black musicians who pushed the structural and stylistic boundaries of those genres. Among their influences were musical forms that arose from rhythm and blues music's transformation into rock, such as Motown, progressive rock, psychedelic soul, and jazz fusion."@en . . . . . . "Progressive soul (often shortened to prog-soul; also called black prog, black rock, and progressive R&B) is a type of African-American music that uses a progressive approach, particularly in the context of the soul and funk genres. It developed in the late 1960s and early 1970s through the recordings of innovative black musicians who pushed the structural and stylistic boundaries of those genres. Among their influences were musical forms that arose from rhythm and blues music's transformation into rock, such as Motown, progressive rock, psychedelic soul, and jazz fusion. Progressive soul music can feature an eclectic range of influences, from both African and European sources. Musical characteristics commonly found in works of the genre are traditional R&B melodies, complex vocal patterns, rhythmically-unified extended composition, ambitious rock guitar, and instrumental techniques borrowed from jazz. Prog-soul artists often write songs around album-oriented concepts and socially conscious topics based in the African-American experience, left-wing politics, and bohemianism, sometimes employing thematic devices from Afrofuturism and science fiction. Their lyrics, while challenging, can also be marked by irony and humor. The original progressive soul movement peaked in the 1970s with the works of Stevie Wonder, Marvin Gaye, Curtis Mayfield, Sly and the Family Stone, Parliament-Funkadelic, and Earth, Wind & Fire, among others. Since the 1980s, both prominent American and British acts have recorded music in its tradition, including Prince, Peter Gabriel, Sade, Bilal, and Janelle Mon\u00E1e. The neo soul wave of the late 1990s and early 2000s, featuring the Soulquarians collective, is considered a derivative development of the genre."@en . . . . . . . . "25"^^ . . . . "La soul progressive (Progressive soul) (\u00E9galement appel\u00E9 prog-soul, black prog, black rock, RnB progressif \u2014 aussi abr\u00E9g\u00E9 en R'n'B progressif, R&B progressif \u2014) est un type de musique afro-am\u00E9ricaine qui utilise une approche progressive."@fr . . . . "Soul progressive"@fr . . . . . . . . . . . . . . . . . . . . . . . . . "La soul progressive (Progressive soul) (\u00E9galement appel\u00E9 prog-soul, black prog, black rock, RnB progressif \u2014 aussi abr\u00E9g\u00E9 en R'n'B progressif, R&B progressif \u2014) est un type de musique afro-am\u00E9ricaine qui utilise une approche progressive. Il s'est d\u00E9velopp\u00E9 \u00E0 la fin des ann\u00E9es 1960 et au d\u00E9but des ann\u00E9es 1970 gr\u00E2ce aux enregistrements de musiciens noirs innovants qui ont repouss\u00E9 les limites structurelles et stylistiques de ces genres. Parmi leurs influences figuraient des formes musicales issues de la transformation de la musique rhythm and blues en rock, comme Motown, rock progressif, soul psych\u00E9d\u00E9lique et jazz fusion."@fr . . "1104236679"^^ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Progressive soul"@en . . . . . . . . . "Soul progressivo"@pt . . . . . . . . . . . . . "66473622"^^ . . . . "Soul progressivo (freq\u00FCentemente abreviado para prog-soul; tamb\u00E9m chamado de black prog e black rock) \u00E9 um tipo de m\u00FAsica afro americana que utiliza uma abordagem progressiva articularmente no contexto dos g\u00EAneros soul e funk. Ele se desenvolveu no final dos anos 1960 e no in\u00EDcio dos anos 1970 por meio de grava\u00E7\u00F5es de m\u00FAsicos negros inovadores que ultrapassaram os limites estruturais e estil\u00EDsticos desses g\u00EAneros. Entre suas influ\u00EAncias estavam formas musicais que surgiram da transforma\u00E7\u00E3o da m\u00FAsica rhythm and blues em rock como Motown, rock progressivo, soul psicod\u00E9lico e jazz fusion. A m\u00FAsica soul progressiva pode apresentar uma gama ecl\u00E9tica de influ\u00EAncias, tanto de fontes africanas quanto europ\u00E9ias. As caracter\u00EDsticas musicais comumente encontradas em obras do g\u00EAnero s\u00E3o melodias R&B tradicionais, padr\u00F5es vocais complexos, composi\u00E7\u00E3o estendida ritmicamente unificada, guitarra de rock ambiciosa e t\u00E9cnicas instrumentais emprestadas do jazz. Artistas de soul progressivo costumam escrever can\u00E7\u00F5es em torno de conceitos orientados para \u00E1lbuns e t\u00F3picos de consci\u00EAncia social baseados na experi\u00EAncia afro-americana, \u00E0s vezes empregando dispositivos tem\u00E1ticos do tem\u00E1ticos do afrofuturismo e da fic\u00E7\u00E3o cient\u00EDfica. Suas letras, embora desafiadoras, tamb\u00E9m podem ser marcadas por ironia e humor. O movimento soul progressivo original atingiu o pico na d\u00E9cada de 1970 com as obras de Stevie Wonder, Marvin Gaye, Curtis Mayfield , Sly and the Family Stone, Parliament-Funkadelic e Earth, Wind & Fire, entre outros. Desde a d\u00E9cada de 1980, ambos os artistas americanos e brit\u00E2nicos proeminentes gravaram m\u00FAsica em sua tradi\u00E7\u00E3o, incluindo Prince, Peter Gabriel, Sade, Bilal e Janelle Mon\u00E1e. A onda neo soul do final dos anos 1990 e in\u00EDcio dos anos 2000, apresentando o coletivo Soulquarians, que \u00E9 considerado um desenvolvimento derivado do g\u00EAnero."@pt . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Soul progressivo (freq\u00FCentemente abreviado para prog-soul; tamb\u00E9m chamado de black prog e black rock) \u00E9 um tipo de m\u00FAsica afro americana que utiliza uma abordagem progressiva articularmente no contexto dos g\u00EAneros soul e funk. Ele se desenvolveu no final dos anos 1960 e no in\u00EDcio dos anos 1970 por meio de grava\u00E7\u00F5es de m\u00FAsicos negros inovadores que ultrapassaram os limites estruturais e estil\u00EDsticos desses g\u00EAneros. Entre suas influ\u00EAncias estavam formas musicais que surgiram da transforma\u00E7\u00E3o da m\u00FAsica rhythm and blues em rock como Motown, rock progressivo, soul psicod\u00E9lico e jazz fusion."@pt . . . . . . . . . . . . "\u2014 Jay Keister, \"Black Prog: Soul, Funk, Intellect and the Progressive Side of Black Music of the 1970s\""@en . . . . . "1970.0"^^ . . . . . . . . . . . . . . "*Afrofuturism\n*album era\n*avant-funk\n*Black Arts Movement\n*concept album\n*funk rock\n*progressive rap\n*psychedelic funk\n*recording studio as an instrument"@en . . . . . "right"@en . . . . . . . . . . . . . . . . . "padding:8px;"@en . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Many of the leading African-American musicians were riding the progressive wave at the same time as white musicians, but with one major difference. If the overall imperative of the time was that music must progress, for African Americans it was more specifically that \"our music must progress.\""@en . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "40992"^^ . . . . . . . . . . . . . "* Neo soul\n* alternative R&B"@en . . . . . . . . . . . . "1"^^ . . . "* Prog-soul\n* black prog\n* black rock\n* progressive R&B"@en . . . . . . . . . . . . "Progressive soul"@en . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "*Soul\n*funk\n*progressive rock\n*psychedelic soul\n*jazz fusion"@en . . . . . . . . . . . . . . . . "Progressive soul"@en . .