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UNESCO Reclining Figure 1957–58 is a sculpture by Henry Moore. It was made in a series of scales, from a small plaster maquette, through a half-size working model made in plaster and cast in bronze (LH 415), to a full-size version carved in Roman travertine marble in 1957–1958 (LH 416). The final work was installed in 1958 at the World Heritage Centre, the headquarters of UNESCO (the United Nations Educational, Scientific and Cultural Organisation) at the Place de Fontenoy in Paris. This was Moore's last major public commission in which he created a new work for a specific site; he afterwards generally worked from an existing sketch or model.

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  • UNESCO Reclining Figure 1957–58 (en)
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  • UNESCO Reclining Figure 1957–58 is a sculpture by Henry Moore. It was made in a series of scales, from a small plaster maquette, through a half-size working model made in plaster and cast in bronze (LH 415), to a full-size version carved in Roman travertine marble in 1957–1958 (LH 416). The final work was installed in 1958 at the World Heritage Centre, the headquarters of UNESCO (the United Nations Educational, Scientific and Cultural Organisation) at the Place de Fontenoy in Paris. This was Moore's last major public commission in which he created a new work for a specific site; he afterwards generally worked from an existing sketch or model. (en)
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  • http://commons.wikimedia.org/wiki/Special:FilePath/Moore_Große_liegende_Frauenfigur_1957_Zürich.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Place_de_Fontenoy,_UNESCO_székház_(Breuer_Marcell)._Fortepan_87545.jpg
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  • UNESCO Reclining Figure 1957–58 is a sculpture by Henry Moore. It was made in a series of scales, from a small plaster maquette, through a half-size working model made in plaster and cast in bronze (LH 415), to a full-size version carved in Roman travertine marble in 1957–1958 (LH 416). The final work was installed in 1958 at the World Heritage Centre, the headquarters of UNESCO (the United Nations Educational, Scientific and Cultural Organisation) at the Place de Fontenoy in Paris. This was Moore's last major public commission in which he created a new work for a specific site; he afterwards generally worked from an existing sketch or model. (en)
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