• Facets (new session)
• Description
• Metadata
• Settings
  • Rule: ActivityStreamsMapasEquivalentb3sb3sifpdbprdf-labelfacetshttp://dbpedia.org/resource/inference/rules/dbpedia#http://dbpedia.org/resource/inference/rules/opencyc#http://dbpedia.org/resource/inference/rules/umbel#http://dbpedia.org/resource/inference/rules/yago#http://dbpedia.org/schema/property_rules#http://www.ontologyportal.org/inference/rules/SUMO#http://www.ontologyportal.org/inference/rules/WordNet#http://www.w3.org/2002/07/owl#ldpoplwebskos-transurn:det:rdf:labelvirtrdf-labelvirtrdf-urlNone
    
  • Inverse Functional Properties: Disabled (fastest) Apply to subjects only Apply to objects only Apply to both subjects and objects
  • "Same As": Disabled (fastest) Apply to subjects only Apply to objects only Apply to both subjects and objects (recommended) Apply to subjects, objects and predicates (not recommended on big datasets) Apply to predicates only (special use cases only)

About: Right Now! (Mel Tormé album)     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:WikicatEnglish-languageAlbums, within Data Space : dbpedia.org associated with source document(s)

Type: Thingschema:CreativeWorkschema:MusicAlbumworkMusical workwikidata:Q386724Albumyago:WikicatColumbiaRecordsAlbumsyago:WikicatMelTorméAlbumsmusical workyago:Album106591815yago:Artifact100021939yago:Instrumentality103575240yago:Medium106254669yago:Object100002684yago:PhysicalEntity100001930albumyago:Whole100003553yago:Wikicat1966Albumsyago:WikicatEnglish-languageAlbums New Facet based on Instances of this Class

Right Now! is a 1966 studio album by Mel Tormé. Columbia followed up Tormé's 1965 album of standards with "an obvious bid to sell records by putting Tormé's voice on pre-sold hits of the mid-'60s." "The Velvet Fog's" descent on contemporary middle-of-the-road top-40 melodies from Paul Simon and the Bacharach-David catalogue leads some to emphasize the commercialism of the project and file this period of Tormé's career in the lounge music section of records stores, as evidenced by his appearances on compilations like the Ultra Lounge series. However, music critic Will Friedwald makes a strong case that the work of Tormé and arranger Mort Garson elevated the project above "an album of straight "covers"."