. . "1117384997"^^ . . . . . . . . . . . . . . . . . . . . . . "Modern m\u00F6beldesign"@sv . "6992172"^^ . . . . . . . "Modern furniture refers to furniture produced from the late 19th century through the present that is influenced by modernism. Post-World War II ideals of cutting excess, commodification, and practicality of materials in design heavily influenced the aesthetic of the furniture. It was a tremendous departure from all furniture design that had gone before it. There was an opposition to the decorative arts, which included Art Nouveau, Neoclassical, and Victorian styles. Dark or gilded carved wood and richly patterned fabrics gave way to the glittering simplicity and geometry of polished metal. The forms of furniture evolved from visually heavy to visually light. This shift from decorative to minimalist principles of design can be attributed to the introduction of new technology, changes in phi"@en . . . . . "Modern furniture"@en . . . . . "23991"^^ . . . "Modern m\u00F6beldesign syftar p\u00E5 den enkla, rena och sparsmakade m\u00F6beldesignen mellan ungef\u00E4r 1920\u20131970 under modernismen. Under 1900-talet var designen en viktig del i vardagen och kulturen. Designen kunde ocks\u00E5 ses som ett s\u00E4tt att f\u00F6rb\u00E4ttra m\u00E4nniskors livskvalit\u00E9 p\u00E5. Det fanns ingen teoretisk och filosofisk grund eller intellektuell baktanke med objektets design och d\u00E4rf\u00F6r hade formgivningen en mycket liten p\u00E5verkan p\u00E5 samh\u00E4llet och den industriella utvecklingen. Den moderna designen utvecklades av 1800-talets designreformer, bland annat William Morris vars id\u00E9er senare bidrog till den moderna r\u00F6relsen. Walter Gropius f\u00F6rs\u00F6kte integrera teori med tr\u00E4ning genom industriell produktion under 1900-talet, vilket gav upphov till den moderna m\u00F6beldesignen. Gropius skapade senare skolan Bauhaus f\u00F6r att f\u00F6rena den kommersiella verkligheten med den sociala idealismen som r\u00E5dde i samh\u00E4llet. Designen under 1900-talet blev mer m\u00E5ngsidig eftersom designprocessens komplexitet \u00F6kade. N\u00E4r f\u00F6rem\u00E5len b\u00F6rjade produceras industriellt skapades \u00E4ven fler yrkesm\u00F6jligheter. Den historiska m\u00E5ngfalden f\u00F6r\u00E4ndrades ocks\u00E5 p\u00E5 grund av nya konsumtionsvanor. N\u00E4r man studerar design \u00E4r det viktigt att komma ih\u00E5g att produkterna kan bara bli f\u00F6rst\u00E5dda utifr\u00E5n periodens sociala, teknologiska, kulturella och ekonomiska sammanhang. Ett flertal g\u00E5nger under 1900-talet p\u00E5verkade h\u00E4ndelser i samh\u00E4llet, specifikt inom v\u00E4stv\u00E4rldens ekonomi m\u00F6beldesignen. Det som drev p\u00E5 designutvecklingen var t\u00E4vlingen om att skapa konkurrerande produkter. Designer kunde ocks\u00E5 ha en djupare mening bakom sina verk och fungerade d\u00E4rf\u00F6r som en samh\u00E4llsdebatt mellan olika \u00E5sikter."@sv . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Modern furniture refers to furniture produced from the late 19th century through the present that is influenced by modernism. Post-World War II ideals of cutting excess, commodification, and practicality of materials in design heavily influenced the aesthetic of the furniture. It was a tremendous departure from all furniture design that had gone before it. There was an opposition to the decorative arts, which included Art Nouveau, Neoclassical, and Victorian styles. Dark or gilded carved wood and richly patterned fabrics gave way to the glittering simplicity and geometry of polished metal. The forms of furniture evolved from visually heavy to visually light. This shift from decorative to minimalist principles of design can be attributed to the introduction of new technology, changes in philosophy, and the influences of the principles of architecture. As Philip Johnson, the founder of the Department of Architecture and Design at the Museum of Modern Art articulates: \"Today industrial design is functionally motivated and follows the same principles as modern architecture: machine-like simplicity, smoothness of surface, avoidance of ornament ... It is perhaps the most fundamental contrast between the two periods of design that in 1900 the Decorative Arts possessed ...\" With the machine aesthetic, modern furniture easily came to promote factory modules, which emphasized the time-managing, efficient ideals of the period. Modernist design was able to strip down decorative elements and focus on the design of the object in order to save time, money, material, and labour. The goal of modern design was to capture timeless beauty in spare precision."@en . . . . "Modern m\u00F6beldesign syftar p\u00E5 den enkla, rena och sparsmakade m\u00F6beldesignen mellan ungef\u00E4r 1920\u20131970 under modernismen. Under 1900-talet var designen en viktig del i vardagen och kulturen. Designen kunde ocks\u00E5 ses som ett s\u00E4tt att f\u00F6rb\u00E4ttra m\u00E4nniskors livskvalit\u00E9 p\u00E5. Det fanns ingen teoretisk och filosofisk grund eller intellektuell baktanke med objektets design och d\u00E4rf\u00F6r hade formgivningen en mycket liten p\u00E5verkan p\u00E5 samh\u00E4llet och den industriella utvecklingen. Den moderna designen utvecklades av 1800-talets designreformer, bland annat William Morris vars id\u00E9er senare bidrog till den moderna r\u00F6relsen. Walter Gropius f\u00F6rs\u00F6kte integrera teori med tr\u00E4ning genom industriell produktion under 1900-talet, vilket gav upphov till den moderna m\u00F6beldesignen. Gropius skapade senare skolan Bauhaus f\u00F6r"@sv . . . . . . . . .