. . . "175"^^ . . . . "Berthe, Giselle's mother"@en . . . . . . . . . . "Giselle \u00E9s un ballet en dos actes estrenat a Par\u00EDs en 1841, coreografiat per Jules Perrot i Jean Coralli, amb m\u00FAsica d'Adolphe Adam i llibret de Th\u00E9ophile Gautier i Jules-Henri Vernoy. D'estil rom\u00E0ntic, est\u00E0 ambientada en un entorn camperol a Alemanya a l'\u00E8poca medieval. La hist\u00F2ria que narra est\u00E0 inspirada en l'obra De l'Allemagne que Heinrich Heine havia escrit en 1835. Giselle \u00E9s un ballet emblem\u00E0tic i el paper de la seva protagonista femenina ha esdevingut m\u00EDtic al repertori cl\u00E0ssic."@ca . "\uC9C0\uC824"@ko . "\u300E\u30B8\u30BC\u30EB\u300F\uFF08Giselle\uFF09\u306F\u30011841\u5E74\u306B\u30D5\u30E9\u30F3\u30B9\u3067\u521D\u6F14\u3055\u308C\u305F\u30D0\u30EC\u30A8\u4F5C\u54C1\u3002\u51682\u5E55\u3002\u4F5C\u66F2\u306F\u30A2\u30C9\u30EB\u30D5\u30FB\u30A2\u30C0\u30F3\u3001\u632F\u4ED8\u306F\u30B8\u30E3\u30F3\u30FB\u30B3\u30E9\u30FC\u30EA\u3068\u30B8\u30E5\u30FC\u30EB\u30FB\u30DA\u30ED\u30FC\u306B\u3088\u308B\u3002\u521D\u6F14\u6642\u306E\u984C\u540D\u306F \u300E\u30B8\u30BC\u30EB\u3001\u307E\u305F\u306F\u30A6\u30A3\u30EA\u305F\u3061\u300F\uFF08Giselle, ou Les Wilis \uFF09\u3002 \u30ED\u30DE\u30F3\u30C6\u30A3\u30C3\u30AF\u30FB\u30D0\u30EC\u30A8\u306E\u4EE3\u8868\u4F5C\u306E\u4E00\u3064\u3067\u3042\u308A\u3001\u5927\u898F\u6A21\u306A\u6539\u8A02\u3092\u7D4C\u3066\u4ECA\u65E5\u3067\u3082\u983B\u7E41\u306B\u4E0A\u6F14\u3055\u308C\u3066\u3044\u308B\u3002"@ja . . . . . . "Albrecht, Duke of Silesia"@en . . . "Giselle ou \"Les willis\", \u00E9 um bal\u00E9 rom\u00E2ntico em dois atos composto por Adolphe Adam sobre um libreto de Jules-Henri Vernoy de Saint-Georges e Th\u00E9ophile Gautier. Foi inicialmente interpretado pela \u00D3pera Nacional de Paris em 1840 e tornou-se muito popular, tomando os palcos da Europa, R\u00FAssia e Estados Unidos. \u00C9 um dos poucos bal\u00E9s dessa tradi\u00E7\u00E3o que ainda s\u00E3o apresentados nos palcos, sendo dan\u00E7ado em tutu rom\u00E2ntico (saias de bailarina na altura da panturrilha)."@pt . "\u30B8\u30BC\u30EB"@ja . ""@en . . . . . "Giselle, ou les Wilis est un ballet romantique en deux actes compos\u00E9 par Adolphe Adam sur un livret de Jules-Henri Vernoy de Saint-Georges et de Th\u00E9ophile Gautier, repr\u00E9sent\u00E9 pour la premi\u00E8re fois le 28 juin 1841 \u00E0 Paris. La chor\u00E9graphie originale est de Jean Coralli et Jules Perrot."@fr . "Giselle"@en . . . . . . "\u0416\u0438\u0437\u0435\u043B\u044C"@ru . . "\u00AB\u0416\u0456\u0437\u0435\u043B\u044C\u00BB (\u043F\u043E\u0432\u043D\u0430 \u043D\u0430\u0437\u0432\u0430 \u00AB\u0416\u0456\u0437\u0435\u043B\u044C, \u0430\u0431\u043E \u0412\u0456\u043B\u0438\u00BB, \u0444\u0440. Giselle, ou les Wilis) \u2014 \u00AB\u0444\u0430\u043D\u0442\u0430\u0441\u0442\u0438\u0447\u043D\u0438\u0439 \u0431\u0430\u043B\u0435\u0442\u00BB \u043D\u0430 2 \u0434\u0456\u0457 \u0444\u0440\u0430\u043D\u0446\u0443\u0437\u044C\u043A\u043E\u0433\u043E \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0442\u043E\u0440\u0430 \u0410\u0434\u043E\u043B\u044C\u0444\u0430 \u0410\u0434\u0430\u043C\u0430, \u043B\u0456\u0431\u0440\u0435\u0442\u043E , \u0422\u0435\u043E\u0444\u0456\u043B\u044F \u0413\u043E\u0442\u044C\u0454 \u0442\u0430 \u0416\u0430\u043D\u0430 \u041A\u043E\u0440\u0430\u043B\u043B\u0456 \u0437\u0430 \u043B\u0435\u0433\u0435\u043D\u0434\u043E\u044E, \u044F\u043A\u0443 \u043F\u0435\u0440\u0435\u043A\u0430\u0437\u0430\u0432 \u0413\u0435\u043D\u0440\u0456\u0445 \u0413\u0435\u0439\u043D\u0435. \u0423 \u043B\u0435\u0433\u0435\u043D\u0434\u0456 \u0440\u043E\u0437\u043F\u043E\u0432\u0456\u0434\u0430\u0454\u0442\u044C\u0441\u044F \u043F\u0440\u043E \u0434\u0456\u0432\u0447\u0430\u0442-\u0432\u0456\u043B, \u044F\u043A\u0456 \u0431\u0443\u043B\u0438 \u0437\u0440\u0430\u0434\u0436\u0435\u043D\u0456 \u0457\u0445 \u043D\u0430\u0440\u0435\u0447\u0435\u043D\u0438\u043C\u0438 \u0456 \u043F\u043E\u043C\u0435\u0440\u043B\u0438 \u0434\u043E \u0432\u0435\u0441\u0456\u043B\u043B\u044F, \u0430 \u043F\u043E\u0442\u0456\u043C \u043F\u0435\u0440\u0435\u0442\u0432\u043E\u0440\u0438\u043B\u0438\u0441\u044F \u043D\u0430 \u043C\u0441\u0442\u0438\u0432\u0438\u0445 \u0456 \u0431\u0435\u0437\u0436\u0430\u043B\u044C\u043D\u0438\u0445 \u0434\u0443\u0445\u0456\u0432. \u0425\u043E\u0440\u0435\u043E\u0433\u0440\u0430\u0444\u0456\u044F \u0416\u0430\u043D\u0430 \u041A\u043E\u0440\u0430\u043B\u043B\u0456, \u0416\u044E\u043B\u044F \u041F\u0435\u0440\u0440\u043E \u0442\u0430 \u041C\u0430\u0440\u0456\u0443\u0441\u0430 \u041F\u0435\u0442\u0456\u043F\u0430. \u0411\u0430\u043B\u0435\u0442 \u0432\u0432\u0430\u0436\u0430\u0454\u0442\u044C\u0441\u044F \u043E\u0434\u043D\u0438\u043C \u0437 \u043D\u0430\u0439\u0432\u0438\u0434\u0430\u0442\u043D\u0456\u0448\u0438\u0445 \u0442\u0432\u043E\u0440\u0456\u0432 \u0435\u043F\u043E\u0445\u0438 \u0440\u043E\u043C\u0430\u043D\u0442\u0438\u0437\u043C\u0443. \u041F\u0440\u0435\u043C'\u0454\u0440\u0430 \u0440\u043E\u043C\u0430\u043D\u0442\u0438\u0447\u043D\u043E\u0433\u043E \u0431\u0430\u043B\u0435\u0442\u0443 \u00AB\u0416\u0456\u0437\u0435\u043B\u044C\u00BB \u0432\u043F\u0435\u0440\u0448\u0435 \u0432\u0456\u0434\u0431\u0443\u043B\u0430\u0441\u044F \u0432 1841 \u0440\u043E\u0446\u0456 \u043D\u0430 \u0441\u0446\u0435\u043D\u0456 \u041F\u0430\u0440\u0438\u0437\u044C\u043A\u043E\u0457 \u043E\u043F\u0435\u0440\u0438 \u0456 \u043C\u0430\u043B\u0430 \u0432\u0435\u043B\u0438\u0447\u0435\u0437\u043D\u0438\u0439 \u0443\u0441\u043F\u0456\u0445. \u0412\u0456\u0434\u0442\u043E\u0434\u0456 \u0431\u0430\u043B\u0435\u0442 \u043D\u0435 \u0441\u0445\u043E\u0434\u0438\u0442\u044C \u0437 \u043F\u0440\u043E\u0432\u0456\u0434\u043D\u0438\u0445 \u0431\u0430\u043B\u0435\u0442\u043D\u0438\u0445 \u0441\u0446\u0435\u043D \u0441\u0432\u0456\u0442\u0443."@uk . . "Giselle \u00E8 un balletto romantico in due atti del 1841; caposaldo fondamentale del repertorio della danza mondiale, riassume in s\u00E9 tutti gli elementi stilistici, tecnici ed espressivi del balletto classico-romantico.. Giselle nacque dall'idea dello scrittore Th\u00E9ophile Gautier e venne poi musicato, in brevissimo tempo, non appena la stesura del libretto fu terminata, da Adolphe-Charles Adam, celebre compositore di musiche di opere liriche e per balletto. La coreografia fu affidata a Jean Coralli; i passi della prima ballerina furono invece curati da Jules Perrot."@it . . . . . . . . . . . "A Ballet Called Giselle, p. 58"@en . . . . . . "\u5409\u8CFD\u723E\uFF08Giselle\uFF09\u662F\u6CD5\u56FD\u4F5C\u66F2\u5BB6\u963F\u9053\u592B\u00B7\u4E9A\u5F53\u5275\u4F5C\u65BC1841\u5E74\u7684\u6CD5\u570B\u82AD\u857E\u821E\u5287\uFF0C\u5171\u6709\u4E8C\u5E55\u3001\u4E8C\u5834\u3002 \u5409\u8CFD\u723E\u7684\u9996\u6B21\u516C\u6F14\u662F\u57281841\u5E746\u670828\u65E5\u5728\u6CD5\u570B\u5DF4\u9ECE\u7684\u5DF4\u9ECE\u6B4C\u5287\u9662\u9032\u884C\u3002"@zh . . . . . . . . "Rhineland during the Middle Ages"@en . . . "Giselle \u00E9s un ballet en dos actes estrenat a Par\u00EDs en 1841, coreografiat per Jules Perrot i Jean Coralli, amb m\u00FAsica d'Adolphe Adam i llibret de Th\u00E9ophile Gautier i Jules-Henri Vernoy. D'estil rom\u00E0ntic, est\u00E0 ambientada en un entorn camperol a Alemanya a l'\u00E8poca medieval. La hist\u00F2ria que narra est\u00E0 inspirada en l'obra De l'Allemagne que Heinrich Heine havia escrit en 1835. Giselle \u00E9s un ballet emblem\u00E0tic i el paper de la seva protagonista femenina ha esdevingut m\u00EDtic al repertori cl\u00E0ssic. A la m\u00FAsica original d'Adam, hom va afegir una variaci\u00F3 al primer acte amb posterioritat: no se'n coneix l'autor per\u00F2 es creu que va Leon Minkus. Els moments que expressen bogeria exigeixen una enorme capacitat t\u00E8cnica tant per part dels cantants, especialment al primer acte, com per la dels ballarins."@ca . . . "454072"^^ . . . . . . "Giselle, ou les Wilis est un ballet romantique en deux actes compos\u00E9 par Adolphe Adam sur un livret de Jules-Henri Vernoy de Saint-Georges et de Th\u00E9ophile Gautier, repr\u00E9sent\u00E9 pour la premi\u00E8re fois le 28 juin 1841 \u00E0 Paris. La chor\u00E9graphie originale est de Jean Coralli et Jules Perrot."@fr . . "Cyril W. Beaumont"@en . . ""@en . . "Giselle (ballet)"@fr . . . "Giselle, a peasant girl"@en . . . . . "Giselle (franska: Giselle ou Les Wilis) \u00E4r en romantisk balett i tv\u00E5 akter med koreografi av Jules Perrot och Jean Coralli. Musik av Adolphe Adam. Libretto av Th\u00E9ophile Gautier och ."@sv . . . . . . . . . "By no stretch of the imagination can the score of Giselle be called great music, but it cannot be denied that it is admirably suited to its purpose. It is danceable, and it has colour and mood attuned to the various dramatic situations ... As we listen today to these haunting melodies composed over a century ago, we quickly become conscious of their intense nostalgic quality, not unlike the opening of a Victorian Keepsake, between whose pages lies an admirably preserved Valentine - in all the glory of its intricate paper lace and symbolic floral designs - which whispers of a leisured age now forever past. For a brief space the air seems faintly perfumed with parma violet and gardenia. The music of Giselle still exerts its magic."@en . . . "Giselle"@de . . "Carlotta Grisi"@en . . . . "Romantic ballet"@en . . . "Giselle ist ein Ballett in zwei Akten nach einem Libretto von Jules-Henri Vernoy de Saint-Georges und Th\u00E9ophile Gautier. Die urspr\u00FCngliche Choreografie schufen Jules Perrot und Jean Coralli zur Musik von Adolphe Adam. Einige zus\u00E4tzliche Nummern wurden von Friedrich Burgm\u00FCller und f\u00FCr sp\u00E4tere Fassungen in Russland von L\u00E9on Minkus und Riccardo Drigo komponiert. Die erste Giselle war Carlotta Grisi und der erste Albrecht Lucien Petipa, der Bruder von Marius Petipa."@de . . "Th\u00E9ophile Gautier"@en . . . "Giselle je romantick\u00FD balet o dvou jedn\u00E1n\u00EDch na hudbu Adolpha Charlese Adama. Autor libreta Th\u00E9ophile Gautier se inspiroval v knize O N\u011Bmecku Heinricha Heineho, kde b\u00E1sn\u00EDk zmi\u0148uje pov\u011Bst o d\u00EDvk\u00E1ch, je\u017E zem\u0159ou neprovd\u00E1ny, po smrti se stanou v\u00EDlami a utancov\u00E1vaj\u00ED pocestn\u00E9 k smrti.Premi\u00E9ra se uskute\u010Dnila ve star\u00E9 Peletierov\u011B opern\u00ED budov\u011B v Pa\u0159\u00ED\u017Ei roku 1841. Choreografii navrhl Jules Perrot, v 80. letech doznala \u00FAprav od Maria Petipy."@cs . . . . "fr"@en . . . "Giselle \u00E8 un balletto romantico in due atti del 1841; caposaldo fondamentale del repertorio della danza mondiale, riassume in s\u00E9 tutti gli elementi stilistici, tecnici ed espressivi del balletto classico-romantico.. Giselle nacque dall'idea dello scrittore Th\u00E9ophile Gautier e venne poi musicato, in brevissimo tempo, non appena la stesura del libretto fu terminata, da Adolphe-Charles Adam, celebre compositore di musiche di opere liriche e per balletto. La coreografia fu affidata a Jean Coralli; i passi della prima ballerina furono invece curati da Jules Perrot."@it . "\u300E\u30B8\u30BC\u30EB\u300F\uFF08Giselle\uFF09\u306F\u30011841\u5E74\u306B\u30D5\u30E9\u30F3\u30B9\u3067\u521D\u6F14\u3055\u308C\u305F\u30D0\u30EC\u30A8\u4F5C\u54C1\u3002\u51682\u5E55\u3002\u4F5C\u66F2\u306F\u30A2\u30C9\u30EB\u30D5\u30FB\u30A2\u30C0\u30F3\u3001\u632F\u4ED8\u306F\u30B8\u30E3\u30F3\u30FB\u30B3\u30E9\u30FC\u30EA\u3068\u30B8\u30E5\u30FC\u30EB\u30FB\u30DA\u30ED\u30FC\u306B\u3088\u308B\u3002\u521D\u6F14\u6642\u306E\u984C\u540D\u306F \u300E\u30B8\u30BC\u30EB\u3001\u307E\u305F\u306F\u30A6\u30A3\u30EA\u305F\u3061\u300F\uFF08Giselle, ou Les Wilis \uFF09\u3002 \u30ED\u30DE\u30F3\u30C6\u30A3\u30C3\u30AF\u30FB\u30D0\u30EC\u30A8\u306E\u4EE3\u8868\u4F5C\u306E\u4E00\u3064\u3067\u3042\u308A\u3001\u5927\u898F\u6A21\u306A\u6539\u8A02\u3092\u7D4C\u3066\u4ECA\u65E5\u3067\u3082\u983B\u7E41\u306B\u4E0A\u6F14\u3055\u308C\u3066\u3044\u308B\u3002"@ja . . "Giselle es un ballet en dos actos con m\u00FAsica de Adolphe Adam, coreograf\u00EDa de Jules Perrot y Jean Coralli y libreto de Th\u00E9ophile Gautier y Jules-Henri Vernoy, basado en la obra De l'Allemagne (1835) de Heinrich Heine. Considerada una obra maestra en el canon del ballet cl\u00E1sico, fue interpretada por primera vez por el Ballet du Th\u00E9\u00E2tre de l'Acad\u00E9mie Royale de Musique en el Salle Le Peletier en Par\u00EDs, Francia, el 28 de junio de 1841. La variaci\u00F3n de Giselle del primer acto no es original de Adam, fue incorporada posteriormente y se cree que su autor fue Ludwig Minkus. Giselle es una de las obras maestras del ballet blanc."@es . "\u5409\u8CFD\u723E"@zh . . "Giselle ou \"Les willis\", \u00E9 um bal\u00E9 rom\u00E2ntico em dois atos composto por Adolphe Adam sobre um libreto de Jules-Henri Vernoy de Saint-Georges e Th\u00E9ophile Gautier. Foi inicialmente interpretado pela \u00D3pera Nacional de Paris em 1840 e tornou-se muito popular, tomando os palcos da Europa, R\u00FAssia e Estados Unidos. \u00C9 um dos poucos bal\u00E9s dessa tradi\u00E7\u00E3o que ainda s\u00E3o apresentados nos palcos, sendo dan\u00E7ado em tutu rom\u00E2ntico (saias de bailarina na altura da panturrilha). O bal\u00E9 conta sobre uma camponesa chamada Giselle, que padece de uma desilus\u00E3o amorosa, ap\u00F3s descobrir que seu amor j\u00E1 era noivo de outra pessoa, e tem como destaque as Wilis, esp\u00EDritos de virgens que morreram antes de casarem, que levam os homens \u00E0 morte pela dan\u00E7a. Tais criaturas eram muito famosas nos bal\u00E9s da era Rom\u00E2ntica."@pt . . "( \uC54C\uC81C\uB9AC\uC758 \uB3C4\uC2DC\uC5D0 \uB300\uD574\uC11C\uB294 \uC9C0\uC824 (\uC54C\uC81C\uB9AC) \uBB38\uC11C\uB97C \uCC38\uACE0\uD558\uC2ED\uC2DC\uC624.) \u300A\uC9C0\uC824\u300B \uB610\uB294 \u300A\uC9C0\uC824 \uB610\uB294 \uC70C\uB9AC\uB4E4\u300B\uC740 (Giselle ou les Wilis)\uC740 \uC544\uB3CC\uD504 \uC544\uB2F9(\uD504\uB791\uC2A4\uC5B4: Adolphe Charles Adam)\uC758 \uC74C\uC545\uACFC, \uD14C\uC624\uD544 \uCF54\uD2F0\uC5D0(Th\u00E9ophile Gautier)\uC640 \uC958-\uC559\uB9AC \uBCA0\uB974\uB204\uC544 \uB4DC \uC0DD \uC870\uB974\uC8FC(Jules-Henri Vernoy de Saint-Georges)\uC758 \uACF5\uB3D9 \uAC01\uBCF8, \uC7A5 \uCF54\uB784\uB9AC(Jean Coralli)\uC640 \uC958 \uD398\uB85C(Jules Perrot)\uC758 \uACF5\uB3D9 \uC548\uBB34\uB85C \uCC3D\uC791\uB41C \uBC1C\uB808 \uC791\uD488\uC774\uB2E4. 1841\uB144 6\uC6D4 28\uC77C\uC5D0 \uD30C\uB9AC \uC624\uD398\uB77C \uADF9\uC7A5\uC5D0\uC11C \uCD08\uC5F0\uB41C \uC774\uD6C4\uB85C \uB0AD\uB9CC \uBC1C\uB808\uC758 \uB300\uBA85\uC0AC\uB85C \uC77C\uCEEC\uC5B4\uC9C4\uB2E4. \uCD08\uC5F0\uC740 \uB300\uC131\uACF5\uC774\uC5C8\uC73C\uBA70, \uADF8\uB9AC\uC9C0\uB294 \uB9C8\uB9AC \uD0C8\uB9AC\uC624\uB2C8(Marie Taglioni)\uC758 \uAC15\uB825\uD55C \uC801\uC218\uB85C \uB5A0\uC62C\uB790\uACE0, \u300A\uC9C0\uC824\u300B\uC740 \uC720\uB7FD \uAC01\uAD6D\uC758 \uBC1C\uB808\uB2E8\uC5D0 \uC218\uCD9C\uC774 \uB418\uC5C8\uC73C\uB098, \uC815\uC791 \uD30C\uB9AC\uC5D0\uC11C\uB294 \uACE7 \uC778\uAE30\uB97C \uC783\uC5C8\uB2E4. \uC0AC\uC2E4 \u300A\uC9C0\uC824\u300B\uC774 \uC624\uB298\uB0A0\uAE4C\uC9C0 \uC804\uD574\uC9C8 \uC218 \uC788\uC5C8\uB358 \uAC83\uC740 \uB7EC\uC2DC\uC544\uC758 \uD669\uC2E4 \uBC1C\uB808\uB2E8\uC5D0\uC11C \uC774 \uC791\uD488\uC744 \uC6D0\uD615\uC5D0 \uAC00\uAE5D\uAC8C \uBCF4\uC874\uD55C \uB355\uC774\uB2E4. \uADF8\uB9AC\uD558\uC5EC \u300A\uC9C0\uC824\u300B\uC740 \uD30C\uB9AC\uB97C \uBE44\uB86F\uD55C \uC11C\uC720\uB7FD\uC5D0 1910\uB144 \uB514\uC544\uAE38\uB808\uD504\uC5D0 \uC758\uD574 \uC7AC\uC218\uC785\uB418\uC5C8\uB2E4."@ko . "Heinrich Heine's De l'Allemagne"@en . "\u00AB\u0416\u0438\u0437\u0435\u0301\u043B\u044C, \u0438\u043B\u0438 \u0412\u0438\u043B\u0438\u0301\u0441\u044B\u00BB (\u0444\u0440. Giselle, ou les Wilis) \u2014 \u00AB\u0444\u0430\u043D\u0442\u0430\u0441\u0442\u0438\u0447\u0435\u0441\u043A\u0438\u0439 \u0431\u0430\u043B\u0435\u0442\u00BB \u0432 \u0434\u0432\u0443\u0445 \u0430\u043A\u0442\u0430\u0445 \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0442\u043E\u0440\u0430 \u0410\u0434\u043E\u043B\u044C\u0444\u0430 \u0410\u0434\u0430\u043D\u0430 \u043D\u0430 \u043B\u0438\u0431\u0440\u0435\u0442\u0442\u043E \u0410\u043D\u0440\u0438 \u0434\u0435 \u0421\u0435\u043D-\u0416\u043E\u0440\u0436\u0430, \u0422\u0435\u043E\u0444\u0438\u043B\u044F \u0413\u043E\u0442\u044C\u0435 \u0438 \u0416\u0430\u043D\u0430 \u041A\u043E\u0440\u0430\u043B\u043B\u0438 \u043F\u043E \u043B\u0435\u0433\u0435\u043D\u0434\u0435, \u043F\u0435\u0440\u0435\u0441\u043A\u0430\u0437\u0430\u043D\u043D\u043E\u0439 \u0413\u0435\u043D\u0440\u0438\u0445\u043E\u043C \u0413\u0435\u0439\u043D\u0435. \u0425\u043E\u0440\u0435\u043E\u0433\u0440\u0430\u0444\u0438\u044F \u0416\u0430\u043D\u0430 \u041A\u043E\u0440\u0430\u043B\u043B\u0438 \u0441 \u0443\u0447\u0430\u0441\u0442\u0438\u0435\u043C \u0416\u044E\u043B\u044F \u041F\u0435\u0440\u0440\u043E, \u0434\u0435\u043A\u043E\u0440\u0430\u0446\u0438\u0438 \u041F\u044C\u0435\u0440\u0430 \u0421\u0438\u0441\u0435\u0440\u0438, \u043A\u043E\u0441\u0442\u044E\u043C\u044B . \u041F\u0440\u0435\u043C\u044C\u0435\u0440\u0430 \u0441\u043E\u0441\u0442\u043E\u044F\u043B\u0430\u0441\u044C 28 \u0438\u044E\u043D\u044F 1841 \u0433\u043E\u0434\u0430 \u0432 \u0442\u0435\u0430\u0442\u0440\u0435 \u041A\u043E\u0440\u043E\u043B\u0435\u0432\u0441\u043A\u043E\u0439 \u0430\u043A\u0430\u0434\u0435\u043C\u0438\u0438 \u043C\u0443\u0437\u044B\u043A\u0438, \u043D\u0430 \u0441\u0446\u0435\u043D\u0435 \u041E\u043F\u0435\u0440\u0430 \u041B\u0435 \u041F\u0435\u043B\u0435\u0442\u044C\u0435 (\u041F\u0430\u0440\u0438\u0436). \u0413\u043B\u0430\u0432\u043D\u044B\u0435 \u043F\u0430\u0440\u0442\u0438\u0438 \u0438\u0441\u043F\u043E\u043B\u043D\u0438\u043B\u0438 \u041A\u0430\u0440\u043B\u043E\u0442\u0442\u0430 \u0413\u0440\u0438\u0437\u0438 (\u0416\u0438\u0437\u0435\u043B\u044C), \u0416\u044E\u043B\u044C \u041F\u0435\u0440\u0440\u043E (\u0433\u0440\u0430\u0444 \u0410\u043B\u044C\u0431\u0435\u0440\u0442), (\u041C\u0438\u0440\u0442\u0430) \u0438 \u043C-\u043C \u0420\u043E\u043B\u0430\u043D (\u0411\u0435\u0440\u0442\u0430)."@ru . . . . . "Giselle"@es . . . . . . . . . . . . . . . . . . "Giselle"@en . "Giselle es un ballet en dos actos con m\u00FAsica de Adolphe Adam, coreograf\u00EDa de Jules Perrot y Jean Coralli y libreto de Th\u00E9ophile Gautier y Jules-Henri Vernoy, basado en la obra De l'Allemagne (1835) de Heinrich Heine. Considerada una obra maestra en el canon del ballet cl\u00E1sico, fue interpretada por primera vez por el Ballet du Th\u00E9\u00E2tre de l'Acad\u00E9mie Royale de Musique en el Salle Le Peletier en Par\u00EDs, Francia, el 28 de junio de 1841. La variaci\u00F3n de Giselle del primer acto no es original de Adam, fue incorporada posteriormente y se cree que su autor fue Ludwig Minkus. Giselle es una de las obras maestras del ballet blanc."@es . . . . . . . . . "\u00AB\u0416\u0456\u0437\u0435\u043B\u044C\u00BB (\u043F\u043E\u0432\u043D\u0430 \u043D\u0430\u0437\u0432\u0430 \u00AB\u0416\u0456\u0437\u0435\u043B\u044C, \u0430\u0431\u043E \u0412\u0456\u043B\u0438\u00BB, \u0444\u0440. Giselle, ou les Wilis) \u2014 \u00AB\u0444\u0430\u043D\u0442\u0430\u0441\u0442\u0438\u0447\u043D\u0438\u0439 \u0431\u0430\u043B\u0435\u0442\u00BB \u043D\u0430 2 \u0434\u0456\u0457 \u0444\u0440\u0430\u043D\u0446\u0443\u0437\u044C\u043A\u043E\u0433\u043E \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0442\u043E\u0440\u0430 \u0410\u0434\u043E\u043B\u044C\u0444\u0430 \u0410\u0434\u0430\u043C\u0430, \u043B\u0456\u0431\u0440\u0435\u0442\u043E , \u0422\u0435\u043E\u0444\u0456\u043B\u044F \u0413\u043E\u0442\u044C\u0454 \u0442\u0430 \u0416\u0430\u043D\u0430 \u041A\u043E\u0440\u0430\u043B\u043B\u0456 \u0437\u0430 \u043B\u0435\u0433\u0435\u043D\u0434\u043E\u044E, \u044F\u043A\u0443 \u043F\u0435\u0440\u0435\u043A\u0430\u0437\u0430\u0432 \u0413\u0435\u043D\u0440\u0456\u0445 \u0413\u0435\u0439\u043D\u0435. \u0423 \u043B\u0435\u0433\u0435\u043D\u0434\u0456 \u0440\u043E\u0437\u043F\u043E\u0432\u0456\u0434\u0430\u0454\u0442\u044C\u0441\u044F \u043F\u0440\u043E \u0434\u0456\u0432\u0447\u0430\u0442-\u0432\u0456\u043B, \u044F\u043A\u0456 \u0431\u0443\u043B\u0438 \u0437\u0440\u0430\u0434\u0436\u0435\u043D\u0456 \u0457\u0445 \u043D\u0430\u0440\u0435\u0447\u0435\u043D\u0438\u043C\u0438 \u0456 \u043F\u043E\u043C\u0435\u0440\u043B\u0438 \u0434\u043E \u0432\u0435\u0441\u0456\u043B\u043B\u044F, \u0430 \u043F\u043E\u0442\u0456\u043C \u043F\u0435\u0440\u0435\u0442\u0432\u043E\u0440\u0438\u043B\u0438\u0441\u044F \u043D\u0430 \u043C\u0441\u0442\u0438\u0432\u0438\u0445 \u0456 \u0431\u0435\u0437\u0436\u0430\u043B\u044C\u043D\u0438\u0445 \u0434\u0443\u0445\u0456\u0432. \u0425\u043E\u0440\u0435\u043E\u0433\u0440\u0430\u0444\u0456\u044F \u0416\u0430\u043D\u0430 \u041A\u043E\u0440\u0430\u043B\u043B\u0456, \u0416\u044E\u043B\u044F \u041F\u0435\u0440\u0440\u043E \u0442\u0430 \u041C\u0430\u0440\u0456\u0443\u0441\u0430 \u041F\u0435\u0442\u0456\u043F\u0430. \u0411\u0430\u043B\u0435\u0442 \u0432\u0432\u0430\u0436\u0430\u0454\u0442\u044C\u0441\u044F \u043E\u0434\u043D\u0438\u043C \u0437 \u043D\u0430\u0439\u0432\u0438\u0434\u0430\u0442\u043D\u0456\u0448\u0438\u0445 \u0442\u0432\u043E\u0440\u0456\u0432 \u0435\u043F\u043E\u0445\u0438 \u0440\u043E\u043C\u0430\u043D\u0442\u0438\u0437\u043C\u0443."@uk . "Victor Hugo's \"Fant\u00F4mes\" from Les Orientales"@en . . . . . . . . . . . . . . . . . "Giselle, ou les Wilis"@nl . "Giselle (/d\u0292\u026A\u02C8z\u025Bl/; French: [\u0292iz\u025Bl]), originally titled Giselle, ou les Wilis (French: [\u0292iz\u025Bl u le vili], 'Giselle, or The Wilis'), is a romantic ballet (\"ballet-pantomime\") in two acts with music by Adolphe Adam. Considered a masterwork in the classical ballet performance canon, it was first performed by the Ballet du Th\u00E9\u00E2tre de l'Acad\u00E9mie Royale de Musique at the Salle Le Peletier in Paris on 28 June 1841, with Italian ballerina Carlotta Grisi as Giselle. It was an unqualified triumph. It became hugely popular and was staged at once across Europe, Russia, and the United States."@en . . . . . "Giselle (franska: Giselle ou Les Wilis) \u00E4r en romantisk balett i tv\u00E5 akter med koreografi av Jules Perrot och Jean Coralli. Musik av Adolphe Adam. Libretto av Th\u00E9ophile Gautier och ."@sv . . . . . . . . "Giselle"@en . . . . . . . "Jean Coralli"@en . . . . . . "1841-06-28"^^ . . . . . . . . "46340"^^ . "Paris, France"@en . "Giselle (bal\u00E9)"@pt . "\u0416\u0456\u0437\u0435\u043B\u044C (\u0431\u0430\u043B\u0435\u0442)"@uk . . . . "Giselle (Giselle ou Les Willis) \u2013 balet fantastyczny w 2 aktach, sztandarowe dzie\u0142o francuskiego baletu romantycznego. \n* Idea:Th\u00E9ophile Gautier (wed\u0142ug legendy spisanej przez Heinricha Heinego) \n* Libretto: \n* Muzyka: Adolphe Charles Adam \n* Choreografia: Jean Coralli i (nieoficjalnie) Jules Perrot \n* Scenografia: (dekoracje) i (kostiumy) Prapremiera: Pary\u017C 28 czerwca 1841, Acad\u00E9mie Royal de MusiquePremiera polska: Warszawa 20 stycznia 1848, Teatr Wielki"@pl . "Pierre Ciceri"@en . . "Bathilde, a princess"@en . . . . . . . . . ""@en . . . . "Jules Perrot"@en . . . . . . . . . . "Giselle (\u0292iz\u025Bl ahoskatua), hasieran Giselle, ou les Wilis (\u0292iz\u025Bl u le vili ahoskatua) izendatua, Adolphe Adam musikagileak konposatutako, Jules Perrot eta koreagrafiatutako eta Th\u00E9ophile Gautierrek eta idatzitako bi ekitaldiko ballet ospetsua da, Heinrich Heineren 1835eko De l'Allemagne lanean oinarritua. estiloko lan hau lehenbiziko aldiz 1841eko ekainaren 28an Parisko taularatu zuten, italiarra protagonista antzeztuz."@eu . . . . "\u5409\u8CFD\u723E\uFF08Giselle\uFF09\u662F\u6CD5\u56FD\u4F5C\u66F2\u5BB6\u963F\u9053\u592B\u00B7\u4E9A\u5F53\u5275\u4F5C\u65BC1841\u5E74\u7684\u6CD5\u570B\u82AD\u857E\u821E\u5287\uFF0C\u5171\u6709\u4E8C\u5E55\u3001\u4E8C\u5834\u3002 \u5409\u8CFD\u723E\u7684\u9996\u6B21\u516C\u6F14\u662F\u57281841\u5E746\u670828\u65E5\u5728\u6CD5\u570B\u5DF4\u9ECE\u7684\u5DF4\u9ECE\u6B4C\u5287\u9662\u9032\u884C\u3002"@zh . . "Giselle ist ein Ballett in zwei Akten nach einem Libretto von Jules-Henri Vernoy de Saint-Georges und Th\u00E9ophile Gautier. Die urspr\u00FCngliche Choreografie schufen Jules Perrot und Jean Coralli zur Musik von Adolphe Adam. Einige zus\u00E4tzliche Nummern wurden von Friedrich Burgm\u00FCller und f\u00FCr sp\u00E4tere Fassungen in Russland von L\u00E9on Minkus und Riccardo Drigo komponiert. Die erste Giselle war Carlotta Grisi und der erste Albrecht Lucien Petipa, der Bruder von Marius Petipa. Giselle ist eins der gr\u00F6\u00DFten Meisterwerke des klassischen Balletts und eines der ganz wenigen aus der Epoche der fr\u00FChen Romantik, die bis heute im Repertoire geblieben sind. Neben La Sylphide ist es auch eines der ersten St\u00FCcke, in dem die Ballerina (im 2. Akt) ein wadenlanges Tutu tr\u00E4gt."@de . . "Paul Lormier"@en . "1121324335"^^ . . . . . ""@en . . . . . . . . . . "Giselle je romantick\u00FD balet o dvou jedn\u00E1n\u00EDch na hudbu Adolpha Charlese Adama. Autor libreta Th\u00E9ophile Gautier se inspiroval v knize O N\u011Bmecku Heinricha Heineho, kde b\u00E1sn\u00EDk zmi\u0148uje pov\u011Bst o d\u00EDvk\u00E1ch, je\u017E zem\u0159ou neprovd\u00E1ny, po smrti se stanou v\u00EDlami a utancov\u00E1vaj\u00ED pocestn\u00E9 k smrti.Premi\u00E9ra se uskute\u010Dnila ve star\u00E9 Peletierov\u011B opern\u00ED budov\u011B v Pa\u0159\u00ED\u017Ei roku 1841. Choreografii navrhl Jules Perrot, v 80. letech doznala \u00FAprav od Maria Petipy."@cs . . . . . . . . . . . . . . . . . . "Giselle (Giselle ou Les Willis) \u2013 balet fantastyczny w 2 aktach, sztandarowe dzie\u0142o francuskiego baletu romantycznego. \n* Idea:Th\u00E9ophile Gautier (wed\u0142ug legendy spisanej przez Heinricha Heinego) \n* Libretto: \n* Muzyka: Adolphe Charles Adam \n* Choreografia: Jean Coralli i (nieoficjalnie) Jules Perrot \n* Scenografia: (dekoracje) i (kostiumy) Prapremiera: Pary\u017C 28 czerwca 1841, Acad\u00E9mie Royal de MusiquePremiera polska: Warszawa 20 stycznia 1848, Teatr Wielki"@pl . "Giselle, ou les Wilis"@en . . . . . "Giselle (/d\u0292\u026A\u02C8z\u025Bl/; French: [\u0292iz\u025Bl]), originally titled Giselle, ou les Wilis (French: [\u0292iz\u025Bl u le vili], 'Giselle, or The Wilis'), is a romantic ballet (\"ballet-pantomime\") in two acts with music by Adolphe Adam. Considered a masterwork in the classical ballet performance canon, it was first performed by the Ballet du Th\u00E9\u00E2tre de l'Acad\u00E9mie Royale de Musique at the Salle Le Peletier in Paris on 28 June 1841, with Italian ballerina Carlotta Grisi as Giselle. It was an unqualified triumph. It became hugely popular and was staged at once across Europe, Russia, and the United States. The ghost-filled ballet tells the tragic, romantic story of a beautiful young peasant girl named Giselle and a disguised nobleman named Albrecht, who fall in love, but when his true identity is revealed by his rival, Hilarion, Giselle goes mad and dies of heartbreak. After her death, she is summoned from her grave into the vengeful, deadly sisterhood of the Wilis, the ghosts of unmarried women who died after being betrayed by their lovers and take revenge in the night by dancing men to death by exhaustion (a popular theme in Romantic-era ballets). Led by Myrtha, the Queen of the Wilis, they target Albrecht when he comes to mourn at Giselle's grave, but her great love frees him from their grasp. They gain their power in numbers as they effortlessly move through dramatic patterns and synchronized movements and control the stage with their long tulle dresses and stoic expressions, creating an ethereal atmosphere that builds as they gradually close in on Albrecht. By saving him from the Wilis, Giselle also saves herself from becoming one of them. Librettists Jules-Henri Vernoy de Saint-Georges and Th\u00E9ophile Gautier took their inspiration for the plot from a prose passage about the Wilis in De l'Allemagne, by Heinrich Heine, and from a poem called \"Fant\u00F4mes\" in Les Orientales by Victor Hugo. Jean Coralli and Jules Perrot created the original choreography. The role of Giselle was intended for Carlotta Grisi as her debut piece for the Paris public, and she was the only ballerina to dance it at the Paris Opera for many years. The traditional choreography that has been passed down to the present day derives primarily from the revivals staged by Marius Petipa during the late 19th and early 20th centuries for the Imperial Ballet in St. Petersburg. One of the world's most-often performed classical ballets, it is also one of its most challenging to dance."@en . . . "Giselle"@eu . "\u00AB\u0416\u0438\u0437\u0435\u0301\u043B\u044C, \u0438\u043B\u0438 \u0412\u0438\u043B\u0438\u0301\u0441\u044B\u00BB (\u0444\u0440. Giselle, ou les Wilis) \u2014 \u00AB\u0444\u0430\u043D\u0442\u0430\u0441\u0442\u0438\u0447\u0435\u0441\u043A\u0438\u0439 \u0431\u0430\u043B\u0435\u0442\u00BB \u0432 \u0434\u0432\u0443\u0445 \u0430\u043A\u0442\u0430\u0445 \u043A\u043E\u043C\u043F\u043E\u0437\u0438\u0442\u043E\u0440\u0430 \u0410\u0434\u043E\u043B\u044C\u0444\u0430 \u0410\u0434\u0430\u043D\u0430 \u043D\u0430 \u043B\u0438\u0431\u0440\u0435\u0442\u0442\u043E \u0410\u043D\u0440\u0438 \u0434\u0435 \u0421\u0435\u043D-\u0416\u043E\u0440\u0436\u0430, \u0422\u0435\u043E\u0444\u0438\u043B\u044F \u0413\u043E\u0442\u044C\u0435 \u0438 \u0416\u0430\u043D\u0430 \u041A\u043E\u0440\u0430\u043B\u043B\u0438 \u043F\u043E \u043B\u0435\u0433\u0435\u043D\u0434\u0435, \u043F\u0435\u0440\u0435\u0441\u043A\u0430\u0437\u0430\u043D\u043D\u043E\u0439 \u0413\u0435\u043D\u0440\u0438\u0445\u043E\u043C \u0413\u0435\u0439\u043D\u0435. \u0425\u043E\u0440\u0435\u043E\u0433\u0440\u0430\u0444\u0438\u044F \u0416\u0430\u043D\u0430 \u041A\u043E\u0440\u0430\u043B\u043B\u0438 \u0441 \u0443\u0447\u0430\u0441\u0442\u0438\u0435\u043C \u0416\u044E\u043B\u044F \u041F\u0435\u0440\u0440\u043E, \u0434\u0435\u043A\u043E\u0440\u0430\u0446\u0438\u0438 \u041F\u044C\u0435\u0440\u0430 \u0421\u0438\u0441\u0435\u0440\u0438, \u043A\u043E\u0441\u0442\u044E\u043C\u044B . \u041F\u0440\u0435\u043C\u044C\u0435\u0440\u0430 \u0441\u043E\u0441\u0442\u043E\u044F\u043B\u0430\u0441\u044C 28 \u0438\u044E\u043D\u044F 1841 \u0433\u043E\u0434\u0430 \u0432 \u0442\u0435\u0430\u0442\u0440\u0435 \u041A\u043E\u0440\u043E\u043B\u0435\u0432\u0441\u043A\u043E\u0439 \u0430\u043A\u0430\u0434\u0435\u043C\u0438\u0438 \u043C\u0443\u0437\u044B\u043A\u0438, \u043D\u0430 \u0441\u0446\u0435\u043D\u0435 \u041E\u043F\u0435\u0440\u0430 \u041B\u0435 \u041F\u0435\u043B\u0435\u0442\u044C\u0435 (\u041F\u0430\u0440\u0438\u0436). \u0413\u043B\u0430\u0432\u043D\u044B\u0435 \u043F\u0430\u0440\u0442\u0438\u0438 \u0438\u0441\u043F\u043E\u043B\u043D\u0438\u043B\u0438 \u041A\u0430\u0440\u043B\u043E\u0442\u0442\u0430 \u0413\u0440\u0438\u0437\u0438 (\u0416\u0438\u0437\u0435\u043B\u044C), \u0416\u044E\u043B\u044C \u041F\u0435\u0440\u0440\u043E (\u0433\u0440\u0430\u0444 \u0410\u043B\u044C\u0431\u0435\u0440\u0442), (\u041C\u0438\u0440\u0442\u0430) \u0438 \u043C-\u043C \u0420\u043E\u043B\u0430\u043D (\u0411\u0435\u0440\u0442\u0430)."@ru . . . "( \uC54C\uC81C\uB9AC\uC758 \uB3C4\uC2DC\uC5D0 \uB300\uD574\uC11C\uB294 \uC9C0\uC824 (\uC54C\uC81C\uB9AC) \uBB38\uC11C\uB97C \uCC38\uACE0\uD558\uC2ED\uC2DC\uC624.) \u300A\uC9C0\uC824\u300B \uB610\uB294 \u300A\uC9C0\uC824 \uB610\uB294 \uC70C\uB9AC\uB4E4\u300B\uC740 (Giselle ou les Wilis)\uC740 \uC544\uB3CC\uD504 \uC544\uB2F9(\uD504\uB791\uC2A4\uC5B4: Adolphe Charles Adam)\uC758 \uC74C\uC545\uACFC, \uD14C\uC624\uD544 \uCF54\uD2F0\uC5D0(Th\u00E9ophile Gautier)\uC640 \uC958-\uC559\uB9AC \uBCA0\uB974\uB204\uC544 \uB4DC \uC0DD \uC870\uB974\uC8FC(Jules-Henri Vernoy de Saint-Georges)\uC758 \uACF5\uB3D9 \uAC01\uBCF8, \uC7A5 \uCF54\uB784\uB9AC(Jean Coralli)\uC640 \uC958 \uD398\uB85C(Jules Perrot)\uC758 \uACF5\uB3D9 \uC548\uBB34\uB85C \uCC3D\uC791\uB41C \uBC1C\uB808 \uC791\uD488\uC774\uB2E4. 1841\uB144 6\uC6D4 28\uC77C\uC5D0 \uD30C\uB9AC \uC624\uD398\uB77C \uADF9\uC7A5\uC5D0\uC11C \uCD08\uC5F0\uB41C \uC774\uD6C4\uB85C \uB0AD\uB9CC \uBC1C\uB808\uC758 \uB300\uBA85\uC0AC\uB85C \uC77C\uCEEC\uC5B4\uC9C4\uB2E4. \uC774 \uBC1C\uB808\uC758 \uAE30\uC6D0\uC740 \uB2F9\uB300 \uCD5C\uACE0 \uBC1C\uB808\uB9AC\uB098\uC758 \uD55C \uC0AC\uB78C\uC73C\uB85C \uAF3D\uD614\uB358 \uCE74\uB97C\uB85C\uD0C0 \uADF8\uB9AC\uC9C0(Carlotta Grisi)\uB97C \uD5A5\uD55C \uACE0\uB760\uC5D0\uC758 \uCC2C\uBBF8\uC5D0\uC11C \uCD9C\uBC1C\uD558\uC600\uB2E4. \uADF8\uB9AC\uC9C0\uC758 \uCDA4\uC744 \uBCF4\uACE0 \uADF8\uB140\uB97C \uC22D\uBC30\uD558\uAC8C \uB41C \uACE0\uB760\uC5D0\uB294 \uADF8\uB140\uB97C \uC704\uD558\uC5EC \uC0C8\uB85C\uC6B4 \uC5ED\uD560\uC744 \uAD6C\uC0C1\uD558\uB358 \uC911, \uD558\uC778\uB9AC\uD788 \uD558\uC774\uB124(Heinrich Heine)\uAC00 \uC4F4 \uD55C \uC2EF\uAD6C\uC5D0\uC11C \uC70C\uB9AC(Wili)\uB77C\uB294 \uCC98\uB140 \uADC0\uC2E0\uB4E4\uC758 \uC774\uC57C\uAE30\uB97C \uC77D\uACE0 \uC601\uAC10\uC744 \uBC1B\uAC8C \uB41C\uB2E4. \uADF8\uB294 \uBCA0\uB974\uB204\uC544 \uC0DD-\uC870\uB974\uC8FC\uC640 \uD611\uB3D9\uD558\uC5EC \uC774 \uB3C5\uC77C \uC804\uC124\uC744 \uC8FC\uC81C\uB85C \uD55C \uBC1C\uB808 \uAC01\uBCF8\uC744 \uAD6C\uC0C1\uD558\uC600\uB2E4. \uCD08\uC5F0\uC2DC\uC758 \uC9C0\uC824 \uC5ED\uC740 \uB2F9\uC5F0\uD788 \uADF8\uB9AC\uC9C0\uC5D0\uAC8C \uB3CC\uC544\uAC14\uC73C\uBA70, \uC548\uBB34\uB294 \uACF5\uC2DD\uC801\uC73C\uB85C\uB294 \uCF54\uB784\uB9AC\uAC00 \uB2F4\uB2F9\uD558\uAE30\uB85C \uD558\uC600\uC73C\uB098, \uADF8\uB9AC\uC9C0\uAC00 \uC790\uC2E0\uC758 \uC5F0\uC778\uC774\uC5C8\uB358 \uBEEC\uB85C\uB97C \uAC15\uB825\uD558\uAC8C \uCD94\uCC9C\uD568\uC73C\uB85C\uC368, \uC774 \uC791\uD488 \uB0B4\uC5D0\uC11C \uADF8\uB140\uAC00 \uCD94\uB294 \uBAA8\uB4E0 \uB3C5\uBB34\uB294 \uBEEC\uB85C\uAC00 \uC548\uBB34\uD558\uAC8C \uB418\uC5C8\uB2E4. \uCD08\uC5F0\uC740 \uB300\uC131\uACF5\uC774\uC5C8\uC73C\uBA70, \uADF8\uB9AC\uC9C0\uB294 \uB9C8\uB9AC \uD0C8\uB9AC\uC624\uB2C8(Marie Taglioni)\uC758 \uAC15\uB825\uD55C \uC801\uC218\uB85C \uB5A0\uC62C\uB790\uACE0, \u300A\uC9C0\uC824\u300B\uC740 \uC720\uB7FD \uAC01\uAD6D\uC758 \uBC1C\uB808\uB2E8\uC5D0 \uC218\uCD9C\uC774 \uB418\uC5C8\uC73C\uB098, \uC815\uC791 \uD30C\uB9AC\uC5D0\uC11C\uB294 \uACE7 \uC778\uAE30\uB97C \uC783\uC5C8\uB2E4. \uC0AC\uC2E4 \u300A\uC9C0\uC824\u300B\uC774 \uC624\uB298\uB0A0\uAE4C\uC9C0 \uC804\uD574\uC9C8 \uC218 \uC788\uC5C8\uB358 \uAC83\uC740 \uB7EC\uC2DC\uC544\uC758 \uD669\uC2E4 \uBC1C\uB808\uB2E8\uC5D0\uC11C \uC774 \uC791\uD488\uC744 \uC6D0\uD615\uC5D0 \uAC00\uAE5D\uAC8C \uBCF4\uC874\uD55C \uB355\uC774\uB2E4. \uADF8\uB9AC\uD558\uC5EC \u300A\uC9C0\uC824\u300B\uC740 \uD30C\uB9AC\uB97C \uBE44\uB86F\uD55C \uC11C\uC720\uB7FD\uC5D0 1910\uB144 \uB514\uC544\uAE38\uB808\uD504\uC5D0 \uC758\uD574 \uC7AC\uC218\uC785\uB418\uC5C8\uB2E4. \uC774\uD6C4 \uC9C0\uC824\uC758 \uC5ED\uD560\uC740 \uBAA8\uB4E0 \uC5EC\uC131 \uBB34\uC6A9\uAC00\uB4E4\uC774 \uAFC8\uAFB8\uB294 \uC5ED\uD560\uC774 \uB418\uC5C8\uACE0, \uC5B4\uB290 \uC815\uB3C4\uC758 \uAE30\uB7C9\uACFC \uACBD\uB825\uC744 \uC313\uC740 \uBC1C\uB808\uB9AC\uB098\uB77C\uBA74 \uBC18\uB4DC\uC2DC \uAC70\uCCD0\uAC00\uC57C\uB9CC \uD558\uB294 \uAD00\uBB38\uC774 \uB418\uC5C8\uB2E4. \uBE44\uB85D \uACE0\uC804 \uC2DC\uB300\uC758 \uBC1C\uB808\uB9CC\uD07C \uD654\uB824\uD558\uACE0 \uC5B4\uB824\uC6B4 \uAE30\uAD50\uB97C \uC694\uAD6C\uD558\uC9C0\uB294 \uC54A\uC9C0\uB9CC, 1\uB9C9\uACFC 2\uB9C9\uC5D0\uC11C \uB9E4\uC6B0 \uB300\uC870\uC801\uC778 \uC778\uBB3C\uC778 \uC9C0\uC824\uC740 \uBB34\uC6A9 \uAE30\uAD50 \uC774\uC0C1\uC758, \uC989 \uB2E4\uC591\uD55C \uAC10\uC131\uC744 \uD45C\uD604\uD560 \uC904 \uC544\uB294 \uBC30\uC6B0\uB85C\uC11C\uC758 \uB2A5\uB825\uC744 \uAC00\uB2A0\uD560 \uC218 \uC788\uAC8C \uD558\uAE30 \uB54C\uBB38\uC774\uB2E4."@ko . ""@en . . "Giselle (balet)"@cs . . . "Jules-Henri Vernoy de Saint-Georges"@en . . . "Giselle"@it . . "Giselle, ou les Wilis, vaak ingekort tot Giselle, is een ballet uit de romantiek in twee bedrijven. Het stuk ging in premi\u00E8re op 28 juni 1841 in de Op\u00E9ra Garnier in Parijs. Giselle vertelt het verhaal van een volksmeisje dat tot in de dood aan haar liefde vasthoudt. De oorspronkelijke choreografie is van en op muziek die Adolphe Adam voor het ballet componeerde. Het libretto is geschreven door Th\u00E9ophile Gautier en . Zij lieten zich inspireren door de legende van de Wili's uit van Heinrich Heine. Giselle is het laatste ballet uit de 19e eeuw dat mannelijke dansers een significante rol toebedeelt. Het is ook het enige bewaard gebleven ballet dat strikt binnen de stijlperiode van de romantiek valt. Gautier schreef het ballet voor , die als eerste de titelrol danste. In een productie van 1911 door de Ballets Russes vertolkte Tamara Karsavina de rol van Giselle. Beide uitvoeringen waren een groot succes. Tot op vandaag is Giselle een van de meest populaire balletten."@nl . . . . . . "Giselle"@sv . . "Giselle (\u0292iz\u025Bl ahoskatua), hasieran Giselle, ou les Wilis (\u0292iz\u025Bl u le vili ahoskatua) izendatua, Adolphe Adam musikagileak konposatutako, Jules Perrot eta koreagrafiatutako eta Th\u00E9ophile Gautierrek eta idatzitako bi ekitaldiko ballet ospetsua da, Heinrich Heineren 1835eko De l'Allemagne lanean oinarritua. estiloko lan hau lehenbiziko aldiz 1841eko ekainaren 28an Parisko taularatu zuten, italiarra protagonista antzeztuz."@eu . . . . . . . "Giselle, ou les Wilis, vaak ingekort tot Giselle, is een ballet uit de romantiek in twee bedrijven. Het stuk ging in premi\u00E8re op 28 juni 1841 in de Op\u00E9ra Garnier in Parijs. Giselle vertelt het verhaal van een volksmeisje dat tot in de dood aan haar liefde vasthoudt. De oorspronkelijke choreografie is van en op muziek die Adolphe Adam voor het ballet componeerde. Het libretto is geschreven door Th\u00E9ophile Gautier en . Zij lieten zich inspireren door de legende van de Wili's uit van Heinrich Heine."@nl . "Giselle"@pl . "Giselle, or The Wilis"@en . . . . "Carlotta Grisi in the first act of Giselle"@en . . "Giselle"@ca . . . . . . "Hilarion, a gamekeeper"@en . . . . "Myrtha, Queen of the Wilis"@en .