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Viscosity printing is a multi-color printmaking technique that incorporates principles of relief printing and intaglio printing. It was pioneered by Stanley William Hayter. The process uses the principle of viscosity to print multiple colors of ink from a single plate, rather than relying upon multiple plates for color separation. It is a fine art printmaking technique, making original prints in limited editions, as it is slow and allows too much variation between proofs to make large editions feasible. Color viscosity printing is among the latest developments in intaglio printmaking. Color viscosity printing was developed by a group working at Atelier 17 in Paris in the mid-1950s. This group included Stanley William Hayter, , Krishna Reddy, and .

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  • Impression par viscosité (fr)
  • Viscosity printing (en)
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  • Viscosity printing is a multi-color printmaking technique that incorporates principles of relief printing and intaglio printing. It was pioneered by Stanley William Hayter. The process uses the principle of viscosity to print multiple colors of ink from a single plate, rather than relying upon multiple plates for color separation. It is a fine art printmaking technique, making original prints in limited editions, as it is slow and allows too much variation between proofs to make large editions feasible. Color viscosity printing is among the latest developments in intaglio printmaking. Color viscosity printing was developed by a group working at Atelier 17 in Paris in the mid-1950s. This group included Stanley William Hayter, , Krishna Reddy, and . (en)
  • L’impression par viscosité est une technique d’estampe proche de la taille-douce qui permet d'imprimer plusieurs couleurs d'encre à partir d'une seule plaque, au lieu de compter sur plusieurs plaques pour la . Il s’agit d’une technique d’impression d’estampes d'art qui produit des tirages originaux en éditions limitées, car elle est lente et permet trop de variations entre les épreuves pour que de grandes éditions soient réalisables. L’impression couleur par viscosité est l’un des tout derniers développements en matière de gravure en taille-douce : elle a été mise au point par Stanley William Hayter dans les années 1960. (fr)
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  • L’impression par viscosité est une technique d’estampe proche de la taille-douce qui permet d'imprimer plusieurs couleurs d'encre à partir d'une seule plaque, au lieu de compter sur plusieurs plaques pour la . Il s’agit d’une technique d’impression d’estampes d'art qui produit des tirages originaux en éditions limitées, car elle est lente et permet trop de variations entre les épreuves pour que de grandes éditions soient réalisables. L’impression couleur par viscosité est l’un des tout derniers développements en matière de gravure en taille-douce : elle a été mise au point par Stanley William Hayter dans les années 1960. Le principe consiste à faire repousser les encres moins grasses par les encres les plus grasses (huileuses), selon le principe de viscosité. Un rouleau plus ou moins dur selon les encres, dépose celles-ci sur une plaque dans une plus ou moins grande profondeur selon la douceur du rouleau. (fr)
  • Viscosity printing is a multi-color printmaking technique that incorporates principles of relief printing and intaglio printing. It was pioneered by Stanley William Hayter. The process uses the principle of viscosity to print multiple colors of ink from a single plate, rather than relying upon multiple plates for color separation. It is a fine art printmaking technique, making original prints in limited editions, as it is slow and allows too much variation between proofs to make large editions feasible. Color viscosity printing is among the latest developments in intaglio printmaking. Color viscosity printing was developed by a group working at Atelier 17 in Paris in the mid-1950s. This group included Stanley William Hayter, , Krishna Reddy, and . (en)
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