"Il cinema francese riveste un ruolo storico e artistico di fondamentale influenza nel panorama cinematografico internazionale. Un manifesto del cinema dei"@it . "\u041A\u0438\u043D\u0435\u043C\u0430\u0442\u043E\u0433\u0440\u0430\u0444 \u0424\u0440\u0430\u043D\u0446\u0438\u0438"@ru . . "Der franz\u00F6sische Film spielte die wohl bedeutendste Rolle bei der Entwicklung und Etablierung des Mediums Film. In der fr\u00FChen Stummfilmzeit errichteten franz\u00F6sische Unternehmer in ganz Europa Kinos und Tochtergesellschaften zur Verbreitung ihrer Filme, die als richtungsweisend galten. Mehrere neue Stilrichtungen des Films gingen von Frankreich aus."@de . . . . . . . . . . . "Dit artikel geeft een overzicht van de evolutie van de Franse cinema."@nl . . . . . . . . . "Le cin\u00E9ma fran\u00E7ais occupe une place privil\u00E9gi\u00E9e dans l'histoire du cin\u00E9ma, avec des scientifiques comme Joseph Plateau et \u00C9tienne-Jules Marey, des inventeurs de premier rang dont les d\u00E9couvertes ont \u00E9t\u00E9 fondamentales, et avec des pionniers aussi imaginatifs que Alice Guy-Blach\u00E9, \u00C9mile Reynaud, Louis Lumi\u00E8re, Georges M\u00E9li\u00E8s et L\u00E9on Gaumont. Gr\u00E2ce \u00E0 des financiers autodidactes de la trempe de Charles Path\u00E9, il a contribu\u00E9 au d\u00E9veloppement de l'industrie mondiale du cin\u00E9ma."@fr . . . . . . . "\u30D5\u30E9\u30F3\u30B9\u6620\u753B\uFF08\u30D5\u30E9\u30F3\u30B9\u3048\u3044\u304C\uFF09\u3068\u306F\u3001\u30D5\u30E9\u30F3\u30B9\u306E\u8CC7\u672C\u3068\u4EBA\u6750\u306B\u3088\u3063\u3066\u88FD\u4F5C\u3055\u308C\u305F\u6620\u753B\u306E\u3053\u3068\u3002"@ja . "Marion Cotillard Cabourg 2017.jpg"@en . . . . . . . . . "\u20AC million"@en . . . . . . . . . . . . "\u6CD5\u56FD\u7535\u5F71"@zh . . . . . . . "\u039F \u03B3\u03B1\u03BB\u03BB\u03B9\u03BA\u03CC\u03C2 \u03BA\u03B9\u03BD\u03B7\u03BC\u03B1\u03C4\u03BF\u03B3\u03C1\u03AC\u03C6\u03BF\u03C2 (\u0393\u03B1\u03BB\u03BB\u03B9\u03BA\u03AC: Le cin\u00E9ma fran\u00E7ais) \u03BA\u03B1\u03C4\u03AD\u03C7\u03B5\u03B9 \u03C0\u03C1\u03BF\u03BD\u03BF\u03BC\u03B9\u03B1\u03BA\u03AE \u03B8\u03AD\u03C3\u03B7 \u03C3\u03C4\u03B7\u03BD \u03B9\u03C3\u03C4\u03BF\u03C1\u03AF\u03B1 \u03C4\u03BF\u03C5 \u03BA\u03B9\u03BD\u03B7\u03BC\u03B1\u03C4\u03BF\u03B3\u03C1\u03AC\u03C6\u03BF\u03C5, \u03BA\u03B1\u03B8\u03CE\u03C2 \u03B7 \u0393\u03B1\u03BB\u03BB\u03AF\u03B1 \u03B5\u03AF\u03BD\u03B1\u03B9 \u03B7 \u03B3\u03B5\u03BD\u03AD\u03C4\u03B5\u03B9\u03C1\u03B1 \u03C4\u03B7\u03C2 \u0388\u03B2\u03B4\u03BF\u03BC\u03B7\u03C2 \u03C4\u03AD\u03C7\u03BD\u03B7\u03C2 \u03BA\u03B1\u03B9 \u03B5\u03C0\u03AF\u03C3\u03B7\u03C2 \u03AD\u03C7\u03B5\u03B9 \u03C0\u03BF\u03BB\u03CD \u03C3\u03B7\u03BC\u03B1\u03BD\u03C4\u03B9\u03BA\u03AE \u03C3\u03C5\u03BD\u03B5\u03B9\u03C3\u03C6\u03BF\u03C1\u03AC \u03C3\u03C4\u03B7 \u03B4\u03B9\u03B1\u03B4\u03B9\u03BA\u03B1\u03C3\u03AF\u03B1 \u03B4\u03B7\u03BC\u03B9\u03BF\u03C5\u03C1\u03B3\u03AF\u03B1\u03C2 \u03C4\u03B1\u03B9\u03BD\u03B9\u03CE\u03BD. \u0391\u03C1\u03BA\u03B5\u03C4\u03AC \u03C3\u03B7\u03BC\u03B1\u03BD\u03C4\u03B9\u03BA\u03AC \u03BA\u03B9\u03BD\u03B7\u03BC\u03B1\u03C4\u03BF\u03B3\u03C1\u03B1\u03C6\u03B9\u03BA\u03AC \u03BA\u03B9\u03BD\u03AE\u03BC\u03B1\u03C4\u03B1, \u03CC\u03C0\u03C9\u03C2 \u03B7 \u039D\u03BF\u03C5\u03B2\u03AD\u03BB \u0392\u03B1\u03B3\u03BA, \u03BE\u03B5\u03BA\u03AF\u03BD\u03B7\u03C3\u03B1\u03BD \u03C3\u03C4\u03B7 \u0393\u03B1\u03BB\u03BB\u03AF\u03B1, \u03C7\u03CE\u03C1\u03B1 \u03B7 \u03BF\u03C0\u03BF\u03AF\u03B1 \u03C3\u03C5\u03BD\u03B5\u03C7\u03AF\u03B6\u03B5\u03B9 \u03BD\u03B1 \u03AD\u03C7\u03B5\u03B9 \u03BC\u03B9\u03B1 \u03B9\u03B4\u03B9\u03B1\u03AF\u03C4\u03B5\u03C1\u03B1 \u03B9\u03C3\u03C7\u03C5\u03C1\u03AE \u03BA\u03B9\u03BD\u03B7\u03BC\u03B1\u03C4\u03BF\u03B3\u03C1\u03B1\u03C6\u03B9\u03BA\u03AE \u03B2\u03B9\u03BF\u03BC\u03B7\u03C7\u03B1\u03BD\u03AF\u03B1."@el . . . . "140"^^ . . "\u0424\u0440\u0430\u043D\u0446\u0443\u0301\u0437\u0441\u043A\u043E\u0435 \u043A\u0438\u043D\u043E\u0301 (\u0444\u0440. Cin\u00E9ma fran\u00E7ais) \u2014 \u043D\u0430\u0446\u0438\u043E\u043D\u0430\u043B\u044C\u043D\u044B\u0439 \u043A\u0438\u043D\u0435\u043C\u0430\u0442\u043E\u0433\u0440\u0430\u0444 \u0438 \u043A\u0438\u043D\u043E\u043F\u0440\u043E\u0438\u0437\u0432\u043E\u0434\u0441\u0442\u0432\u043E \u0424\u0440\u0430\u043D\u0446\u0438\u0438."@ru . . . . . "Kinematografia francuska"@pl . . . . . . . . . . . . "Dit artikel geeft een overzicht van de evolutie van de Franse cinema."@nl . "Cinema of France"@en . "5653"^^ . "Il cinema francese riveste un ruolo storico e artistico di fondamentale influenza nel panorama cinematografico internazionale. Un manifesto del cinema dei"@it . . . "\u20AC billion"@en . . . . "July 2022"@en . . . . . . . . . . . . . . "Marion Cotillard"@en . . "Jean Dujardin Cannes 2011.jpg"@en . . "197100000"^^ . . . . . . . "\uD504\uB791\uC2A4 \uC601\uD654"@ko . . . . . "\u039F \u03B3\u03B1\u03BB\u03BB\u03B9\u03BA\u03CC\u03C2 \u03BA\u03B9\u03BD\u03B7\u03BC\u03B1\u03C4\u03BF\u03B3\u03C1\u03AC\u03C6\u03BF\u03C2 (\u0393\u03B1\u03BB\u03BB\u03B9\u03BA\u03AC: Le cin\u00E9ma fran\u00E7ais) \u03BA\u03B1\u03C4\u03AD\u03C7\u03B5\u03B9 \u03C0\u03C1\u03BF\u03BD\u03BF\u03BC\u03B9\u03B1\u03BA\u03AE \u03B8\u03AD\u03C3\u03B7 \u03C3\u03C4\u03B7\u03BD \u03B9\u03C3\u03C4\u03BF\u03C1\u03AF\u03B1 \u03C4\u03BF\u03C5 \u03BA\u03B9\u03BD\u03B7\u03BC\u03B1\u03C4\u03BF\u03B3\u03C1\u03AC\u03C6\u03BF\u03C5, \u03BA\u03B1\u03B8\u03CE\u03C2 \u03B7 \u0393\u03B1\u03BB\u03BB\u03AF\u03B1 \u03B5\u03AF\u03BD\u03B1\u03B9 \u03B7 \u03B3\u03B5\u03BD\u03AD\u03C4\u03B5\u03B9\u03C1\u03B1 \u03C4\u03B7\u03C2 \u0388\u03B2\u03B4\u03BF\u03BC\u03B7\u03C2 \u03C4\u03AD\u03C7\u03BD\u03B7\u03C2 \u03BA\u03B1\u03B9 \u03B5\u03C0\u03AF\u03C3\u03B7\u03C2 \u03AD\u03C7\u03B5\u03B9 \u03C0\u03BF\u03BB\u03CD \u03C3\u03B7\u03BC\u03B1\u03BD\u03C4\u03B9\u03BA\u03AE \u03C3\u03C5\u03BD\u03B5\u03B9\u03C3\u03C6\u03BF\u03C1\u03AC \u03C3\u03C4\u03B7 \u03B4\u03B9\u03B1\u03B4\u03B9\u03BA\u03B1\u03C3\u03AF\u03B1 \u03B4\u03B7\u03BC\u03B9\u03BF\u03C5\u03C1\u03B3\u03AF\u03B1\u03C2 \u03C4\u03B1\u03B9\u03BD\u03B9\u03CE\u03BD. \u039F\u03B9 \u03B1\u03B4\u03B5\u03BB\u03C6\u03BF\u03AF \u039B\u03C5\u03BC\u03B9\u03AD\u03C1 \u03B8\u03B5\u03C9\u03C1\u03BF\u03CD\u03BD\u03C4\u03B1\u03B9 \u03BF\u03B9 \u03B5\u03C6\u03B5\u03C5\u03C1\u03AD\u03C4\u03B5\u03C2 \u03C4\u03BF\u03C5 \u03BA\u03B9\u03BD\u03B7\u03BC\u03B1\u03C4\u03BF\u03B3\u03C1\u03AC\u03C6\u03BF\u03C5 \u03BA\u03B1\u03B9 \u03C4\u03B7\u03C2 \u03B1\u03BD\u03AC\u03C0\u03C4\u03C5\u03BE\u03AE\u03C2 \u03C4\u03BF\u03C5 \u03C9\u03C2 \u03BC\u03AD\u03C3\u03BF\u03C5 \u03C8\u03C5\u03C7\u03B1\u03B3\u03C9\u03B3\u03AF\u03B1\u03C2 \u03C0\u03B1\u03B3\u03BA\u03BF\u03C3\u03BC\u03AF\u03C9\u03C2. \u0395\u03C0\u03B9\u03C3\u03C4\u03AE\u03BC\u03BF\u03BD\u03B5\u03C2-\u03B5\u03C6\u03B5\u03C5\u03C1\u03AD\u03C4\u03B5\u03C2 \u03C4\u03C9\u03BD \u03BF\u03C0\u03BF\u03AF\u03C9\u03BD \u03BF\u03B9 \u03B1\u03BD\u03B1\u03BA\u03B1\u03BB\u03CD\u03C8\u03B5\u03B9\u03C2 \u03C5\u03C0\u03AE\u03C1\u03BE\u03B1\u03BD \u03B8\u03B5\u03BC\u03B5\u03BB\u03B9\u03CE\u03B4\u03B5\u03B9\u03C2, \u03CC\u03C0\u03C9\u03C2 \u03BF \u0396\u03BF\u03B6\u03AD\u03C6 \u03A0\u03BB\u03B1\u03C4\u03CE \u03BA\u03B1\u03B9 \u03BF \u0395\u03C4\u03B9\u03AD\u03BD-\u0396\u03C5\u03BB \u039C\u03B1\u03C1\u03AD \u03BA\u03B1\u03B9 \u03C0\u03C1\u03C9\u03C4\u03BF\u03C0\u03CC\u03C1\u03BF\u03B9 \u03CC\u03C0\u03C9\u03C2 \u03BF\u03B9 \u0391\u03BB\u03AF\u03C2 \u0393\u03BA\u03B9, \u0395\u03BC\u03AF\u03BB \u03A1\u03B5\u03BD\u03CE, \u0396\u03C9\u03C1\u03B6 \u039C\u03B5\u03BB\u03B9\u03AD\u03C2, \u039B\u03B5\u03CC\u03BD \u0393\u03BA\u03C9\u03BC\u03CC\u03BD \u03BA\u03B1\u03B9 \u03A3\u03B1\u03C1\u03BB \u03A0\u03B1\u03C4\u03AD \u03C3\u03C5\u03BD\u03AD\u03B2\u03B1\u03BB\u03B1\u03BD \u03C3\u03C4\u03B7\u03BD \u03B1\u03BD\u03AC\u03C0\u03C4\u03C5\u03BE\u03B7 \u03C4\u03B7\u03C2 \u03B3\u03B1\u03BB\u03BB\u03B9\u03BA\u03AE\u03C2 \u03BA\u03B1\u03B9 \u03C0\u03B1\u03B3\u03BA\u03CC\u03C3\u03BC\u03B9\u03B1\u03C2 \u03BA\u03B9\u03BD\u03B7\u03BC\u03B1\u03C4\u03BF\u03B3\u03C1\u03B1\u03C6\u03B9\u03BA\u03AE\u03C2 \u03B2\u03B9\u03BF\u03BC\u03B7\u03C7\u03B1\u03BD\u03AF\u03B1\u03C2. \u0391\u03C1\u03BA\u03B5\u03C4\u03AC \u03C3\u03B7\u03BC\u03B1\u03BD\u03C4\u03B9\u03BA\u03AC \u03BA\u03B9\u03BD\u03B7\u03BC\u03B1\u03C4\u03BF\u03B3\u03C1\u03B1\u03C6\u03B9\u03BA\u03AC \u03BA\u03B9\u03BD\u03AE\u03BC\u03B1\u03C4\u03B1, \u03CC\u03C0\u03C9\u03C2 \u03B7 \u039D\u03BF\u03C5\u03B2\u03AD\u03BB \u0392\u03B1\u03B3\u03BA, \u03BE\u03B5\u03BA\u03AF\u03BD\u03B7\u03C3\u03B1\u03BD \u03C3\u03C4\u03B7 \u0393\u03B1\u03BB\u03BB\u03AF\u03B1, \u03C7\u03CE\u03C1\u03B1 \u03B7 \u03BF\u03C0\u03BF\u03AF\u03B1 \u03C3\u03C5\u03BD\u03B5\u03C7\u03AF\u03B6\u03B5\u03B9 \u03BD\u03B1 \u03AD\u03C7\u03B5\u03B9 \u03BC\u03B9\u03B1 \u03B9\u03B4\u03B9\u03B1\u03AF\u03C4\u03B5\u03C1\u03B1 \u03B9\u03C3\u03C7\u03C5\u03C1\u03AE \u03BA\u03B9\u03BD\u03B7\u03BC\u03B1\u03C4\u03BF\u03B3\u03C1\u03B1\u03C6\u03B9\u03BA\u03AE \u03B2\u03B9\u03BF\u03BC\u03B7\u03C7\u03B1\u03BD\u03AF\u03B1."@el . . . . . . . "Sinema Prancis"@in . . . "Fransk film har gamla traditioner. M\u00E5nga av filmens pionj\u00E4rer kom fr\u00E5n Frankrike: br\u00F6derna Lumi\u00E8re som gjorde v\u00E4rldens f\u00F6rsta filmer, \u00C9mile Cohl som gjorde den f\u00F6rsta animerade filmen, samt Georges M\u00E9li\u00E8s och Alice Guy-Blach\u00E9 som b\u00E5da var f\u00F6reg\u00E5ngare i att experimentera med tekniken. Under mellankrigstiden var Abel Gance, Marcel Pagnol, Ren\u00E9 Clair och Jacques Feyder n\u00E5gra framst\u00E5ende namn. Under 1930-talet kom \u00E4ven den poetiska realismen med bland andra Jean Vigo, Jean Renoir, Julien Duvivier och Marcel Carn\u00E9 som betydande filmskapare. Det var i Frankrike man formulerade teorin om filmregiss\u00F6ren som auteur (begreppet myntades i filmtidningen Cahiers du cin\u00E9ma 1954). En auteur ska enligt denna filosofi vara den som med sina avsikter utformar filmen i alla avseenden. Den franska nya v\u00E5gens regiss\u00F6rer f\u00F6rs\u00F6kte skapa sina filmer i enlighet med detta. P\u00E5 1960-talet blev denna nya v\u00E5g en av de viktigaste str\u00F6mningarna inom filmen. Jean-Luc Godard, en kontroversiell anti-borgerlig regiss\u00F6r som gjort filmer som till exempel Utflykt i det r\u00F6da (Week-end, en absurd road-movie), \u00E4r en av de framst\u00E5ende regiss\u00F6rerna i den franska nya v\u00E5gen. Andra ber\u00F6mda representanter \u00E4r Fran\u00E7ois Truffaut, Agnes Varda, Jacques Rivette och Claude Chabrol. En motst\u00E5ende syn p\u00E5 auteurens roll formulerades av fransmannen Roland Barthes 1968 i ess\u00E4n \"La mort de l\u2019auteur\" (\"f\u00F6rfattarens d\u00F6d\"), enligt vilken det \u00E4r betraktarens tolkning som skapar filmens mening. Regiss\u00F6rens avsikter \u00E4r d\u00E5 inte avg\u00F6rande. \u00C4ven utlandsf\u00F6dda filmskapare som polackerna Krzysztof Kie\u015Blowski och Roman Polanski har varit verksamma inom fransk film. Idag \u00E4r den franska filmindustrin den europeiska filmindustri som har det st\u00F6rsta antalet s\u00E5lda biljetter. Utl\u00E4ndska filmer som visas i Frankrike dubbas i regel till franska. Den franska staten har dessutom vissa lagar som s\u00E4ger att en viss procent film som visas p\u00E5 TV m\u00E5ste vara fransk, detta f\u00F6r att skydda den franska kulturen."@sv . . . . . . . . . . . . "Sinema Prancis merujuk kepada industri film merujuk kepada industri film yang berbasis di Prancis. Sinema Prancis terdiri dari seni rupa film dan film-film kreatif yang dibuat di negara Prancis atau oleh para pembuat film Prancis di perantauan. Prancis adalah dan bertanggung jawab untuk beberapa jasa-jasa signifikan awalnya. Beberapa gerakan sinematik, termasuk Nouvelle Vague, dimulai di negara tersebut. Negara tersebut dikenal karena memiliki industri film yang kuat, karena menjadi bagian dari bidang yang dilindungi oleh ."@in . . . . 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\u063A\u064A\u0631 \u0627\u0644\u0623\u0645\u0631\u064A\u0643\u064A\u0629 \u0628\u0627\u0644\u0634\u0623\u0646 \u0648\u0627\u0644\u0646\u0633\u0628\u0629 \u0627\u0644\u0623\u0643\u0628\u0631: \u0625\u0630 \u0643\u0627\u0646\u062A \u0646\u0633\u0628\u0629 \u0627\u0644\u0623\u0641\u0644\u0627\u0645 \u0627\u0644\u0623\u0645\u0631\u064A\u0643\u064A\u0629 \u0645\u0646 \u0625\u062C\u0645\u0627\u0644\u064A \u0646\u0633\u0628\u0629 \u0627\u0644\u0642\u0628\u0648\u0644 44.5% \u0641\u0642\u0637 (35.5% \u0639\u0627\u0645 2015 \u064835.3% \u0639\u0627\u0645 2016). \u0625\u0636\u0627\u0641\u0629\u064B \u0625\u0644\u0649 \u0630\u0644\u0643\u060C \u062A\u0639\u062F \u0635\u0646\u0627\u0639\u0629 \u0627\u0644\u0633\u064A\u0646\u0645\u0627 \u0627\u0644\u0641\u0631\u0646\u0633\u064A\u0629 \u0634\u0628\u0647 \u0645\u0643\u062A\u0641\u064A\u0629 \u0630\u0627\u062A\u064A\u064B\u0627 \u0648\u0630\u0644\u0643 \u0623\u0643\u062B\u0631 \u0645\u0646 \u0623\u064A \u062F\u0648\u0644\u0629 \u0623\u0648\u0631\u0648\u0628\u064A\u0629 \u0623\u062E\u0631\u0649\u060C \u0625\u0630 \u062A\u064F\u0633\u062A\u0631\u062F \u062D\u0648\u0627\u0644\u064A 80-90% \u0645\u0646 \u0627\u0644\u062A\u0643\u0627\u0644\u064A\u0641 \u0645\u0646 \u062E\u0644\u0627\u0644 \u0627\u0644\u0639\u0627\u0626\u062F\u0627\u062A \u0627\u0644\u0645\u0646\u062A\u062C\u0629 \u0641\u064A \u0627\u0644\u0633\u0648\u0642 \u0627\u0644\u0645\u062D\u0644\u064A\u0629 \u0648\u062D\u062F\u0647\u0627. \u0641\u064A \u0639\u0627\u0645 2013\u060C \u0643\u0627\u0646\u062A \u0641\u0631\u0646\u0633\u0627 \u062B\u0627\u0646\u064A \u0623\u0643\u0628\u0631 \u0645\u0635\u062F\u0631 \u0644\u0644\u0623\u0641\u0644\u0627\u0645 \u0641\u064A \u0627\u0644\u0639\u0627\u0644\u0645 \u0628\u0639\u062F \u0627\u0644\u0648\u0644\u0627\u064A\u0627\u062A \u0627\u0644\u0645\u062A\u062D\u062F\u0629. \u0623\u0638\u0647\u0631\u062A \u062F\u0631\u0627\u0633\u0629 \u0641\u064A \u0623\u0628\u0631\u064A\u0644 2014 \u0627\u0644\u0635\u0648\u0631\u0629 \u0627\u0644\u0625\u064A\u062C\u0627\u0628\u064A\u0629 \u0627\u0644\u062A\u064A \u062A\u062D\u062A\u0641\u0638 \u0628\u0647\u0627 \u0627\u0644\u0633\u064A\u0646\u0645\u0627 \u0627\u0644\u0641\u0631\u0646\u0633\u064A\u0629 \u0641\u064A \u062C\u0645\u064A\u0639 \u0623\u0646\u062D\u0627\u0621 \u0627\u0644\u0639\u0627\u0644\u0645\u060C \u0643\u0648\u0646\u0647\u0627 \u0627\u0644\u0633\u064A\u0646\u0645\u0627 \u0627\u0644\u0623\u0643\u062B\u0631 \u062A\u0642\u062F\u064A\u0631\u064B\u0627 \u0628\u0639\u062F \u0627\u0644\u0633\u064A\u0646\u0645\u0627 \u0627\u0644\u0623\u0645\u0631\u064A\u0643\u064A\u0629."@ar . . . "medic"@en . . . . . . . . . "\u0424\u0440\u0430\u043D\u0446\u0443\u0301\u0437\u044C\u043A\u0438\u0439 \u043A\u0456\u043D\u0435\u043C\u0430\u0442\u043E\u0301\u0433\u0440\u0430\u0444 \u0432\u043A\u043B\u044E\u0447\u0430\u0454 \u0443 \u0441\u0435\u0431\u0435 \u0442\u0432\u043E\u0440\u0438 \u043A\u0456\u043D\u043E, \u0441\u0442\u0432\u043E\u0440\u0435\u043D\u0456 \u0444\u0440\u0430\u043D\u0446\u0443\u0437\u044C\u043A\u043E\u044E \u043D\u0430\u0446\u0456\u0454\u044E, \u0430\u0431\u043E \u0457\u0457 \u043F\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u043D\u0438\u043A\u0430\u043C\u0438 \u0437\u0430 \u043A\u043E\u0440\u0434\u043E\u043D\u043E\u043C.\u0424\u0440\u0430\u043D\u0446\u0456\u044F \u2014 \u0431\u0430\u0442\u044C\u043A\u0456\u0432\u0449\u0438\u043D\u0430 \u043A\u0456\u043D\u043E. \u0414\u0435\u043A\u0456\u043B\u044C\u043A\u0430 \u043A\u043B\u044E\u0447\u043E\u0432\u0438\u0445 \u0440\u0443\u0445\u0456\u0432 \u043A\u0456\u043D\u0435\u043C\u0430\u0442\u043E\u0433\u0440\u0430\u0444\u0430, \u0442\u0430\u043A\u0438\u0445 \u044F\u043A \u041D\u043E\u0432\u0430 \u0445\u0432\u0438\u043B\u044F, \u043F\u043E\u0447\u0430\u043B\u0438\u0441\u044F \u0441\u0430\u043C\u0435 \u0432 \u0446\u0456\u0439 \u043A\u0440\u0430\u0457\u043D\u0456. \u041A\u0456\u043D\u043E\u0456\u043D\u0434\u0443\u0441\u0442\u0440\u0456\u044F \u0424\u0440\u0430\u043D\u0446\u0456\u0457 \u0454 \u043E\u0434\u043D\u0456\u0454\u044E \u0437 \u043D\u0430\u0439\u0441\u0438\u043B\u044C\u043D\u0456\u0448\u0438\u0445 \u0442\u0430 \u0448\u0430\u043D\u043E\u0432\u0430\u043D\u0438\u0445 \u0443 \u0441\u0432\u0456\u0442\u0456 \u0442\u0430 \u0437\u0430 \u043F\u043E\u043F\u0443\u043B\u044F\u0440\u043D\u0456\u0441\u0442\u044E \u043F\u043E\u0441\u0442\u0443\u043F\u0430\u0454\u0442\u044C\u0441\u044F \u0445\u0456\u0431\u0430 \u0449\u043E \u0413\u043E\u043B\u043B\u0456\u0432\u0443\u0434\u0443."@uk . . . . . . . . . . . . . . . . . . . "258"^^ . . . . . . . . . . . . . . . . . . . . . . . . "Cin\u00E9ma fran\u00E7ais"@fr . . "2018"^^ . . . . . "Le cin\u00E9ma fran\u00E7ais occupe une place privil\u00E9gi\u00E9e dans l'histoire du cin\u00E9ma, avec des scientifiques comme Joseph Plateau et \u00C9tienne-Jules Marey, des inventeurs de premier rang dont les d\u00E9couvertes ont \u00E9t\u00E9 fondamentales, et avec des pionniers aussi imaginatifs que Alice Guy-Blach\u00E9, \u00C9mile Reynaud, Louis Lumi\u00E8re, Georges M\u00E9li\u00E8s et L\u00E9on Gaumont. Gr\u00E2ce \u00E0 des financiers autodidactes de la trempe de Charles Path\u00E9, il a contribu\u00E9 au d\u00E9veloppement de l'industrie mondiale du cin\u00E9ma. En plus de son propre d\u00E9veloppement, le cin\u00E9ma fran\u00E7ais a permis \u00E0 de nombreux artistes de l'Europe et du monde entier de s'exprimer. Des r\u00E9alisateurs c\u00E9l\u00E8bres, tels que Krzysztof Kie\u015Blowski, Walerian Borowczyk, Andrzej \u017Bu\u0142awski, Gaspar No\u00E9, Edgardo Cozarinsky, Alexandre Alexeieff, Anatole Litvak, Michael Haneke, Paul Verhoeven, Otar Iosseliani, John Berry, Roman Polanski, et Maria Koleva, sont compt\u00E9s parmi les r\u00E9alisateurs importants du cin\u00E9ma fran\u00E7ais. Inversement, des r\u00E9alisateurs et r\u00E9alisatrices du cin\u00E9ma fran\u00E7ais, tels que Jean Renoir, Jacques Tourneur, Jean-Jacques Annaud, Jean-Pierre Jeunet, Olivier Dahan, Luc Besson, Francis Veber ou Agn\u00E8s Varda, Julie Delpy, Claire Denis ont men\u00E9 de fructueuses carri\u00E8res internationales."@fr . . . . "Franse cinema"@nl . . . . . . . . . . . "Kinematografia francuska \u2013 najstarsza kinematografia na \u015Bwiecie, kt\u00F3ra da\u0142a pocz\u0105tek sztuce filmowej dzi\u0119ki wynalezieniu kinematografu przez braci Lumi\u00E8re. Paryska projekcja ich dokumentalnego filmu Wyj\u015Bcie robotnik\u00F3w z fabryki z 28 grudnia 1895 uwa\u017Cana jest przez wi\u0119kszo\u015B\u0107 historyk\u00F3w za dat\u0119 narodzin kina. Kino francuskie na przestrzeni dziesi\u0119cioleci swojego bujnego rozwoju da\u0142o \u015Bwiatu r\u00F3wnie\u017C wiele inspiruj\u0105cych nurt\u00F3w filmowych, jak impresjonizm, awangarda, surrealizm, realizm poetycki czy, przede wszystkim, nowa fala. Na renom\u0119 i presti\u017C kinematografii francuskiej wp\u0142yn\u0119\u0142o wielu wybitnych tw\u00F3rc\u00F3w z zewn\u0105trz, pracuj\u0105cych przez lata na jej rzecz, m.in. Polak\u00F3w Romana Pola\u0144skiego, Krzysztofa Kie\u015Blowskiego i Andrzeja \u017Bu\u0142awskiego, Du\u0144czyka Carla Theodora Dreyera, Hiszpana Luisa Bu\u00F1uela, Greka Costy-Gavrasa, Austriaka Michaela Hanekego, Ormianina Otara Iosselianiego, Holendra Paula Verhoevena, Argenty\u0144czyka Gaspara No\u00E9 czy tw\u00F3rcy pochodzenia romskiego Tony\u2019ego Gatlifa. Z kolei liczni rodowici re\u017Cyserzy francuscy mogli si\u0119 pochwali\u0107 mi\u0119dzynarodow\u0105 karier\u0105, wykraczaj\u0105c\u0105 daleko poza granice Francji, m.in. Jean Renoir, Jacques Tourneur, Jean-Jacques Annaud, Luc Besson, Francis Veber czy Olivier Dahan."@pl . . . . . . . . . . . . . . . . . . . . . . . . . . "2018"^^ . "Franz\u00F6sischer Film"@de . . . "El cinema franc\u00E8s compr\u00E8n tant les pel\u00B7l\u00EDcules fetes a Fran\u00E7a com les pel\u00B7l\u00EDcules dirigides per directors francesos o finan\u00E7ades amb capital franc\u00E8s, encara que parcialment. Fran\u00E7a \u00E9s considerat com el pa\u00EDs que va veure n\u00E9ixer el cinema i va tenir un paper fonamental en el seu inicial desenvolupament i en la seva posterior consolidaci\u00F3, amb la qual el g\u00E8nere cinematogr\u00E0fic ha passat a ser popularment conegut com el set\u00E8 art. Als inicis del cinema mut, empreses franceses van construir sales de cinema arreu d'Europa i van crear filials per tal d\u2019'exportar i fer con\u00E8ixer les seves pel\u00B7l\u00EDcules a l'estranger. El cinema franc\u00E8s, aleshores, marcava les tend\u00E8ncies i l'estil del nou i ins\u00EDpid g\u00E8nere art\u00EDstic. Per altra banda, al llarg dels primers 100 anys d'hist\u00F2ria del cinema, diversos moviments cinematogr\u00E0fics han tingut origen a Fran\u00E7a, destacant entre ells la nouvelle vague. La important protecci\u00F3 estatal amb la qual ha comptat tradicionalment el cinema franc\u00E8s ha contribu\u00EFt a consolidar una forta ind\u00FAstria cinematogr\u00E0fica al pa\u00EDs. Per\u00F2 a part d'aquesta s\u00F2lida cultura cinematogr\u00E0fica a nivell nacional, hist\u00F2ricament Fran\u00E7a ha sigut tamb\u00E9 un focus d'atracci\u00F3 a nivell europeu i mundial. Per aquest motiu, el cinema franc\u00E8s ha superat les seves fronteres nacionals fins a arribar a mesclar-se amb el cinema d'altres nacions. Exemples d'aquesta internacionalitzaci\u00F3 en s\u00F3n directors polonesos com Roman Polanski i Krzysztof Kieslowski, directors russos com i Anatole Litvak, o directors georgians com i Otar Iosseliani, el cinema dels quals ha tingut molt bona acollida a Fran\u00E7a, pa\u00EDs que els ha reconegut equivalentment als directors natius. A la inversa, directors francesos han jugat un paper molt important en el desenvolupament del cinema a altres pa\u00EFsos, com per exemple Jean Renoir, Jacques Tourneur, Jean-Jacques Annaud, Jean-Pierre Jeunet, Luc Besson o Francis Veber."@ca . . . "2020-10-23"^^ . . . . . . . . . . . . . . . . . . . "O cinema franc\u00EAs \u00E9 atualmente o mais din\u00E2mico da Europa continental em termos de p\u00FAblico, n\u00FAmeros filmes produzidos e de receitas geradas por suas produ\u00E7\u00F5es. O cinema franc\u00EAs teve um papel importante na hist\u00F3ria deste meio de comunica\u00E7\u00E3o social, tanto em termos t\u00E9cnicos como hist\u00F3ricos. Os prim\u00F3rdios do cinema contam com v\u00E1rios nomes franceses, entre os quais os se destacam os irm\u00E3os Amp\u00E9re, n\u00E3o s\u00F3 respons\u00E1veis pelo estudo da corrente el\u00E9trica, mas tamb\u00E9m a inven\u00E7\u00E3o das primeiras c\u00E2meras, feito geralmente erroneamente atribu\u00EDdo aos irm\u00E3os Lumi\u00E9re. No desenvolvimento do cinema como forma de arte, muitos dos filmes realizados na Fran\u00E7a s\u00E3o considerados marcos relevantes (ver: Filmografia de Georges M\u00E9li\u00E8s). Destaque deve ser dado \u00E0s escolas vanguardista da d\u00E9cada de 1920, ao realismo po\u00E9tico das d\u00E9cadas de 1930 e 1940, e \u00E0 nouvelle vague a partir do fim da d\u00E9cada de 1950."@pt . . . . . . . "Cinema da Fran\u00E7a"@pt . . . . . . . "\u0393\u03B1\u03BB\u03BB\u03B9\u03BA\u03CC\u03C2 \u03BA\u03B9\u03BD\u03B7\u03BC\u03B1\u03C4\u03BF\u03B3\u03C1\u03AC\u03C6\u03BF\u03C2"@el . . . . . . . . . "Twentieth Century Studios"@en . . . . . . . . "Cinema of France"@en . . . . "Frantziako zinema herrialde horretako zinematografia-industriak sortzen du. Frantzia herrialde inportantea izan da zinemaren garapenean, bai entretenimendu arloan eta baita arte arloan ere."@eu . . . . . . . "\u0424\u0440\u0430\u043D\u0446\u0443\u0301\u0437\u044C\u043A\u0438\u0439 \u043A\u0456\u043D\u0435\u043C\u0430\u0442\u043E\u0301\u0433\u0440\u0430\u0444 \u0432\u043A\u043B\u044E\u0447\u0430\u0454 \u0443 \u0441\u0435\u0431\u0435 \u0442\u0432\u043E\u0440\u0438 \u043A\u0456\u043D\u043E, \u0441\u0442\u0432\u043E\u0440\u0435\u043D\u0456 \u0444\u0440\u0430\u043D\u0446\u0443\u0437\u044C\u043A\u043E\u044E \u043D\u0430\u0446\u0456\u0454\u044E, \u0430\u0431\u043E \u0457\u0457 \u043F\u0440\u0435\u0434\u0441\u0442\u0430\u0432\u043D\u0438\u043A\u0430\u043C\u0438 \u0437\u0430 \u043A\u043E\u0440\u0434\u043E\u043D\u043E\u043C.\u0424\u0440\u0430\u043D\u0446\u0456\u044F \u2014 \u0431\u0430\u0442\u044C\u043A\u0456\u0432\u0449\u0438\u043D\u0430 \u043A\u0456\u043D\u043E. \u0414\u0435\u043A\u0456\u043B\u044C\u043A\u0430 \u043A\u043B\u044E\u0447\u043E\u0432\u0438\u0445 \u0440\u0443\u0445\u0456\u0432 \u043A\u0456\u043D\u0435\u043C\u0430\u0442\u043E\u0433\u0440\u0430\u0444\u0430, \u0442\u0430\u043A\u0438\u0445 \u044F\u043A \u041D\u043E\u0432\u0430 \u0445\u0432\u0438\u043B\u044F, \u043F\u043E\u0447\u0430\u043B\u0438\u0441\u044F \u0441\u0430\u043C\u0435 \u0432 \u0446\u0456\u0439 \u043A\u0440\u0430\u0457\u043D\u0456. \u041A\u0456\u043D\u043E\u0456\u043D\u0434\u0443\u0441\u0442\u0440\u0456\u044F \u0424\u0440\u0430\u043D\u0446\u0456\u0457 \u0454 \u043E\u0434\u043D\u0456\u0454\u044E \u0437 \u043D\u0430\u0439\u0441\u0438\u043B\u044C\u043D\u0456\u0448\u0438\u0445 \u0442\u0430 \u0448\u0430\u043D\u043E\u0432\u0430\u043D\u0438\u0445 \u0443 \u0441\u0432\u0456\u0442\u0456 \u0442\u0430 \u0437\u0430 \u043F\u043E\u043F\u0443\u043B\u044F\u0440\u043D\u0456\u0441\u0442\u044E \u043F\u043E\u0441\u0442\u0443\u043F\u0430\u0454\u0442\u044C\u0441\u044F \u0445\u0456\u0431\u0430 \u0449\u043E \u0413\u043E\u043B\u043B\u0456\u0432\u0443\u0434\u0443."@uk . . "French cinema consists of the film industry and its film productions, whether made within the nation of France or by French film production companies abroad. It is the oldest and largest precursor of national cinemas in Europe; with primary influence also on the creation of national cinemas in Asia. France continues to have a particularly strong film industry, due in part to protections afforded by the French government. In 2013, France was the second largest exporter of films in the world after the United States. A study in April 2014 showed that French cinema maintains a positive influence around the world, being the most appreciated by global audiences after that of America. France currently has the most successful film industry in Europe, in terms of number of films produced per annum, with a record-breaking 300 feature-length films produced in 2015. France is also one of the few countries where non-American productions have the biggest share: American films only represented 44.9% of total admissions in 2014. This is largely due to the commercial strength of domestic productions, which accounted for 44.5% of admissions in 2014 (35.5% in 2015; 35.3% in 2016). The French film industry is closer to being entirely self-sufficient than any other country in Europe, recovering around 80\u201390% of costs from revenues generated in the domestic market alone. Apart from its strong and innovative film tradition, France has also been a leading destination for filmmakers and actors from around the world; consequently, French cinema is sometimes intertwined with the cinema of foreign nations. Directors from nations such as Poland (Roman Polanski, Krzysztof Kie\u015Blowski, and Andrzej \u017Bu\u0142awski), Argentina (Gaspar No\u00E9 and Edgardo Cozarinsky), Russia (Alexandre Alexeieff, Anatole Litvak), Austria (Michael Haneke), and Georgia (G\u00E9la Babluani, Otar Iosseliani) are prominent in the ranks of French cinema. Conversely, French directors have had prolific and influential careers in other countries, such as Luc Besson, Jacques Tourneur, or Francis Veber in the United States. Paris has the highest density of cinemas in the world, measured by the number of movie theaters per inhabitant, and that in most \"downtown Paris\" movie theaters, foreign movies which would be secluded to \"art houses\" cinemas in other places are shown alongside \"mainstream\" works. Philippe Binant realized, on 2 February 2000, the first digital cinema projection in Europe, with the DLP CINEMA technology developed by Texas Instruments, in Paris. Paris also boasts the Cit\u00E9 du cin\u00E9ma, a major studio north of the city, and Disney Studio, a theme park devoted to the cinema and the third theme park near the city behind Disneyland and Parc Asterix. A favorite theme has been the French Revolution, with hundreds of titles."@en . . . . . . . . . . . . "212"^^ . . . . . . . "Kinematografia francuska \u2013 najstarsza kinematografia na \u015Bwiecie, kt\u00F3ra da\u0142a pocz\u0105tek sztuce filmowej dzi\u0119ki wynalezieniu kinematografu przez braci Lumi\u00E8re. Paryska projekcja ich dokumentalnego filmu Wyj\u015Bcie robotnik\u00F3w z fabryki z 28 grudnia 1895 uwa\u017Cana jest przez wi\u0119kszo\u015B\u0107 historyk\u00F3w za dat\u0119 narodzin kina. Kino francuskie na przestrzeni dziesi\u0119cioleci swojego bujnego rozwoju da\u0142o \u015Bwiatu r\u00F3wnie\u017C wiele inspiruj\u0105cych nurt\u00F3w filmowych, jak impresjonizm, awangarda, surrealizm, realizm poetycki czy, przede wszystkim, nowa fala."@pl . "2016-06-08"^^ . "36"^^ . . . . . . . . . . . . . . . . . . . . . "\u041A\u0456\u043D\u0435\u043C\u0430\u0442\u043E\u0433\u0440\u0430\u0444 \u0424\u0440\u0430\u043D\u0446\u0456\u0457"@uk . . "Fransk film har gamla traditioner. M\u00E5nga av filmens pionj\u00E4rer kom fr\u00E5n Frankrike: br\u00F6derna Lumi\u00E8re som gjorde v\u00E4rldens f\u00F6rsta filmer, \u00C9mile Cohl som gjorde den f\u00F6rsta animerade filmen, samt Georges M\u00E9li\u00E8s och Alice Guy-Blach\u00E9 som b\u00E5da var f\u00F6reg\u00E5ngare i att experimentera med tekniken. Under mellankrigstiden var Abel Gance, Marcel Pagnol, Ren\u00E9 Clair och Jacques Feyder n\u00E5gra framst\u00E5ende namn. Under 1930-talet kom \u00E4ven den poetiska realismen med bland andra Jean Vigo, Jean Renoir, Julien Duvivier och Marcel Carn\u00E9 som betydande filmskapare."@sv . . . . . . . "2018"^^ . . . . . . . . . "\u30D5\u30E9\u30F3\u30B9\u306E\u6620\u753B"@ja . . . "El cinema franc\u00E8s compr\u00E8n tant les pel\u00B7l\u00EDcules fetes a Fran\u00E7a com les pel\u00B7l\u00EDcules dirigides per directors francesos o finan\u00E7ades amb capital franc\u00E8s, encara que parcialment. Fran\u00E7a \u00E9s considerat com el pa\u00EDs que va veure n\u00E9ixer el cinema i va tenir un paper fonamental en el seu inicial desenvolupament i en la seva posterior consolidaci\u00F3, amb la qual el g\u00E8nere cinematogr\u00E0fic ha passat a ser popularment conegut com el set\u00E8 art. Als inicis del cinema mut, empreses franceses van construir sales de cinema arreu d'Europa i van crear filials per tal d\u2019'exportar i fer con\u00E8ixer les seves pel\u00B7l\u00EDcules a l'estranger. El cinema franc\u00E8s, aleshores, marcava les tend\u00E8ncies i l'estil del nou i ins\u00EDpid g\u00E8nere art\u00EDstic. Per altra banda, al llarg dels primers 100 anys d'hist\u00F2ria del cinema, diversos moviments "@ca . . . "2016-01-10"^^ . . "2020-02-22"^^ . . . . . . . . "\uD504\uB791\uC2A4 \uC601\uD654\uB294 \uD504\uB791\uC2A4\uC5D0\uC11C, \uB610\uB294 \uD574\uC678\uC758 \uD504\uB791\uC2A4 \uC601\uD654 \uC81C\uC870\uC0AC\uB4E4\uC5D0 \uC758\uD574 \uB9CC\uB4E4\uC5B4\uC9C4 \uC77C\uB828\uC758 \uC601\uD654\uB97C \uB9D0\uD55C\uB2E4."@ko . . . . . . . . "Frantziako zinema herrialde horretako zinematografia-industriak sortzen du. Frantzia herrialde inportantea izan da zinemaren garapenean, bai entretenimendu arloan eta baita arte arloan ere."@eu . . . "Cinema francese"@it . . . . . . . . . "Film i Frankrike"@sv . . . . . . . . . . . "127"^^ . . . . . "77800000"^^ . "50846"^^ . . . "Cinema de Fran\u00E7a"@ca . . "\u6CD5\u570B\u96FB\u5F71\uFF08\u6CD5\u8A9E\uFF1ACin\u00E9ma fran\u00E7ais\uFF09\u662F\u6307\u5728\u6CD5\u570B\u88FD\u4F5C\u6216\u7531\u6CD5\u570B\u4EBA\u88FD\u4F5C\u7684\u96FB\u5F71\u3002\u6CD5\u570B\u662F\u96FB\u5F71\u7684\u767C\u6E90\u5730\uFF0C\u76E7\u7C73\u57C3\u5144\u5F1F\u88AB\u8A8D\u70BA\u5C0D\u65BC\u96FB\u5F71\u7684\u767C\u5C55\u6709\u5DE8\u5927\u7684\u8CA2\u737B \u3002\u800C\u6CD5\u570B\u96FB\u5F71\u7684\u767C\u5C55\u5C0D\u65BC\u5176\u4ED6\u570B\u5BB6\u7684\u96FB\u5F71\u4E5F\u6709\u6DF1\u9060\u7684\u5F71\u97FF\uFF0C\u4F8B\u5982\u6CD5\u570B\u65B0\u6D6A\u6F6E\u904B\u52D5\u3002"@zh . . . . . . . "Frantziako zinema"@eu . "Cine de Francia"@es . . . . . . . . . . "1121983314"^^ . . . . . . "Francia ha sido un pa\u00EDs muy influyente en el desarrollo del cine como medio de entretenimiento a nivel mundial. Los hermanos Lumi\u00E8re son considerados los inventores del cine ya que introdujeron el cinemat\u00F3grafo y realizaron una gran cantidad de pel\u00EDculas que sentaron un precedente para la industria cinematogr\u00E1fica. Adem\u00E1s de su propio desarrollo, el cine franc\u00E9s ha permitido que se expresen a trav\u00E9s del cine numerosos artistas de Europa y el mundo entero. Realizadores famosos como Krzysztof Kie\u015Blowski, Walerian Borowczyk, Andrzej \u017Bu\u0142awski, Gaspar No\u00E9, Edgardo Cozarinsky, Alexandre Alexeieff, Anatole Litvak, Michael Haneke, Paul Verhoeven, Otar Iosseliani, John Berry (director), Roman Polanski, y , son algunos realizadores internacionales cuyo trabajo ha sido influenciado por el estilo del cine franc\u00E9s. Por otra parte, realizadoras y realizadores franceses tales como Jean Renoir, Jacques Tourneur, Jean-Jacques Annaud, Jean-Pierre Jeunet, Olivier Dahan, Luc Besson, Francis Veber o Agn\u00E8s Varda, Julie Delpy, Claire Denis, cultivaron fructosas carreras a nivel mundial."@es . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "2010-12-13"^^ . . . . "\u0633\u064A\u0646\u0645\u0627 \u0641\u0631\u0646\u0633\u0627"@ar . . . . "Jean Dujardin"@en . "Der franz\u00F6sische Film spielte die wohl bedeutendste Rolle bei der Entwicklung und Etablierung des Mediums Film. In der fr\u00FChen Stummfilmzeit errichteten franz\u00F6sische Unternehmer in ganz Europa Kinos und Tochtergesellschaften zur Verbreitung ihrer Filme, die als richtungsweisend galten. Mehrere neue Stilrichtungen des Films gingen von Frankreich aus."@de . "Marion Cotillard and Jean Dujardin , both awarded with an Academy Award in United States, for their respective roles in La Vie en Rose and The Artist ."@en . . . . "10784"^^ . . . . . "\u6CD5\u570B\u96FB\u5F71\uFF08\u6CD5\u8A9E\uFF1ACin\u00E9ma fran\u00E7ais\uFF09\u662F\u6307\u5728\u6CD5\u570B\u88FD\u4F5C\u6216\u7531\u6CD5\u570B\u4EBA\u88FD\u4F5C\u7684\u96FB\u5F71\u3002\u6CD5\u570B\u662F\u96FB\u5F71\u7684\u767C\u6E90\u5730\uFF0C\u76E7\u7C73\u57C3\u5144\u5F1F\u88AB\u8A8D\u70BA\u5C0D\u65BC\u96FB\u5F71\u7684\u767C\u5C55\u6709\u5DE8\u5927\u7684\u8CA2\u737B \u3002\u800C\u6CD5\u570B\u96FB\u5F71\u7684\u767C\u5C55\u5C0D\u65BC\u5176\u4ED6\u570B\u5BB6\u7684\u96FB\u5F71\u4E5F\u6709\u6DF1\u9060\u7684\u5F71\u97FF\uFF0C\u4F8B\u5982\u6CD5\u570B\u65B0\u6D6A\u6F6E\u904B\u52D5\u3002"@zh . "Sinema Prancis merujuk kepada industri film merujuk kepada industri film yang berbasis di Prancis. Sinema Prancis terdiri dari seni rupa film dan film-film kreatif yang dibuat di negara Prancis atau oleh para pembuat film Prancis di perantauan. Prancis adalah dan bertanggung jawab untuk beberapa jasa-jasa signifikan awalnya. Beberapa gerakan sinematik, termasuk Nouvelle Vague, dimulai di negara tersebut. Negara tersebut dikenal karena memiliki industri film yang kuat, karena menjadi bagian dari bidang yang dilindungi oleh . Selain dari tradisi film inovatif dan kuatnya, Prancis juga dikunjungi artis-artis dari seluruh Eropa dan dunia. Karena alasan ini, sinema Prancis terkadang dibanding-bandingkan dengan sinema dari negara-negara lainnya. Sutradara dari negara-negara seperti Polandia (Roman Polanski, Krzysztof Kie\u015Blowski, dan ), Argentina ( dan ), Rusia , Austria (Michael Haneke), dan Georgia terkenal dalam peringkat-peringkat pada sinema Prancis. Sebaliknya, sutradara-sutradara Prancis meraih ketenaran dan pengaruh di negara-negara lainnya, seperti Luc Besson, , atau di Amerika Serikat."@in . "Francia ha sido un pa\u00EDs muy influyente en el desarrollo del cine como medio de entretenimiento a nivel mundial. Los hermanos Lumi\u00E8re son considerados los inventores del cine ya que introdujeron el cinemat\u00F3grafo y realizaron una gran cantidad de pel\u00EDculas que sentaron un precedente para la industria cinematogr\u00E1fica."@es . . . . . . . . . . "\uD504\uB791\uC2A4 \uC601\uD654\uB294 \uD504\uB791\uC2A4\uC5D0\uC11C, \uB610\uB294 \uD574\uC678\uC758 \uD504\uB791\uC2A4 \uC601\uD654 \uC81C\uC870\uC0AC\uB4E4\uC5D0 \uC758\uD574 \uB9CC\uB4E4\uC5B4\uC9C4 \uC77C\uB828\uC758 \uC601\uD654\uB97C \uB9D0\uD55C\uB2E4."@ko . . . . . . . . . "French cinema consists of the film industry and its film productions, whether made within the nation of France or by French film production companies abroad. It is the oldest and largest precursor of national cinemas in Europe; with primary influence also on the creation of national cinemas in Asia. A favorite theme has been the French Revolution, with hundreds of titles."@en . . "O cinema franc\u00EAs \u00E9 atualmente o mais din\u00E2mico da Europa continental em termos de p\u00FAblico, n\u00FAmeros filmes produzidos e de receitas geradas por suas produ\u00E7\u00F5es. O cinema franc\u00EAs teve um papel importante na hist\u00F3ria deste meio de comunica\u00E7\u00E3o social, tanto em termos t\u00E9cnicos como hist\u00F3ricos. Os prim\u00F3rdios do cinema contam com v\u00E1rios nomes franceses, entre os quais os se destacam os irm\u00E3os Amp\u00E9re, n\u00E3o s\u00F3 respons\u00E1veis pelo estudo da corrente el\u00E9trica, mas tamb\u00E9m a inven\u00E7\u00E3o das primeiras c\u00E2meras, feito geralmente erroneamente atribu\u00EDdo aos irm\u00E3os Lumi\u00E9re. No desenvolvimento do cinema como forma de arte, muitos dos filmes realizados na Fran\u00E7a s\u00E3o considerados marcos relevantes (ver: Filmografia de Georges M\u00E9li\u00E8s). Destaque deve ser dado \u00E0s escolas vanguardista da d\u00E9cada de 1920, ao realismo po\u00E9tico"@pt . . .