. . "\u6CB9\u756B\uFF0C\u6307\u7528\u5E72\u7684\u6CB9\u8ABF\u914D\u7684\u984F\u6599\u6240\u4F5C\u7684\u7E6A\u756B\u3002\u6CB9\u756B\u5728\u4E2D\u570B\u6709\u60A0\u4E45\u7684\u6B77\u53F2\uFF0C\u6F22\u4EE3\u6709\u6CB9\u5E1B\u7684\u8A18\u8F09\uFF0C\u660E\u4EE3\u300A\u9AEF\u98FE\u9304\u300B\u8A18\u8F09\u4E86\u8AF8\u7A2E\u6CB9\u756B\u6280\u6CD5\u3002\u6CB9\u756B\u5728\u6B50\u6D32\u6587\u85DD\u5FA9\u8208\u4EE5\u5F8C\u5174\u76DB\u8D77\u6765\uFF0C\u4E26\u50B3\u64AD\u5230\u5404\u5730\u3002\u6B50\u6D32\u6CB9\u756B\u4E00\u8AAA\u5927\u7D0415\u4E16\u7D00\u6642\u7531\u8377\u862D\u4EBA\u767C\u660E\uFF0C\u4E00\u8AAA\u7531\u4E2D\u570B\u50B3\u5165\uFF0C\u5176\u8AAA\u5F85\u5B9A\u3002 \u50B3\u7D71\u6CB9\u753B\u4EE5\u8C03\u548C\u989C\u6599\u7A31\u70BA\u6CB9\u5F69\u7E6A\u5236\u3002\u5728\u7ECF\u8FC7\u5904\u7406\u7684\u5E03\u6216\u677F\u4E0A\u4F5C\u753B\uFF0C\u56E0\u4E3A\u6CB9\u753B\u989C\u6599\u4E7E\u540E\u4E0D\u53D8\u8272\uFF0C\u591A\u79CD\u989C\u8272\u8C03\u548C\u4E0D\u4F1A\u53D8\u5F97\u80AE\u810F\uFF0C\u753B\u5BB6\u53EF\u4EE5\u753B\u51FA\u4E30\u5BCC\u3001\u903C\u771F\u7684\u8272\u5F69\u3002\u6CB9\u753B\u989C\u6599\u4E0D\u900F\u660E\uFF0C\u8986\u76D6\u529B\u5F3A\uFF0C\u6240\u4EE5\u7ED8\u753B\u65F6\u53EF\u4EE5\u7531\u6DF1\u5230\u6D45\uFF0C\u9010\u5C42\u8986\u76D6\uFF0C\u4F7F\u7ED8\u753B\u4EA7\u751F\u7ACB\u4F53\u611F\u3002\u6CB9\u753B\u9002\u5408\u521B\u4F5C\u5927\u578B\u3001\u53F2\u8BD7\u822C\u7684\u5DE8\u4F5C\u3002\u6210\u4E3A\u4E2D\u7684\u4E3B\u4F53\u7ED8\u753B\u65B9\u5F0F\uFF0C\u73B0\u5728\u5B58\u4E16\u7684\u897F\u65B9\u7ED8\u753B\u4F5C\u54C1\u4E3B\u8981\u662F\u6CB9\u753B\u4F5C\u54C1\u3002\u7EDD\u5927\u90E8\u5206\u58C1\u753B\u4F5C\u54C1\u4E5F\u662F\u7528\u6CB9\u753B\u989C\u6599\u548C\u521B\u4F5C\u65B9\u5F0F\u5236\u4F5C\u7684\u300219\u4E16\u7EAA\u540E\u671F\uFF0C\u7531\u4E8E\u79D1\u6280\u53D1\u5C55\uFF0C\u8BB8\u591A\u65B0\u6750\u6599\u5E94\u7528\u4E8E\u6CB9\u753B\u9886\u57DF\uFF0C\u5982\u4E19\u70EF\u989C\u6599\u6216\u6CB9\u6F06\u800C\u4E0D\u5C40\u9650\u65BC\u72F9\u7FA9\u7684\u6CB9\u5F69\u7B49\u3002"@zh . . . . . . . . "\u041E\u043B\u0456\u0439\u043D\u0438\u0439 \u0436\u0438\u0432\u043E\u043F\u0438\u0441"@uk . . . . "Pintura a l'oli"@ca . . . "Oljem\u00E5leri (lat. oleum, grek. elaion \"olivolja\"), teknik d\u00E4r pigment (f\u00E4rgpulver) blandas med oxiderande olja, till exempel lin-, vallmo- eller n\u00F6tolja. Oljef\u00E4rger kan l\u00E4ggas p\u00E5 s\u00E5 att de blir t\u00E4ckande eller genomskinliga (laserande), pastost eller tunt, utan att de flyter i varandra. Detta m\u00F6jligg\u00F6r fina val\u00F6rer och \u00F6verg\u00E5ngar. F\u00F6r att f\u00F6rl\u00E4nga h\u00E5llbarheten v\u00E4ljer man ljus\u00E4kta m\u00E5larf\u00E4rger och p\u00E5 den f\u00E4rdiga m\u00E5lningen kan man applicera en fernissa. De tidigaste k\u00E4nda oljem\u00E5lningarna, daterade till 600-talet e Kr, har hittats i grottor i v\u00E4stra Afghanistan, \u00E4ven om referenser till anv\u00E4ndning av torkande olja i konstsammanhang finns redan hos Aetius Amidenus p\u00E5 500-talet. Fr\u00E5n 1100-talet omtalas olja som m\u00E5lningsmedium i Europa, men det \u00E4r under ren\u00E4ssansen det f\u00E5r sitt genombrott i den europeiska konsten. M\u00E5lningarna utf\u00F6rdes till att b\u00F6rja med p\u00E5 pann\u00E5er, en typ av tr\u00E4tavlor, sedan p\u00E5 linneduk, papp eller tunna metallplattor. Oljem\u00E5leriets stora popularitet i Europa startade i b\u00F6rjan av 1400-talet bland flaml\u00E4ndska m\u00E5lare. Br\u00F6derna van Eyck anv\u00E4nde en blandteknik av olje- och temperam\u00E5lning, varefter oljef\u00E4rgerna allt mera tr\u00E4ngde ut de tidigare anv\u00E4nda temperaf\u00E4rgerna och p\u00E5 1600-talet hade det helt och h\u00E5llet avl\u00F6st temperam\u00E5leriet som dominerande teknik \u00E4ven i Italien och \u00F6vriga Europa. Idag anv\u00E4nds oftast kallpressad linolja vid tillverkning av oljef\u00E4rg och olika varianter av duk eller pann\u00E5 som underlag f\u00F6r m\u00E5lning. Det \u00E4r m\u00F6jligt att anv\u00E4nda de flesta typer av underlag f\u00F6r oljem\u00E5leri, men de b\u00F6r grundas f\u00F6r att ge ett j\u00E4mnt och bra f\u00E4ste och undvika senare skador. F\u00F6r detta anv\u00E4nds g\u00E4rna gesso. Traditionell, limbaserad gesso fungerar bra p\u00E5 h\u00E5rda underlag, men spricker l\u00E4tt p\u00E5 en m\u00E5larduk. Akrylgesso \u00E4r flexibel och fungerar bra som grund p\u00E5 m\u00E5larduk, \u00E4ven f\u00F6r oljem\u00E5lning. En del oljem\u00E5lare f\u00F6redrar dock att f\u00F6rbereda duken med lim, traditionellt gjord p\u00E5 kaninhud eller gjord p\u00E5 det i dag vanligare materialet polyvinylacetat (PVA), alternativt ett s\u00E4rskilt akrylbindemedel, och d\u00E4rp\u00E5 anl\u00E4gga en oljegrund med krita, vilken ibland ocks\u00E5 kallas oljegesso."@sv . . . "\u6CB9\u756B\uFF0C\u6307\u7528\u5E72\u7684\u6CB9\u8ABF\u914D\u7684\u984F\u6599\u6240\u4F5C\u7684\u7E6A\u756B\u3002\u6CB9\u756B\u5728\u4E2D\u570B\u6709\u60A0\u4E45\u7684\u6B77\u53F2\uFF0C\u6F22\u4EE3\u6709\u6CB9\u5E1B\u7684\u8A18\u8F09\uFF0C\u660E\u4EE3\u300A\u9AEF\u98FE\u9304\u300B\u8A18\u8F09\u4E86\u8AF8\u7A2E\u6CB9\u756B\u6280\u6CD5\u3002\u6CB9\u756B\u5728\u6B50\u6D32\u6587\u85DD\u5FA9\u8208\u4EE5\u5F8C\u5174\u76DB\u8D77\u6765\uFF0C\u4E26\u50B3\u64AD\u5230\u5404\u5730\u3002\u6B50\u6D32\u6CB9\u756B\u4E00\u8AAA\u5927\u7D0415\u4E16\u7D00\u6642\u7531\u8377\u862D\u4EBA\u767C\u660E\uFF0C\u4E00\u8AAA\u7531\u4E2D\u570B\u50B3\u5165\uFF0C\u5176\u8AAA\u5F85\u5B9A\u3002 \u50B3\u7D71\u6CB9\u753B\u4EE5\u8C03\u548C\u989C\u6599\u7A31\u70BA\u6CB9\u5F69\u7E6A\u5236\u3002\u5728\u7ECF\u8FC7\u5904\u7406\u7684\u5E03\u6216\u677F\u4E0A\u4F5C\u753B\uFF0C\u56E0\u4E3A\u6CB9\u753B\u989C\u6599\u4E7E\u540E\u4E0D\u53D8\u8272\uFF0C\u591A\u79CD\u989C\u8272\u8C03\u548C\u4E0D\u4F1A\u53D8\u5F97\u80AE\u810F\uFF0C\u753B\u5BB6\u53EF\u4EE5\u753B\u51FA\u4E30\u5BCC\u3001\u903C\u771F\u7684\u8272\u5F69\u3002\u6CB9\u753B\u989C\u6599\u4E0D\u900F\u660E\uFF0C\u8986\u76D6\u529B\u5F3A\uFF0C\u6240\u4EE5\u7ED8\u753B\u65F6\u53EF\u4EE5\u7531\u6DF1\u5230\u6D45\uFF0C\u9010\u5C42\u8986\u76D6\uFF0C\u4F7F\u7ED8\u753B\u4EA7\u751F\u7ACB\u4F53\u611F\u3002\u6CB9\u753B\u9002\u5408\u521B\u4F5C\u5927\u578B\u3001\u53F2\u8BD7\u822C\u7684\u5DE8\u4F5C\u3002\u6210\u4E3A\u4E2D\u7684\u4E3B\u4F53\u7ED8\u753B\u65B9\u5F0F\uFF0C\u73B0\u5728\u5B58\u4E16\u7684\u897F\u65B9\u7ED8\u753B\u4F5C\u54C1\u4E3B\u8981\u662F\u6CB9\u753B\u4F5C\u54C1\u3002\u7EDD\u5927\u90E8\u5206\u58C1\u753B\u4F5C\u54C1\u4E5F\u662F\u7528\u6CB9\u753B\u989C\u6599\u548C\u521B\u4F5C\u65B9\u5F0F\u5236\u4F5C\u7684\u300219\u4E16\u7EAA\u540E\u671F\uFF0C\u7531\u4E8E\u79D1\u6280\u53D1\u5C55\uFF0C\u8BB8\u591A\u65B0\u6750\u6599\u5E94\u7528\u4E8E\u6CB9\u753B\u9886\u57DF\uFF0C\u5982\u4E19\u70EF\u989C\u6599\u6216\u6CB9\u6F06\u800C\u4E0D\u5C40\u9650\u65BC\u72F9\u7FA9\u7684\u6CB9\u5F69\u7B49\u3002"@zh . . "\u0395\u03BB\u03B1\u03B9\u03BF\u03B3\u03C1\u03B1\u03C6\u03AF\u03B1"@el . . . . . . "Bei der \u00D6lmalerei werden Pigmente mit einem trocknenden \u00D6l als Bindemittel zu \u00D6lfarbe angerieben und auf einen Bildtr\u00E4ger (\u00FCber einer Grundierung) aufgetragen. Als trocknende \u00D6le verwendet man Lein-, Walnuss- und Mohn\u00F6l. Zus\u00E4tze zum Bindemittel sind metallische Sikkative und Harze. Die \u00D6lmalerei gilt als die \u201Eklassische K\u00F6nigsdisziplin\u201C der Malerei, die insbesondere bei Portr\u00E4t-, Landschafts-, Stillleben- und Genremalerei zur Anwendung kommt. Die Haltbarkeit und Farbbrillanz der \u00D6lmalerei ist un\u00FCbertroffen."@de . . . . . . "\u6CB9\u7D75\u306F\u300114\u4E16\u7D00\u5F8C\u534A\u9803\u3001\u30E8\u30FC\u30ED\u30C3\u30D1\u306E\u30CD\u30FC\u30C7\u30EB\u30E9\u30F3\u30C8\u5730\u65B9\uFF08\u73FE\u5728\u306E\u30AA\u30E9\u30F3\u30C0\u3001\u30D9\u30EB\u30AE\u30FC\u5730\u57DF\uFF09\u3067\u751F\u307E\u308C\u3001\u3053\u306E\u5730\u65B9\u306E\u753B\u5BB6\u3067\u3042\u308B\u30D5\u30A1\u30F3\u30FB\u30A2\u30A4\u30AF\u5144\u5F1F\u306B\u3088\u3063\u306615\u4E16\u7D00\u306B\u78BA\u7ACB\u3057\u305F\u3068\u3055\u308C\u3066\u3044\u307E\u3059\u3002 \u305D\u306E\u5F8C\u3001\u6CB9\u7D75\u306E\u6280\u8853\u3001\u6280\u6CD5\u306F\u30A4\u30BF\u30EA\u30A2\u3078\u3082\u305F\u3089\u3055\u308C\u3066\u3001\u30A4\u30BF\u30EA\u30A2\u3067\u3055\u3089\u306B\u767A\u5C55\u3057\u307E\u3059"@ja . . . . . . . . . . . . . . . . . . . . . . . . "Olio-pintura"@eu . . . "\u6CB9\u7D75\u306F\u300114\u4E16\u7D00\u5F8C\u534A\u9803\u3001\u30E8\u30FC\u30ED\u30C3\u30D1\u306E\u30CD\u30FC\u30C7\u30EB\u30E9\u30F3\u30C8\u5730\u65B9\uFF08\u73FE\u5728\u306E\u30AA\u30E9\u30F3\u30C0\u3001\u30D9\u30EB\u30AE\u30FC\u5730\u57DF\uFF09\u3067\u751F\u307E\u308C\u3001\u3053\u306E\u5730\u65B9\u306E\u753B\u5BB6\u3067\u3042\u308B\u30D5\u30A1\u30F3\u30FB\u30A2\u30A4\u30AF\u5144\u5F1F\u306B\u3088\u3063\u306615\u4E16\u7D00\u306B\u78BA\u7ACB\u3057\u305F\u3068\u3055\u308C\u3066\u3044\u307E\u3059\u3002 \u305D\u306E\u5F8C\u3001\u6CB9\u7D75\u306E\u6280\u8853\u3001\u6280\u6CD5\u306F\u30A4\u30BF\u30EA\u30A2\u3078\u3082\u305F\u3089\u3055\u308C\u3066\u3001\u30A4\u30BF\u30EA\u30A2\u3067\u3055\u3089\u306B\u767A\u5C55\u3057\u307E\u3059"@ja . "\u0631\u0633\u0645 \u0632\u064A\u062A\u064A"@ar . . . . . . . . . . . . . . "Oleo-pentrado"@eo . "\u6CB9\u753B"@zh . . . . . . . "A pintura a \u00F3leo \u00E9 uma t\u00E9cnica art\u00EDstica, que se utiliza de tintas a \u00F3leo, aplicadas com pinc\u00E9is, esp\u00E1tulas, ou outros meios, sobre telas de tecido, superf\u00EDcies de madeira ou outros materiais."@pt . "Lukisan minyak adalah proses melukis dengan pigmen yang dicampurkan dengan medium yang terdiri atas minyak pengering. Minyak pengering yang biasa digunakan yaitu minyak biji rami, minyak biji popi, minyak walnut, dan kesumba. Minyak ini dapat direbus dengan resin, seperti resin pinus atau kemenyan untuk membuat pernis; yang dihargai untuk kelikatan dan gloss. Minyak yang berbeda memberikan berbagai sifat kepada cat minyak, seperti kurang kekuningan dan waktu pengeringan yang berbeda. Perbedaan tertentu juga terlihat dalam kilauan cat bergantung kepada jenis minyak. Pelukis mungkin menggunakan beberapa minyak yang berbeda dalam lukisan yang sama bergantung pada pigmen tertentu dan kesan yang diingini. Cat itu sendiri juga membentuk kelikatan tertentu bergantung kepada medium. Lukisan minyak yang paling tua ditemukan pada lukisan Buddha pada goa di Afghanistan, yang dilukis antara abad ke-5 dan ke-10. Namun lukisan minyak mulai banyak dikenal sekitar abad ke-15 di Eropa."@in . "El \u00F3leo, palabra proveniente del lat\u00EDn oleum (\u00ABaceite\u00BB),\u200B es una t\u00E9cnica de pintura. Consiste en mezclar los pigmentos con un aglutinante a base de aceites, normalmente de origen vegetal. Por extensi\u00F3n, se denomina \u00F3leo a la obra pict\u00F3rica ejecutada mediante esta t\u00E9cnica, que admite soportes de muy variada naturaleza: metal, madera, piedra, marfil, aunque lo m\u00E1s habitual es que sea aplicado sobre lienzo o tabla."@es . "Oil painting"@en . . . . . . "Lukisan minyak"@in . "\u041C\u0430\u0441\u043B\u044F\u043D\u0430\u044F \u0436\u0438\u0432\u043E\u043F\u0438\u0441\u044C"@ru . . . . . . . "Malarstwo olejne"@pl . . . "La pittura a olio \u00E8 una tecnica pittorica che utilizza pigmenti in polvere mescolati con oli siccativi."@it . "Oleo-pentrado estas metodo de pentrado per pigmentoj kunligitaj de sekiganta oleo (precipe de linoleo en renesanca E\u016Dropo). Ofte oleo kiel linoleo estis bolita kun rezino, ekzemple pino-rezino a\u016D e\u0109 olibano. Tiuj variaj oleoj donas al la uzita farbo diversajn proprecojn (malpli flava aspekto, malpli longa seki\u011Dtempo, ktp...)."@eo . "( \uB2E4\uB978 \uB73B\uC5D0 \uB300\uD574\uC11C\uB294 \uC720\uD654 (\uB3D9\uC74C\uC774\uC758) \uBB38\uC11C\uB97C \uCC38\uACE0\uD558\uC2ED\uC2DC\uC624.) \uC720\uD654(\u6CB9\u756B, \uC601\uC5B4: oil painting) \uB610\uB294 \uC720\uCC44\uD654(\u6CB9\u5F69\u7575)\uB294 \uC11C\uC591\uBBF8\uC220\uC758 \uB300\uD45C\uC801 \uD615\uD0DC \uC911 \uD558\uB098\uB85C, \uAE30\uB984\uC73C\uB85C \uAC20 \uBB3C\uAC10(\uC548\uB8CC)\uC744 \uC0AC\uC6A9\uD558\uC5EC \uADF8\uB9AC\uB294 \uC11C\uC591\uD654\uC758 \uD55C \uAE30\uBC95\uC774\uB2E4. \uC720\uD654\uC758 \uC720\uB798\uB294 \uC774\uBBF8 \uACE0\uB300 \uADF8\uB9AC\uC2A4\uB098 \uB85C\uB9C8 \uC2DC\uB300\uB85C \uAC70\uC2AC\uB7EC \uC62C\uB77C\uAC00\uBA70, \uADF8 \uB2F9\uC2DC\uC5D0 \uADF8\uB824\uC9C4 \uADF8\uB9BC\uB4E4, \uD2B9\uD788 \uBCBD\uD654\uC5D0\uC11C \uADF8 \uC6D0\uC2DC\uC801 \uD615\uD0DC\uB97C \uCC3E\uC544 \uBCFC \uC218 \uC788\uB2E4. \uC911\uC138\uC2DC\uB300\uC5D0\uB294 \uAC00\uD1A8\uB9AD\uAD50\uD68C\uC758 \uC7A5\uC2DD \uADF8\uB9BC\uC744 \uADF8\uB9AC\uB294 \uB370 \uC720\uD654\uAC00 \uC8FC\uB85C \uC0AC\uC6A9\uB418\uC5C8\uC73C\uBA70, 15\uC138\uAE30\uC5D0\uB294 \uADF8 \uAE30\uBC95\uC774\uB098 \uC7AC\uB8CC\uBA74\uC5D0\uC11C \uD06C\uAC8C \uBC1C\uC804\uD558\uC600\uB2E4. 16\uC138\uAE30 \uB974\uB124\uC0C1\uC2A4\uB85C \uC811\uC5B4\uB4E4\uBA74\uC11C \uC720\uD654\uB294 \uBE44\uB85C\uC18C \uC11C\uC591\uBBF8\uC220\uC758 \uC911\uC694\uADF8\uB9BC \uD615\uC2DD\uC73C\uB85C \uC790\uB9AC\uB97C \uC7A1\uAC8C \uB418\uC5C8\uB2E4. \uC7AC\uB8CC\uC801 \uCE21\uBA74\uC5D0\uC11C \uBCFC \uB54C \uC720\uD654\uB294 \uC774\uBBF8 \uADF8 \uB0B1\uB9D0\uC5D0\uC11C \uC9D0\uC791\uD560 \uC218 \uC788\uB4EF\uC774 \uC5EC\uB7EC \uC885\uB958\uC758 \uAE30\uB984\uC5D0 \uC0C9\uC18C\uB97C \uC11E\uC5B4 \uAC08\uC544\uC11C \uC5BB\uC740 \uC720\uD654\uC0C9\uCC44\uC640 \uC774 \uC0C9\uCC44\uB97C \uCE60\uD560 \uC218 \uC788\uB294 \uB9C8\uB85C \uC9E0 \uD654\uD3EC(\uCE94\uBC84\uC2A4), \uB098\uBB34 \uD310 \uD639\uC740 \uB9C8\uBD84\uC9C0\uC5D0 \uADF8\uB9BC\uC744 \uADF8\uB9AC\uB294 \uAC83\uC744 \uD2B9\uC9D5\uC73C\uB85C \uD55C\uB2E4. \uAE30\uC220\uC801 \uCE21\uBA74\uC5D0\uC11C \uBCFC \uB54C \uC720\uD654\uB294 \uB610\uD55C \uC720\uD654\uC0C9\uCC44\uAC00 \uC9C0\uB2CC \uC5EC\uB7EC \uC7A5\uC810\uB4E4\uC5D0 \uD06C\uAC8C \uC758\uC874\uD55C\uB2E4. \uC989 \uAE30\uB984\uC774 \uB048\uC801\uB048\uC801\uD55C \uC816\uC740 \uC0C9\uCC44\uB97C \uADF8\uB300\uB85C \uC4F0\uAC70\uB098, \uC0C9\uCC44\uB97C \uB450\uAECD\uAC8C \uBBF8\uB9AC \uC785\uD78C \uD6C4 \uD654\uB3C4\uB85C \uAE01\uAC70\uB098, \uD2B9\uBCC4\uD55C \uBC29\uBC95\uC744 \uC0AC\uC6A9\uD558\uC5EC \uC0DD\uC0B0\uD55C \uB97C \uD568\uAED8 \uC785\uD600 \uAC00\uBA74\uC11C \uADF8\uB9AC\uAC70\uB098 \uD558\uB294 \uB4F1\uC758 \uC5EC\uB7EC \uAE30\uBC95 \uB54C\uBB38\uC5D0 \uC11C\uC591\uADF8\uB9BC\uC744 \uB300\uD45C\uD558\uB294 \uADF8\uB9BC \uD615\uC2DD\uC73C\uB85C \uAC04\uC8FC\uB41C\uB2E4. \uC774\uC678\uC5D0 \uC720\uD654\uB294 \uC720\uD654\uC0C9\uCC44\uAC00 \uAC74\uC870\uB41C \uD6C4\uC5D0 \uC0C9\uCC44\uC758 \uC9C8\uC774 \uBE68\uB9AC \uBCC0\uD654\uB418\uC9C0 \uC54A\uAE30 \uB54C\uBB38\uC5D0 \uC624\uB79C \uAE30\uAC04 \uAC04\uD3B8\uD788 \uBCF4\uC874 \uBC0F \uBCF4\uAD00 \uD560 \uC218 \uC788\uB294 \uC7A5\uC810\uC744 \uAC16\uACE0 \uC788\uB2E4. \uC774\uC640 \uBC18\uBA74\uC5D0 \uC720\uD654\uC0C9\uCC44\uC758 \uAE30\uBC95\uC5D0 \uC720\uC758\uD558\uC9C0 \uC54A\uC558\uC744 \uACBD\uC6B0\uC5D0 \uC0C9\uC774 \uBC14\uB798\uC9C0\uB294 \uAC83\uC744 \uD754\uD788 \uBCFC \uC218 \uC788\uB2E4. \uC720\uD654\uAC00 \uAC00\uC9C4 \uB2E8\uC810\uC73C\uB85C\uB294 \uC0AC\uC6A9\uD55C \uC0C9\uCC44\uC758 \uC9C8\uACFC, \uCE60\uD55C \uB450\uAED8 \uADF8\uB9AC\uACE0 \uADF8\uB9BC\uC758 \uB098\uC774\uC5D0 \uB530\uB77C \uC0C9\uCE60\uD55C \uD654\uBA74\uC5D0 \uAE08\uC774 \uC0DD\uAE30\uB294 \uC810\uC744 \uB4E4 \uC218 \uC788\uB2E4."@ko . "La pintura a l'oli \u00E9s una t\u00E8cnica pict\u00F2rica on el suport \u00E9s fusta o tela (lli o c\u00E0nem) tensada en un bastidor a la qual s'apliquen amb pinzell pigments molts dissolts en olis secantirs, com la llinosa, que fan d'aglutinant. La fusta i la tela s'han de preparar pr\u00E8viament. \u00C9s el procediment m\u00E9s utilitzat des del segle xv fins a l'actualitat."@ca . . . . . . "Olejomalba je technika malby, p\u0159i n\u00ED\u017E je u\u017Eito olejov\u00FDch barev. Barevn\u00E9 pigmenty se poj\u00ED pomoc\u00ED (vys\u00FDchav\u00FDch) olej\u016F. P\u0159ed objeven\u00EDm olejomalby se jako pojidlo u\u017E\u00EDval vaje\u010Dn\u00FD \u017Eloutek. Olejomalba je mistrovskou mal\u00ED\u0159skou technikou, kter\u00E9 se u\u010D\u00ED mnoho let, a b\u00FDv\u00E1 \u010Dasov\u011B nejn\u00E1ro\u010Dn\u011Bj\u0161\u00ED. Jej\u00ED mo\u017Enosti, tj. \u017Eiv\u00E9, j\u00E1sav\u00E9 barvy, vytv\u00E1\u0159en\u00ED dokonal\u00E9ho odst\u00EDnu i jemn\u00FDch p\u0159echod\u016F, jsou v\u0161ak nesrovnateln\u00E9 s jakoukoliv jinou technikou. Dal\u0161\u00ED jej\u00ED v\u00FDhodou je st\u00E1lost barev, jejich kryc\u00ED schopnost, a vysok\u00FD index lomu, kter\u00FD dod\u00E1v\u00E1 barv\u00E1m pot\u0159ebnou hloubku."@cs . . . . . . "25415"^^ . . . "La pintura a l'oli \u00E9s una t\u00E8cnica pict\u00F2rica on el suport \u00E9s fusta o tela (lli o c\u00E0nem) tensada en un bastidor a la qual s'apliquen amb pinzell pigments molts dissolts en olis secantirs, com la llinosa, que fan d'aglutinant. La fusta i la tela s'han de preparar pr\u00E8viament. \u00C9s el procediment m\u00E9s utilitzat des del segle xv fins a l'actualitat. El suport de lli o c\u00E0nem en un bastidor de fusta va comen\u00E7ar a ser usat a Ven\u00E8cia a les darreries del segle xv. L'\u00FAs del suport de tela va assolir el seu m\u00E0xim apogeu a l'\u00E8poca de l'impressionisme (al segle xix), als quals els resultava pr\u00E0ctic un suport lleuger i f\u00E0cil de transportar per a pintar paisatges exteriors a l'aire lliure i poder captar la llum del moment en viu."@ca . "\u041E\u043B\u0456\u0439\u043D\u0438\u0439 \u0436\u0438\u0432\u043E\u043F\u0438\u0441 \u2014 \u0440\u0456\u0437\u043D\u043E\u0432\u0438\u0434 \u0445\u0443\u0434\u043E\u0436\u043D\u044C\u043E\u0457 \u0442\u0435\u0445\u043D\u0456\u043A\u0438 \u0437 \u0432\u0438\u043A\u043E\u0440\u0438\u0441\u0442\u0430\u043D\u043D\u044F\u043C \u0444\u0430\u0440\u0431 \u043D\u0430 \u043E\u0440\u0433\u0430\u043D\u0456\u0447\u043D\u0456\u0439 \u043E\u043B\u0456\u0457, \u044F\u043A\u0430 \u0437\u0434\u0430\u0442\u043D\u0430 \u0434\u043E\u0431\u0440\u0435 \u0441\u043E\u0445\u043D\u0443\u0442\u0438 \u0456 \u0443\u0442\u0432\u043E\u0440\u044E\u0432\u0430\u0442\u0438 \u0442\u0440\u0438\u0432\u0430\u043B\u0456 \u043F\u043B\u0456\u0432\u043A\u0438 \u043D\u0430 \u043F\u043E\u0432\u0435\u0440\u0445\u043D\u0456."@uk . . "La pittura a olio \u00E8 una tecnica pittorica che utilizza pigmenti in polvere mescolati con oli siccativi."@it . . . . "\uC720\uD654"@ko . . "\u041C\u0430\u0441\u043B\u044F\u043D\u0430\u044F \u0436\u0438\u0432\u043E\u043F\u0438\u0441\u044C \u2014 \u043E\u0434\u043D\u0430 \u0438\u0437 \u0436\u0438\u0432\u043E\u043F\u0438\u0441\u043D\u044B\u0445 \u0442\u0435\u0445\u043D\u0438\u043A, \u0438\u0441\u043F\u043E\u043B\u044C\u0437\u0443\u044E\u0449\u0430\u044F \u043A\u0440\u0430\u0441\u043A\u0438 \u0441 \u0440\u0430\u0441\u0442\u0438\u0442\u0435\u043B\u044C\u043D\u044B\u043C \u043C\u0430\u0441\u043B\u043E\u043C \u0432 \u043A\u0430\u0447\u0435\u0441\u0442\u0432\u0435 \u043E\u0441\u043D\u043E\u0432\u043D\u043E\u0433\u043E \u0441\u0432\u044F\u0437\u0443\u044E\u0449\u0435\u0433\u043E \u0432\u0435\u0449\u0435\u0441\u0442\u0432\u0430."@ru . . . . "El \u00F3leo, palabra proveniente del lat\u00EDn oleum (\u00ABaceite\u00BB),\u200B es una t\u00E9cnica de pintura. Consiste en mezclar los pigmentos con un aglutinante a base de aceites, normalmente de origen vegetal. Por extensi\u00F3n, se denomina \u00F3leo a la obra pict\u00F3rica ejecutada mediante esta t\u00E9cnica, que admite soportes de muy variada naturaleza: metal, madera, piedra, marfil, aunque lo m\u00E1s habitual es que sea aplicado sobre lienzo o tabla. El \u00F3leo permanece h\u00FAmedo mucho tiempo, lo que favorece la mezcla de colores. Su secado puede comprometerse dependiendo de los aditamentos que se le pongan durante el proceso, como el secativo de cobalto, que puede craquelar el \u00F3leo al secarse. \u200B"@es . . . . . . . "\u00D6lmalerei"@de . "\u041C\u0430\u0441\u043B\u044F\u043D\u0430\u044F \u0436\u0438\u0432\u043E\u043F\u0438\u0441\u044C \u2014 \u043E\u0434\u043D\u0430 \u0438\u0437 \u0436\u0438\u0432\u043E\u043F\u0438\u0441\u043D\u044B\u0445 \u0442\u0435\u0445\u043D\u0438\u043A, \u0438\u0441\u043F\u043E\u043B\u044C\u0437\u0443\u044E\u0449\u0430\u044F \u043A\u0440\u0430\u0441\u043A\u0438 \u0441 \u0440\u0430\u0441\u0442\u0438\u0442\u0435\u043B\u044C\u043D\u044B\u043C \u043C\u0430\u0441\u043B\u043E\u043C \u0432 \u043A\u0430\u0447\u0435\u0441\u0442\u0432\u0435 \u043E\u0441\u043D\u043E\u0432\u043D\u043E\u0433\u043E \u0441\u0432\u044F\u0437\u0443\u044E\u0449\u0435\u0433\u043E \u0432\u0435\u0449\u0435\u0441\u0442\u0432\u0430."@ru . . . . . . "Pittura a olio"@it . . "Malarstwo olejne \u2013 technika malarska, pos\u0142uguj\u0105ca si\u0119 farbami olejnymi. Technika ta polega na pokrywaniu napr\u0119\u017Conego i zagruntowanego p\u0142\u00F3tna, g\u0142adkiej deski lub innego podobrazia farbami, sk\u0142adaj\u0105cymi si\u0119 z oleju lnianego (lub rzadziej innych ro\u015Blinnych olej\u00F3w schn\u0105cych, np. konopnych, makowych) i odpowiednich pigment\u00F3w. Sporadycznie stosowany by\u0142 te\u017C wosk, kt\u00F3ry pe\u0142ni\u0142 funkcj\u0119 stabilizatora spowalniaj\u0105cego oddzielanie si\u0119 oleju lnianego od pigment\u00F3w. Malarstwo olejne ma bardzo du\u017C\u0105 swobod\u0119 w doborze i mieszaniu barw, uzyskiwaniu efektu matu lub po\u0142ysku. Z \u0142atwo\u015Bci\u0105 tworz\u0105 si\u0119 efekty p\u00F3\u0142przezroczysto\u015Bci, przenikania barw oraz z\u0142o\u017Cone faktury jak r\u00F3wnie\u017C impasty. Po opanowaniu podstaw warsztatu jest stosunkowo \u0142atw\u0105 i wdzi\u0119czn\u0105 technik\u0105. Umo\u017Cliwia ona wielokrotne retuszowanie przez nak\u0142adanie kolejnych warstw farby na obraz. Obrazy olejne cechuje te\u017C du\u017Ca trwa\u0142o\u015B\u0107."@pl . . "Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on wood panel or canvas for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include \"greater flexibility, richer and denser colour, the use of layers, and a wider range from light to dark\". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied."@en . . . . "Pintura al \u00F3leo"@es . . . . . "\u0627\u0644\u0631\u0633\u0648\u0645 \u0627\u0644\u0632\u064A\u062A\u064A\u0629 \u0645\u0646 \u0627\u0644\u0641\u0646\u0648\u0646 \u0627\u0644\u062A\u0634\u0643\u064A\u0644\u064A\u0629 \u0648\u0642\u062F \u0639\u064F\u0631\u0641 \u0647\u0630\u0627 \u0627\u0644\u0641\u0646 \u0645\u0646\u0630 \u0627\u0644\u0642\u062F\u0645."@ar . . "\u0627\u0644\u0631\u0633\u0648\u0645 \u0627\u0644\u0632\u064A\u062A\u064A\u0629 \u0645\u0646 \u0627\u0644\u0641\u0646\u0648\u0646 \u0627\u0644\u062A\u0634\u0643\u064A\u0644\u064A\u0629 \u0648\u0642\u062F \u0639\u064F\u0631\u0641 \u0647\u0630\u0627 \u0627\u0644\u0641\u0646 \u0645\u0646\u0630 \u0627\u0644\u0642\u062F\u0645."@ar . . "La peinture \u00E0 l'huile est une peinture dont le liant ou v\u00E9hicule est une huile siccative qui enveloppe compl\u00E8tement les particules de pigment. On appelle aussi \u00AB peinture \u00BB les travaux d'enduction d'une surface par ce genre de produit. Les autorit\u00E9s normatives fran\u00E7aises demandent qu'on dise peinturage, mais ce terme n'a jamais pris. La \u00AB peinture \u00E0 l'huile \u00BB est donc aussi l'activit\u00E9 de nombreux artistes peintres pass\u00E9s et pr\u00E9sents, ainsi qu'une technique picturale. Enfin, une \u00AB peinture \u00E0 l'huile \u00BB est un tableau peint avec cette technique. Utilis\u00E9e autrefois pour tous les rev\u00EAtements de protection et de d\u00E9coration qui devaient r\u00E9sister \u00E0 l'eau, en m\u00EAme temps que pour les beaux-arts, la peinture \u00E0 l'huile a \u00E9t\u00E9 remplac\u00E9e partout au cours de la seconde moiti\u00E9 du XXe si\u00E8cle, sauf en peinture artistique. Consid\u00E9r\u00E9e en Occident comme la technique picturale reine, elle a montr\u00E9 une solidit\u00E9 remarquable ; des \u0153uvres expos\u00E9es depuis cinq cents ans et plus sont encore en bon \u00E9tat. La formulation des peintures \u00E0 l'huile affecte la facilit\u00E9 d'application et l'aspect de l'ouvrage termin\u00E9 et s'adapte \u00E0 l'ouvrage envisag\u00E9. Les pigments et les charges d\u00E9terminent l'opacit\u00E9 ou la transparence de la pellicule de peinture s\u00E8che ; les m\u00E9diums \u00E0 peindre lui donnent une consistance plus ou moins liquide ou p\u00E2teuse, influant sur son \u00E9tat de surface. La fabrication de la peinture, \u00E0 partir d'ingr\u00E9dients achet\u00E9s chez les apothicaires, est demeur\u00E9e le domaine des ateliers d'artistes jusqu'\u00E0 la fin du XVIIIe si\u00E8cle, pour \u00EAtre progressivement remplac\u00E9e par des produits industriels. Au milieu du XIXe si\u00E8cle, l'invention du tube de peinture souple a facilit\u00E9 la peinture de plein-air et la peinture d'amateur. La peinture \u00E0 l'huile a supplant\u00E9 la technique de la tempera \u00E0 la fin du Moyen \u00C2ge ; les primitifs flamands en ont g\u00E9n\u00E9ralis\u00E9 l'usage, qui s'est ensuite r\u00E9pandu en Occident. \u00C0 partir du XVIIe si\u00E8cle, les artistes se r\u00E9partissent entre deux approches : la superposition de couches transparentes ou glacis, et le travail en p\u00E2tes opaques. Au fil des \u00E9poques, la technique de la peinture \u00E0 l'huile a connu des changements consid\u00E9rables, li\u00E9s aux progr\u00E8s techniques et aux \u00E9volutions esth\u00E9tiques. La peinture d'un seul coup, alla prima, autrefois caract\u00E9ristique des pochades, a supplant\u00E9 la lente superposition de couches transparentes."@fr . . "Olio-pintura, edo soilik olioa, pigmentu eta olioz osatutako nahastea darabilen margolaritza teknika da. Teknikaren hastapenetan linazi-olioa erabili ohi zuten. Askotan berau pinu-erretxina edo intsentsuarekin batera irakiten zuten, berniz izena jaso duen osagaia osatuz. Lo-belarraren, intxaurraren edo kartamoaren olioak ere erabilik izan dira, sikatze-denborak, distira eta kolorazioak bestelakoak izanik. Hartara margolariek lortu nahi duten efektuaren araberako olioaren hautua egingo dute. Mendebaldeko Afganistanen erabili zituzten aurrenekoz, V. eta IX. mendeetan; dena den, olio-pinturen erabilera XV.enean bilakatu zen arrakastatsu, hasi Herbeheretan eta Europako gainontzeko herrialdeetara Pizkunde garaian erabat zabalduz, tenpera ordezkatzera ailegatu arte."@eu . . . . . . . . . . . "P\u00E9int\u00E9ireacht ola"@ga . . "\u03A9\u03C2 \u03B5\u03BB\u03B1\u03B9\u03BF\u03B3\u03C1\u03B1\u03C6\u03AF\u03B1 \u03BF\u03C1\u03AF\u03B6\u03B5\u03C4\u03B1\u03B9 \u03B7 \u03B4\u03B9\u03B1\u03B4\u03B9\u03BA\u03B1\u03C3\u03AF\u03B1 \u03C4\u03B7\u03C2 \u03B6\u03C9\u03B3\u03C1\u03B1\u03C6\u03B9\u03BA\u03AE\u03C2 \u03BC\u03B5 \u03C7\u03C1\u03C9\u03C3\u03C4\u03B9\u03BA\u03AD\u03C2 \u03BF\u03C5\u03C3\u03AF\u03B5\u03C2 \u03B1\u03BD\u03B1\u03BA\u03B1\u03C4\u03B5\u03BC\u03AD\u03BD\u03B5\u03C2 \u03BC\u03B5 \u03BE\u03B7\u03C1\u03B1\u03B9\u03BD\u03CC\u03BC\u03B5\u03BD\u03BF \u03AD\u03BB\u03B1\u03B9\u03BF, \u03C3\u03C5\u03BD\u03AE\u03B8\u03C9\u03C2 \u03BB\u03B9\u03BD\u03AD\u03BB\u03B1\u03B9\u03BF, \u03C3\u03B5 \u03B5\u03B9\u03B4\u03B9\u03BA\u03AC \u03C0\u03C1\u03BF\u03B5\u03C4\u03BF\u03B9\u03BC\u03B1\u03C3\u03BC\u03AD\u03BD\u03BF \u03BA\u03B1\u03BC\u03B2\u03AC. \u0394\u03B9\u03B1\u03C6\u03BF\u03C1\u03B5\u03C4\u03B9\u03BA\u03AC \u03AD\u03BB\u03B1\u03B9\u03B1 \u03C0\u03C1\u03BF\u03C3\u03B4\u03AF\u03B4\u03BF\u03C5\u03BD \u03B4\u03B9\u03AC\u03C6\u03BF\u03C1\u03B5\u03C2 \u03B9\u03B4\u03B9\u03CC\u03C4\u03B7\u03C4\u03B5\u03C2 \u03C3\u03C4\u03BF \u03C7\u03C1\u03CE\u03BC\u03B1, \u03CC\u03C0\u03C9\u03C2 \u03B7 \u03C6\u03C9\u03C4\u03B5\u03B9\u03BD\u03CC\u03C4\u03B7\u03C4\u03B1 \u03AE \u03BF \u03B4\u03B9\u03B1\u03C6\u03BF\u03C1\u03B5\u03C4\u03B9\u03BA\u03CC\u03C2 \u03C7\u03C1\u03CC\u03BD\u03BF\u03C2 \u03BE\u03AE\u03C1\u03B1\u03BD\u03C3\u03B7\u03C2. \u039F\u03C1\u03B9\u03C3\u03BC\u03AD\u03BD\u03B5\u03C2 \u03B4\u03B9\u03B1\u03C6\u03BF\u03C1\u03AD\u03C2 \u03B5\u03C0\u03AF\u03C3\u03B7\u03C2 \u03C3\u03C7\u03B5\u03C4\u03AF\u03B6\u03BF\u03BD\u03C4\u03B1\u03B9 \u03BC\u03B5 \u03C4\u03B7 \u03BB\u03AC\u03BC\u03C8\u03B7 \u03C4\u03C9\u03BD \u03C7\u03C1\u03C9\u03BC\u03AC\u03C4\u03C9\u03BD, \u03B1\u03BD\u03AC\u03BB\u03BF\u03B3\u03B1 \u03BC\u03B5 \u03C4\u03BF \u03AD\u03BB\u03B1\u03B9\u03BF. \u039F \u03B6\u03C9\u03B3\u03C1\u03AC\u03C6\u03BF\u03C2 \u03BC\u03C0\u03BF\u03C1\u03B5\u03AF \u03BD\u03B1 \u03C7\u03C1\u03B7\u03C3\u03B9\u03BC\u03BF\u03C0\u03BF\u03B9\u03AE\u03C3\u03B5\u03B9 \u03C0\u03BF\u03BB\u03BB\u03AC \u03B4\u03B9\u03B1\u03C6\u03BF\u03C1\u03B5\u03C4\u03B9\u03BA\u03AC \u03AD\u03BB\u03B1\u03B9\u03B1 \u03C3\u03C4\u03BF \u03AF\u03B4\u03B9\u03BF \u03AD\u03C1\u03B3\u03BF \u03B1\u03BD\u03AC\u03BB\u03BF\u03B3\u03B1 \u03BC\u03B5 \u03C4\u03B9\u03C2 \u03B5\u03B9\u03B4\u03B9\u03BA\u03AD\u03C2 \u03C7\u03C1\u03C9\u03C3\u03C4\u03B9\u03BA\u03AD\u03C2 \u03BF\u03C5\u03C3\u03AF\u03B5\u03C2 \u03BA\u03B1\u03B9 \u03C4\u03B1 \u03B5\u03C0\u03B9\u03B8\u03C5\u03BC\u03B7\u03C4\u03AC \u03B1\u03C0\u03BF\u03C4\u03B5\u03BB\u03AD\u03C3\u03BC\u03B1\u03C4\u03B1"@el . . . . . . . . . . . . . . . . . "\u041E\u043B\u0456\u0439\u043D\u0438\u0439 \u0436\u0438\u0432\u043E\u043F\u0438\u0441 \u2014 \u0440\u0456\u0437\u043D\u043E\u0432\u0438\u0434 \u0445\u0443\u0434\u043E\u0436\u043D\u044C\u043E\u0457 \u0442\u0435\u0445\u043D\u0456\u043A\u0438 \u0437 \u0432\u0438\u043A\u043E\u0440\u0438\u0441\u0442\u0430\u043D\u043D\u044F\u043C \u0444\u0430\u0440\u0431 \u043D\u0430 \u043E\u0440\u0433\u0430\u043D\u0456\u0447\u043D\u0456\u0439 \u043E\u043B\u0456\u0457, \u044F\u043A\u0430 \u0437\u0434\u0430\u0442\u043D\u0430 \u0434\u043E\u0431\u0440\u0435 \u0441\u043E\u0445\u043D\u0443\u0442\u0438 \u0456 \u0443\u0442\u0432\u043E\u0440\u044E\u0432\u0430\u0442\u0438 \u0442\u0440\u0438\u0432\u0430\u043B\u0456 \u043F\u043B\u0456\u0432\u043A\u0438 \u043D\u0430 \u043F\u043E\u0432\u0435\u0440\u0445\u043D\u0456."@uk . . . . "Modh p\u00E9int\u00E9ireachta agus ola cos\u00FAil le hola rois sa ph\u00E9int a thrioma\u00EDonn \u00ED. In \u00FAs\u00E1id \u00F3 aimsir impireacht na R\u00F3imhe chun sciatha a mhaisi\u00FA is a leith\u00E9id. Th\u00E1inig s\u00ED chun foirfeachta i bp\u00E9int\u00E9ireacht picti\u00FAr sa 15\u00FA c\u00E9ad."@ga . . . . . . . . "A pintura a \u00F3leo \u00E9 uma t\u00E9cnica art\u00EDstica, que se utiliza de tintas a \u00F3leo, aplicadas com pinc\u00E9is, esp\u00E1tulas, ou outros meios, sobre telas de tecido, superf\u00EDcies de madeira ou outros materiais."@pt . . . . . . . . . "Modh p\u00E9int\u00E9ireachta agus ola cos\u00FAil le hola rois sa ph\u00E9int a thrioma\u00EDonn \u00ED. In \u00FAs\u00E1id \u00F3 aimsir impireacht na R\u00F3imhe chun sciatha a mhaisi\u00FA is a leith\u00E9id. Th\u00E1inig s\u00ED chun foirfeachta i bp\u00E9int\u00E9ireacht picti\u00FAr sa 15\u00FA c\u00E9ad."@ga . . "Olejomalba je technika malby, p\u0159i n\u00ED\u017E je u\u017Eito olejov\u00FDch barev. Barevn\u00E9 pigmenty se poj\u00ED pomoc\u00ED (vys\u00FDchav\u00FDch) olej\u016F. P\u0159ed objeven\u00EDm olejomalby se jako pojidlo u\u017E\u00EDval vaje\u010Dn\u00FD \u017Eloutek. Olejomalba je mistrovskou mal\u00ED\u0159skou technikou, kter\u00E9 se u\u010D\u00ED mnoho let, a b\u00FDv\u00E1 \u010Dasov\u011B nejn\u00E1ro\u010Dn\u011Bj\u0161\u00ED. Jej\u00ED mo\u017Enosti, tj. \u017Eiv\u00E9, j\u00E1sav\u00E9 barvy, vytv\u00E1\u0159en\u00ED dokonal\u00E9ho odst\u00EDnu i jemn\u00FDch p\u0159echod\u016F, jsou v\u0161ak nesrovnateln\u00E9 s jakoukoliv jinou technikou. Dal\u0161\u00ED jej\u00ED v\u00FDhodou je st\u00E1lost barev, jejich kryc\u00ED schopnost, a vysok\u00FD index lomu, kter\u00FD dod\u00E1v\u00E1 barv\u00E1m pot\u0159ebnou hloubku."@cs . . . "Lukisan minyak adalah proses melukis dengan pigmen yang dicampurkan dengan medium yang terdiri atas minyak pengering. Minyak pengering yang biasa digunakan yaitu minyak biji rami, minyak biji popi, minyak walnut, dan kesumba. Minyak ini dapat direbus dengan resin, seperti resin pinus atau kemenyan untuk membuat pernis; yang dihargai untuk kelikatan dan gloss. Minyak yang berbeda memberikan berbagai sifat kepada cat minyak, seperti kurang kekuningan dan waktu pengeringan yang berbeda. Perbedaan tertentu juga terlihat dalam kilauan cat bergantung kepada jenis minyak. Pelukis mungkin menggunakan beberapa minyak yang berbeda dalam lukisan yang sama bergantung pada pigmen tertentu dan kesan yang diingini. Cat itu sendiri juga membentuk kelikatan tertentu bergantung kepada medium."@in . . "Oljem\u00E5leri (lat. oleum, grek. elaion \"olivolja\"), teknik d\u00E4r pigment (f\u00E4rgpulver) blandas med oxiderande olja, till exempel lin-, vallmo- eller n\u00F6tolja. Oljef\u00E4rger kan l\u00E4ggas p\u00E5 s\u00E5 att de blir t\u00E4ckande eller genomskinliga (laserande), pastost eller tunt, utan att de flyter i varandra. Detta m\u00F6jligg\u00F6r fina val\u00F6rer och \u00F6verg\u00E5ngar. F\u00F6r att f\u00F6rl\u00E4nga h\u00E5llbarheten v\u00E4ljer man ljus\u00E4kta m\u00E5larf\u00E4rger och p\u00E5 den f\u00E4rdiga m\u00E5lningen kan man applicera en fernissa. Idag anv\u00E4nds oftast kallpressad linolja vid tillverkning av oljef\u00E4rg och olika varianter av duk eller pann\u00E5 som underlag f\u00F6r m\u00E5lning."@sv . . . . . "Oljem\u00E5leri"@sv . . "\u6CB9\u5F69"@ja . . . . . . . . . . . . "Olieschilderij"@nl . . . . "Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on wood panel or canvas for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include \"greater flexibility, richer and denser colour, the use of layers, and a wider range from light to dark\". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied. The oldest known oil paintings were created by Buddhist artists in Afghanistan and date back to the 7th century AD. The technique of binding pigments in oil was later brought to Europe in the 15th century, about 900 years later. The adoption of oil paint by Europeans began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of tempera paints in the majority of Europe. Oil paint was used by Europeans for painting statues and woodwork from at least the 12th century, but its common use for painted images began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of egg tempera paints for panel paintings in most of Europe, though not for Orthodox icons or wall paintings, where tempera and fresco, respectively, remained the usual choice. Commonly used drying oils include linseed oil, poppy seed oil, walnut oil, and safflower oil. The choice of oil imparts a range of properties to the paint, such as the amount of yellowing or drying time. The paint could be thinned with turpentine. Certain differences, depending on the oil, are also visible in the sheen of the paints. An artist might use several different oils in the same painting depending on specific pigments and effects desired. The paints themselves also develop a particular consistency depending on the medium. The oil may be boiled with a resin, such as pine resin or frankincense, to create a varnish prized for its body and gloss. The paint itself can be molded into different depending on its plasticity."@en . . . . "1122980423"^^ . "( \uB2E4\uB978 \uB73B\uC5D0 \uB300\uD574\uC11C\uB294 \uC720\uD654 (\uB3D9\uC74C\uC774\uC758) \uBB38\uC11C\uB97C \uCC38\uACE0\uD558\uC2ED\uC2DC\uC624.) \uC720\uD654(\u6CB9\u756B, \uC601\uC5B4: oil painting) \uB610\uB294 \uC720\uCC44\uD654(\u6CB9\u5F69\u7575)\uB294 \uC11C\uC591\uBBF8\uC220\uC758 \uB300\uD45C\uC801 \uD615\uD0DC \uC911 \uD558\uB098\uB85C, \uAE30\uB984\uC73C\uB85C \uAC20 \uBB3C\uAC10(\uC548\uB8CC)\uC744 \uC0AC\uC6A9\uD558\uC5EC \uADF8\uB9AC\uB294 \uC11C\uC591\uD654\uC758 \uD55C \uAE30\uBC95\uC774\uB2E4. \uC720\uD654\uC758 \uC720\uB798\uB294 \uC774\uBBF8 \uACE0\uB300 \uADF8\uB9AC\uC2A4\uB098 \uB85C\uB9C8 \uC2DC\uB300\uB85C \uAC70\uC2AC\uB7EC \uC62C\uB77C\uAC00\uBA70, \uADF8 \uB2F9\uC2DC\uC5D0 \uADF8\uB824\uC9C4 \uADF8\uB9BC\uB4E4, \uD2B9\uD788 \uBCBD\uD654\uC5D0\uC11C \uADF8 \uC6D0\uC2DC\uC801 \uD615\uD0DC\uB97C \uCC3E\uC544 \uBCFC \uC218 \uC788\uB2E4. \uC911\uC138\uC2DC\uB300\uC5D0\uB294 \uAC00\uD1A8\uB9AD\uAD50\uD68C\uC758 \uC7A5\uC2DD \uADF8\uB9BC\uC744 \uADF8\uB9AC\uB294 \uB370 \uC720\uD654\uAC00 \uC8FC\uB85C \uC0AC\uC6A9\uB418\uC5C8\uC73C\uBA70, 15\uC138\uAE30\uC5D0\uB294 \uADF8 \uAE30\uBC95\uC774\uB098 \uC7AC\uB8CC\uBA74\uC5D0\uC11C \uD06C\uAC8C \uBC1C\uC804\uD558\uC600\uB2E4. 16\uC138\uAE30 \uB974\uB124\uC0C1\uC2A4\uB85C \uC811\uC5B4\uB4E4\uBA74\uC11C \uC720\uD654\uB294 \uBE44\uB85C\uC18C \uC11C\uC591\uBBF8\uC220\uC758 \uC911\uC694\uADF8\uB9BC \uD615\uC2DD\uC73C\uB85C \uC790\uB9AC\uB97C \uC7A1\uAC8C \uB418\uC5C8\uB2E4. \uC7AC\uB8CC\uC801 \uCE21\uBA74\uC5D0\uC11C \uBCFC \uB54C \uC720\uD654\uB294 \uC774\uBBF8 \uADF8 \uB0B1\uB9D0\uC5D0\uC11C \uC9D0\uC791\uD560 \uC218 \uC788\uB4EF\uC774 \uC5EC\uB7EC \uC885\uB958\uC758 \uAE30\uB984\uC5D0 \uC0C9\uC18C\uB97C \uC11E\uC5B4 \uAC08\uC544\uC11C \uC5BB\uC740 \uC720\uD654\uC0C9\uCC44\uC640 \uC774 \uC0C9\uCC44\uB97C \uCE60\uD560 \uC218 \uC788\uB294 \uB9C8\uB85C \uC9E0 \uD654\uD3EC(\uCE94\uBC84\uC2A4), \uB098\uBB34 \uD310 \uD639\uC740 \uB9C8\uBD84\uC9C0\uC5D0 \uADF8\uB9BC\uC744 \uADF8\uB9AC\uB294 \uAC83\uC744 \uD2B9\uC9D5\uC73C\uB85C \uD55C\uB2E4."@ko . . . "Olio-pintura, edo soilik olioa, pigmentu eta olioz osatutako nahastea darabilen margolaritza teknika da. Teknikaren hastapenetan linazi-olioa erabili ohi zuten. Askotan berau pinu-erretxina edo intsentsuarekin batera irakiten zuten, berniz izena jaso duen osagaia osatuz. Lo-belarraren, intxaurraren edo kartamoaren olioak ere erabilik izan dira, sikatze-denborak, distira eta kolorazioak bestelakoak izanik. Hartara margolariek lortu nahi duten efektuaren araberako olioaren hautua egingo dute. Mendebaldeko Afganistanen erabili zituzten aurrenekoz, V. eta IX. mendeetan; dena den, olio-pinturen erabilera XV.enean bilakatu zen arrakastatsu, hasi Herbeheretan eta Europako gainontzeko herrialdeetara Pizkunde garaian erabat zabalduz, tenpera ordezkatzera ailegatu arte."@eu . . "Bei der \u00D6lmalerei werden Pigmente mit einem trocknenden \u00D6l als Bindemittel zu \u00D6lfarbe angerieben und auf einen Bildtr\u00E4ger (\u00FCber einer Grundierung) aufgetragen. Als trocknende \u00D6le verwendet man Lein-, Walnuss- und Mohn\u00F6l. Zus\u00E4tze zum Bindemittel sind metallische Sikkative und Harze. Die \u00D6lmalerei gilt als die \u201Eklassische K\u00F6nigsdisziplin\u201C der Malerei, die insbesondere bei Portr\u00E4t-, Landschafts-, Stillleben- und Genremalerei zur Anwendung kommt. Die Haltbarkeit und Farbbrillanz der \u00D6lmalerei ist un\u00FCbertroffen."@de . . . . . . . . . . . "Malarstwo olejne \u2013 technika malarska, pos\u0142uguj\u0105ca si\u0119 farbami olejnymi. Technika ta polega na pokrywaniu napr\u0119\u017Conego i zagruntowanego p\u0142\u00F3tna, g\u0142adkiej deski lub innego podobrazia farbami, sk\u0142adaj\u0105cymi si\u0119 z oleju lnianego (lub rzadziej innych ro\u015Blinnych olej\u00F3w schn\u0105cych, np. konopnych, makowych) i odpowiednich pigment\u00F3w. Sporadycznie stosowany by\u0142 te\u017C wosk, kt\u00F3ry pe\u0142ni\u0142 funkcj\u0119 stabilizatora spowalniaj\u0105cego oddzielanie si\u0119 oleju lnianego od pigment\u00F3w."@pl . . . . . . "La peinture \u00E0 l'huile est une peinture dont le liant ou v\u00E9hicule est une huile siccative qui enveloppe compl\u00E8tement les particules de pigment. On appelle aussi \u00AB peinture \u00BB les travaux d'enduction d'une surface par ce genre de produit. Les autorit\u00E9s normatives fran\u00E7aises demandent qu'on dise peinturage, mais ce terme n'a jamais pris. La \u00AB peinture \u00E0 l'huile \u00BB est donc aussi l'activit\u00E9 de nombreux artistes peintres pass\u00E9s et pr\u00E9sents, ainsi qu'une technique picturale. Enfin, une \u00AB peinture \u00E0 l'huile \u00BB est un tableau peint avec cette technique."@fr . . . . . . . . . . . . . . "Oleo-pentrado estas metodo de pentrado per pigmentoj kunligitaj de sekiganta oleo (precipe de linoleo en renesanca E\u016Dropo). Ofte oleo kiel linoleo estis bolita kun rezino, ekzemple pino-rezino a\u016D e\u0109 olibano. Tiuj variaj oleoj donas al la uzita farbo diversajn proprecojn (malpli flava aspekto, malpli longa seki\u011Dtempo, ktp...). Oleofarbo estis uzita por la unua fojo en okcidenta Afganio, iam inter la 5-a kaj la 9-a jarcentoj. \u011Cia uzado sekve disvasti\u011Dis okcidenten \u011Dis tiam, kiam en Mezepoko \u011Di atingis E\u016Dropon. Oleo-pentrado sekve fari\u011Dis la \u0109efa \u011Denro de pentrado : klimakse de la Renesanco, la anta\u016Da metodo \"tempero\" estis jam preska\u016D tute anstata\u016Digita en la plej granda parto de E\u016Dropo."@eo . "22605"^^ . . . . . . . . . . . . . "Olejomalba"@cs . . . . . "\u03A9\u03C2 \u03B5\u03BB\u03B1\u03B9\u03BF\u03B3\u03C1\u03B1\u03C6\u03AF\u03B1 \u03BF\u03C1\u03AF\u03B6\u03B5\u03C4\u03B1\u03B9 \u03B7 \u03B4\u03B9\u03B1\u03B4\u03B9\u03BA\u03B1\u03C3\u03AF\u03B1 \u03C4\u03B7\u03C2 \u03B6\u03C9\u03B3\u03C1\u03B1\u03C6\u03B9\u03BA\u03AE\u03C2 \u03BC\u03B5 \u03C7\u03C1\u03C9\u03C3\u03C4\u03B9\u03BA\u03AD\u03C2 \u03BF\u03C5\u03C3\u03AF\u03B5\u03C2 \u03B1\u03BD\u03B1\u03BA\u03B1\u03C4\u03B5\u03BC\u03AD\u03BD\u03B5\u03C2 \u03BC\u03B5 \u03BE\u03B7\u03C1\u03B1\u03B9\u03BD\u03CC\u03BC\u03B5\u03BD\u03BF \u03AD\u03BB\u03B1\u03B9\u03BF, \u03C3\u03C5\u03BD\u03AE\u03B8\u03C9\u03C2 \u03BB\u03B9\u03BD\u03AD\u03BB\u03B1\u03B9\u03BF, \u03C3\u03B5 \u03B5\u03B9\u03B4\u03B9\u03BA\u03AC \u03C0\u03C1\u03BF\u03B5\u03C4\u03BF\u03B9\u03BC\u03B1\u03C3\u03BC\u03AD\u03BD\u03BF \u03BA\u03B1\u03BC\u03B2\u03AC. \u0394\u03B9\u03B1\u03C6\u03BF\u03C1\u03B5\u03C4\u03B9\u03BA\u03AC \u03AD\u03BB\u03B1\u03B9\u03B1 \u03C0\u03C1\u03BF\u03C3\u03B4\u03AF\u03B4\u03BF\u03C5\u03BD \u03B4\u03B9\u03AC\u03C6\u03BF\u03C1\u03B5\u03C2 \u03B9\u03B4\u03B9\u03CC\u03C4\u03B7\u03C4\u03B5\u03C2 \u03C3\u03C4\u03BF \u03C7\u03C1\u03CE\u03BC\u03B1, \u03CC\u03C0\u03C9\u03C2 \u03B7 \u03C6\u03C9\u03C4\u03B5\u03B9\u03BD\u03CC\u03C4\u03B7\u03C4\u03B1 \u03AE \u03BF \u03B4\u03B9\u03B1\u03C6\u03BF\u03C1\u03B5\u03C4\u03B9\u03BA\u03CC\u03C2 \u03C7\u03C1\u03CC\u03BD\u03BF\u03C2 \u03BE\u03AE\u03C1\u03B1\u03BD\u03C3\u03B7\u03C2. \u039F\u03C1\u03B9\u03C3\u03BC\u03AD\u03BD\u03B5\u03C2 \u03B4\u03B9\u03B1\u03C6\u03BF\u03C1\u03AD\u03C2 \u03B5\u03C0\u03AF\u03C3\u03B7\u03C2 \u03C3\u03C7\u03B5\u03C4\u03AF\u03B6\u03BF\u03BD\u03C4\u03B1\u03B9 \u03BC\u03B5 \u03C4\u03B7 \u03BB\u03AC\u03BC\u03C8\u03B7 \u03C4\u03C9\u03BD \u03C7\u03C1\u03C9\u03BC\u03AC\u03C4\u03C9\u03BD, \u03B1\u03BD\u03AC\u03BB\u03BF\u03B3\u03B1 \u03BC\u03B5 \u03C4\u03BF \u03AD\u03BB\u03B1\u03B9\u03BF. \u039F \u03B6\u03C9\u03B3\u03C1\u03AC\u03C6\u03BF\u03C2 \u03BC\u03C0\u03BF\u03C1\u03B5\u03AF \u03BD\u03B1 \u03C7\u03C1\u03B7\u03C3\u03B9\u03BC\u03BF\u03C0\u03BF\u03B9\u03AE\u03C3\u03B5\u03B9 \u03C0\u03BF\u03BB\u03BB\u03AC \u03B4\u03B9\u03B1\u03C6\u03BF\u03C1\u03B5\u03C4\u03B9\u03BA\u03AC \u03AD\u03BB\u03B1\u03B9\u03B1 \u03C3\u03C4\u03BF \u03AF\u03B4\u03B9\u03BF \u03AD\u03C1\u03B3\u03BF \u03B1\u03BD\u03AC\u03BB\u03BF\u03B3\u03B1 \u03BC\u03B5 \u03C4\u03B9\u03C2 \u03B5\u03B9\u03B4\u03B9\u03BA\u03AD\u03C2 \u03C7\u03C1\u03C9\u03C3\u03C4\u03B9\u03BA\u03AD\u03C2 \u03BF\u03C5\u03C3\u03AF\u03B5\u03C2 \u03BA\u03B1\u03B9 \u03C4\u03B1 \u03B5\u03C0\u03B9\u03B8\u03C5\u03BC\u03B7\u03C4\u03AC \u03B1\u03C0\u03BF\u03C4\u03B5\u03BB\u03AD\u03C3\u03BC\u03B1\u03C4\u03B1"@el . . . "Peinture \u00E0 l'huile"@fr . . . . . . . . . "Pintura a \u00F3leo"@pt . . . . . .