. . . . . . . . . . . . . . . . . . . . "38061"^^ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "\uAE30\uB3C5\uAD50 \uC2DC (Christian poetry)\uB294 \uAE30\uB3C5\uAD50\uC801 \uAD50\uD6C8, \uC8FC\uC81C, \uADF8\uB9AC\uACE0 \uAE30\uB3C5\uAD50\uC801 \uBB38\uD5CC\uC744 \uD3EC\uD568\uD558\uACE0 \uC788\uB294 \uC2DC\uB97C \uB9D0\uD55C\uB2E4. \uAE30\uB3C5\uAD50\uAC00 \uC2DC\uC5D0 \uC601\uD5A5\uC744 \uC900\uAC83\uC740 \uAE30\uB3C5\uAD50\uAC00 \uC788\uB294 \uC5EC\uB7EC\uBD84\uC57C\uC5D0\uC11C \uBCFC \uC218 \uC788\uB2E4. \uAE30\uB3C5\uAD50 \uC2DC\uB294 \uC9C1\uC811\uC801\uC73C\uB85C\uC131\uACBD\uACFC \uAD00\uB828\uB418\uAE30\uB3C4 \uD558\uACE0 \uC54C\uB808\uACE0\uB9AC\uB85C \uC0AC\uC6A9\uB418\uAE30\uB3C4 \uD55C\uB2E4."@ko . . . . "\u0643\u0630\u0644\u0643 \u0643\u0627\u0646 \u062A\u0623\u062B\u064A\u0631 \u0627\u0644\u0645\u0633\u064A\u062D\u064A\u0629 \u0641\u064A \u0627\u0644\u0634\u0639\u0631 \u0639\u0638\u064A\u0645 \u062E\u0627\u0635\u064B\u0629 \u0641\u064A \u0627\u0644\u0645\u0646\u0627\u0637\u0642 \u0627\u0644\u062A\u064A \u0648\u0635\u0644\u062A\u0647\u0627 \u0627\u0644\u0645\u0633\u064A\u062D\u064A\u0629. \u0627\u0644\u0642\u0635\u0627\u0626\u062F \u0627\u0644\u0645\u0633\u064A\u062D\u064A\u0629 \u0641\u064A \u0643\u062B\u064A\u0631 \u0645\u0646 \u0627\u0644\u0623\u062D\u064A\u0627\u0646 \u062A\u0631\u062C\u0639 \u0645\u0628\u0627\u0634\u0631\u0629\u064B \u0625\u0644\u0649 \u0627\u0644\u0643\u062A\u0627\u0628 \u0627\u0644\u0645\u0642\u062F\u0633\u060C \u0648\u0627\u0644\u0628\u0639\u0636 \u0627\u0644\u0622\u062E\u0631 \u064A\u0642\u062F\u0645 \u0642\u0635\u0635\u064B\u0627 \u0631\u0645\u0632\u064A\u0629."@ar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "\uAE30\uB3C5\uAD50 \uC2DC (Christian poetry)\uB294 \uAE30\uB3C5\uAD50\uC801 \uAD50\uD6C8, \uC8FC\uC81C, \uADF8\uB9AC\uACE0 \uAE30\uB3C5\uAD50\uC801 \uBB38\uD5CC\uC744 \uD3EC\uD568\uD558\uACE0 \uC788\uB294 \uC2DC\uB97C \uB9D0\uD55C\uB2E4. \uAE30\uB3C5\uAD50\uAC00 \uC2DC\uC5D0 \uC601\uD5A5\uC744 \uC900\uAC83\uC740 \uAE30\uB3C5\uAD50\uAC00 \uC788\uB294 \uC5EC\uB7EC\uBD84\uC57C\uC5D0\uC11C \uBCFC \uC218 \uC788\uB2E4. \uAE30\uB3C5\uAD50 \uC2DC\uB294 \uC9C1\uC811\uC801\uC73C\uB85C\uC131\uACBD\uACFC \uAD00\uB828\uB418\uAE30\uB3C4 \uD558\uACE0 \uC54C\uB808\uACE0\uB9AC\uB85C \uC0AC\uC6A9\uB418\uAE30\uB3C4 \uD55C\uB2E4."@ko . . . . . . . . . . . "Filologowie klasyczni terminem poezji wczesnochrze\u015Bcija\u0144skiej okre\u015Blaj\u0105 utwory liryczne pojawiaj\u0105ce si\u0119 od ok. II wieku, kt\u00F3rych celem by\u0142o rozpowszechnianie chrze\u015Bcija\u0144stwa. Powsta\u0142y one w Cesarstwie Rzymskim i na Bliskim Wschodzie. Niekt\u00F3rzy historycy literatury za pocz\u0105tek poezji wczesnochrze\u015Bcija\u0144skiej podaj\u0105 pierwsz\u0105 po\u0142ow\u0119 IV wieku, uznaj\u0105c i\u017C nie wchodz\u0105 w jej sk\u0142ad pie\u015Bni liturgiczne, a jedynie dzie\u0142a pisane z my\u015Bl\u0105 o zachowaniu kanon\u00F3w. Badania nad nimi stanowi\u0105 cz\u0119\u015B\u0107 sk\u0142adow\u0105 patrologii. Powstawanie poezji wczesnochrze\u015Bcija\u0144skiej by\u0142o najcz\u0119\u015Bciej skutkiem wzajemnego oddzia\u0142ywania poga\u0144skich greckich i rzymskich filozof\u00F3w i chrze\u015Bcijan, st\u0105d opowiadanie o Jezusie Chrystusie za pomoc\u0105 wergilia\u0144skiego eposu b\u0105d\u017A horacja\u0144skiej epody. Skutkiem tych relacji by\u0142o w r\u00F3wnym stopniu zasymilowanie literatury pisanej przez pogan do \u015Bwiatopogl\u0105du chrze\u015Bcija\u0144skiego, np. w\u0119dr\u00F3wk\u0119 Eneasza przez Hades zacz\u0119to uto\u017Csamia\u0107 ze zst\u0105pieniem Chrystusa do otch\u0142ani i przepisywa\u0107 w ten spos\u00F3b do centon\u00F3w. Pie\u015Bni chrze\u015Bcija\u0144skie powstawa\u0142y r\u00F3wnie\u017C w celu zespalania wsp\u00F3lnot, zachowywania ich tradycji oraz wyra\u017Cania pobo\u017Cno\u015Bci, pozosta\u0142e \u2013 zw\u0142aszcza wschodnie \u2013 stanowi\u0142y zapis teologii innej ni\u017C oraz jedn\u0105 z form zwalczania herezji."@pl . . . . . . . . . "\uAE30\uB3C5\uAD50 \uC2DC"@ko . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Poesia religiosa"@it . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "La poesia religiosa \u00E8 un tipo di poesia tipica della religione cristiana nel periodo dell'XI secolo, ossia quando si afferma la lirica italiana. Si sviluppa in Umbria, ed \u00E8 scritta infatti in volgare umbro.Il componimento tipico \u00E8 la lauda caratterizzato da una metrica semplice e dai versi uniti tramite assonanze. Originariamente queste liriche erano unicamente orali ma progressivamente furono raccolti in laudari, dove i testi vennero suddivisi per temi o in base all'ordine delle festivit\u00E0 religiose. Caratteristico di questo tipo di poesia \u00E8 l'espressione della fede e/o l'insegnamento di comandi fondamentali di essa, in ogni caso destinata ad un pubblico vasto per questo si usava il dialetto... La poesia religiosa \u00E8 considerata la prima forma di letteratura italiana e sar\u00E0 destinata a diventare la prima forma di teatro definita da dialoghi presenti anche nel componimento poetico. Di questo movimento i massimi esponenti sono Francesco d'Assisi (1182 - 1226), Iacopone da Todi (1236 - 1306), entrambi di origine umbra, e il loro epigono Bianco da Siena (1350 circa - 1399). Il primissimo esempio di poesia religiosa cristiana pu\u00F2 essere considerato l'Anonymi carmen De laudibus Domini, componimento in 148 esametri risalente alle origini del Cristianesimo e precedente all'apologetica latina."@it . . . . . . . . . . . . . . . . . . . . . "La poesia religiosa \u00E8 un tipo di poesia tipica della religione cristiana nel periodo dell'XI secolo, ossia quando si afferma la lirica italiana. Si sviluppa in Umbria, ed \u00E8 scritta infatti in volgare umbro.Il componimento tipico \u00E8 la lauda caratterizzato da una metrica semplice e dai versi uniti tramite assonanze. Originariamente queste liriche erano unicamente orali ma progressivamente furono raccolti in laudari, dove i testi vennero suddivisi per temi o in base all'ordine delle festivit\u00E0 religiose."@it . "1118924052"^^ . . . . . . . . "\u0643\u0630\u0644\u0643 \u0643\u0627\u0646 \u062A\u0623\u062B\u064A\u0631 \u0627\u0644\u0645\u0633\u064A\u062D\u064A\u0629 \u0641\u064A \u0627\u0644\u0634\u0639\u0631 \u0639\u0638\u064A\u0645 \u062E\u0627\u0635\u064B\u0629 \u0641\u064A \u0627\u0644\u0645\u0646\u0627\u0637\u0642 \u0627\u0644\u062A\u064A \u0648\u0635\u0644\u062A\u0647\u0627 \u0627\u0644\u0645\u0633\u064A\u062D\u064A\u0629. \u0627\u0644\u0642\u0635\u0627\u0626\u062F \u0627\u0644\u0645\u0633\u064A\u062D\u064A\u0629 \u0641\u064A \u0643\u062B\u064A\u0631 \u0645\u0646 \u0627\u0644\u0623\u062D\u064A\u0627\u0646 \u062A\u0631\u062C\u0639 \u0645\u0628\u0627\u0634\u0631\u0629\u064B \u0625\u0644\u0649 \u0627\u0644\u0643\u062A\u0627\u0628 \u0627\u0644\u0645\u0642\u062F\u0633\u060C \u0648\u0627\u0644\u0628\u0639\u0636 \u0627\u0644\u0622\u062E\u0631 \u064A\u0642\u062F\u0645 \u0642\u0635\u0635\u064B\u0627 \u0631\u0645\u0632\u064A\u0629."@ar . . . . . . . "\u0634\u0639\u0631 \u0645\u0633\u064A\u062D\u064A"@ar . . . . . . . . . . . . . . . . . . . . "Christian poetry is any poetry that contains Christian teachings, themes, or references. The influence of Christianity on poetry has been great in any area that Christianity has taken hold. Christian poems often directly reference the Bible, while others provide allegory."@en . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Poezja wczesnochrze\u015Bcija\u0144ska"@pl . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . "Christian poetry is any poetry that contains Christian teachings, themes, or references. The influence of Christianity on poetry has been great in any area that Christianity has taken hold. Christian poems often directly reference the Bible, while others provide allegory."@en . . . . . . . . . . . . . . . . "Christian poetry"@en . . . . . . . . . . . . . . . . . . . . . . . "Filologowie klasyczni terminem poezji wczesnochrze\u015Bcija\u0144skiej okre\u015Blaj\u0105 utwory liryczne pojawiaj\u0105ce si\u0119 od ok. II wieku, kt\u00F3rych celem by\u0142o rozpowszechnianie chrze\u015Bcija\u0144stwa. Powsta\u0142y one w Cesarstwie Rzymskim i na Bliskim Wschodzie. Niekt\u00F3rzy historycy literatury za pocz\u0105tek poezji wczesnochrze\u015Bcija\u0144skiej podaj\u0105 pierwsz\u0105 po\u0142ow\u0119 IV wieku, uznaj\u0105c i\u017C nie wchodz\u0105 w jej sk\u0142ad pie\u015Bni liturgiczne, a jedynie dzie\u0142a pisane z my\u015Bl\u0105 o zachowaniu kanon\u00F3w. Badania nad nimi stanowi\u0105 cz\u0119\u015B\u0107 sk\u0142adow\u0105 patrologii."@pl . . . "1609007"^^ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .