. "Podczas ameryka\u0144skiej wojny secesyjnej muzyka odgrywa\u0142a znacz\u0105c\u0105 rol\u0119 po obu stronach konfliktu: Unii i Konfederacji. Na polach bitewnych r\u00F3\u017Cne instrumenty, w tym tr\u0105bki, b\u0119bny i piszcza\u0142ki s\u0142u\u017Cy\u0142y do wydawania rozkazu wymarszu, a czasami po prostu do zwi\u0119kszenia morale w\u015Br\u00F3d \u017Co\u0142nierzy. \u015Apiew traktowano r\u00F3wnie\u017C jako czynno\u015B\u0107 rekreacyjn\u0105, ale by\u0142 te\u017C sposobem na obni\u017Cenie nieuniknionych napi\u0119\u0107 spowodowanych walk\u0105 na wojnie. Gdy armie przeciwnik\u00F3w znajdowa\u0142y si\u0119 w ma\u0142ej odleg\u0142o\u015Bci od siebie, czasami ich zespo\u0142y gra\u0142y w nocy przed bitw\u0105. Ka\u017Cda ze stron mia\u0142a swoje ulubione utwory, a niekt\u00F3re z nich by\u0142y lubiane przez ludzi zar\u00F3wno z P\u00F3\u0142nocy, jak i Po\u0142udnia, czego przyk\u0142adem by\u0142o zami\u0142owanie prezydenta Abrahama Lincolna do pie\u015Bni Dixie, nieoficjalnego hymnu Konfederat\u00F3w. Do dzi\u015B wiele z pie\u015Bni z czas\u00F3w wojny z lat 1861\u20131865 jest wykonywanych jako utwory patriotyczne. Muzyka tamtych czas\u00F3w inspirowa\u0142a r\u00F3wnie\u017C artyst\u00F3w XX-wiecznych, takich jak Lynyrd Skynyrd, czy Elvis Presley."@pl . . . . . "Dixie .ogg"@en . . . . "Muzyka wojny secesyjnej"@pl . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "A Nation Sings"@en . . . . . . . . "19771489"^^ . . . . . "1122010775"^^ . . . . . "Traditional Blackface song"@en . . . . . . . . . . . "gov.dod.dimoc.30155"@en . . . . . . . . . . . . . . . . . . . . "28853"^^ . . . . . "Music of the American Civil War"@en . . . . . . . . . . . . . . . . . . . . . . . . . "\"Dixie\""@en . . . . "\"When Johnny Comes Marching Home\""@en . . . . . . . . . "During the American Civil War, music played a prominent role on both sides of the conflict, Union (the North) and Confederate (the South). On the battlefield, different instruments including bugles, drums, and fifes were played to issue marching orders or sometimes simply to boost the morale of one's fellow soldiers. Singing was also employed not only as a recreational activity but as a release from the inevitable tensions that come with fighting in a war. In camp, music was a diversion away from the bloodshed, helping the soldiers deal with homesickness and boredom. Soldiers of both sides often engaged in recreation with musical instruments, and when the opposing armies were near each other, sometimes the bands from both sides of the conflict played against each other on the night before a battle. Each side had its particular favorite tunes, while some music was enjoyed by Northerners and Southerners alike, as exemplified by United States President Abraham Lincoln's love of \"Dixie\", the unofficial anthem of the Confederacy. To this day, many of the songs are sung when a patriotic piece is required. The war's music also inspired music artists such as Lynyrd Skynyrd and Elvis Presley."@en . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "When Johnny Comes Marching Home, 1898.oga"@en . . . . . . . . . . . . . . . "Podczas ameryka\u0144skiej wojny secesyjnej muzyka odgrywa\u0142a znacz\u0105c\u0105 rol\u0119 po obu stronach konfliktu: Unii i Konfederacji. Na polach bitewnych r\u00F3\u017Cne instrumenty, w tym tr\u0105bki, b\u0119bny i piszcza\u0142ki s\u0142u\u017Cy\u0142y do wydawania rozkazu wymarszu, a czasami po prostu do zwi\u0119kszenia morale w\u015Br\u00F3d \u017Co\u0142nierzy. \u015Apiew traktowano r\u00F3wnie\u017C jako czynno\u015B\u0107 rekreacyjn\u0105, ale by\u0142 te\u017C sposobem na obni\u017Cenie nieuniknionych napi\u0119\u0107 spowodowanych walk\u0105 na wojnie. Gdy armie przeciwnik\u00F3w znajdowa\u0142y si\u0119 w ma\u0142ej odleg\u0142o\u015Bci od siebie, czasami ich zespo\u0142y gra\u0142y w nocy przed bitw\u0105."@pl . . . . . . "During the American Civil War, music played a prominent role on both sides of the conflict, Union (the North) and Confederate (the South). On the battlefield, different instruments including bugles, drums, and fifes were played to issue marching orders or sometimes simply to boost the morale of one's fellow soldiers. Singing was also employed not only as a recreational activity but as a release from the inevitable tensions that come with fighting in a war. In camp, music was a diversion away from the bloodshed, helping the soldiers deal with homesickness and boredom. Soldiers of both sides often engaged in recreation with musical instruments, and when the opposing armies were near each other, sometimes the bands from both sides of the conflict played against each other on the night before "@en . . . . . . . "music"@en . . . . . . . . .