Paul Hambleton Landacre (July 9, 1893, Columbus, Ohio - June 3, 1963, Los Angeles, California) was an active participant in the cultural flowering of interwar Los Angeles, described by Jake Zeitlin as a "small Renaissance, Southern California style". His artistic innovations and technical virtuosity gained wood engraving a foothold as a high art form in twentieth-century America. Landacre's linocuts and wood engravings of landscapes, still lifes, nudes, and abstractions are acclaimed for the beauty of their designs and a mastery of materials. He used the finest inks and imported handmade Japanese papers and, with a few exceptions, printed his wood engravings in his studio on a nineteenth-century Washington Hand Press, which is now in the collection of the International Printing Museum in C
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| - Paul Hambleton Landacre (July 9, 1893, Columbus, Ohio - June 3, 1963, Los Angeles, California) was an active participant in the cultural flowering of interwar Los Angeles, described by Jake Zeitlin as a "small Renaissance, Southern California style". His artistic innovations and technical virtuosity gained wood engraving a foothold as a high art form in twentieth-century America. Landacre's linocuts and wood engravings of landscapes, still lifes, nudes, and abstractions are acclaimed for the beauty of their designs and a mastery of materials. He used the finest inks and imported handmade Japanese papers and, with a few exceptions, printed his wood engravings in his studio on a nineteenth-century Washington Hand Press, which is now in the collection of the International Printing Museum in C (en)
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| - Paul Hambleton Landacre (July 9, 1893, Columbus, Ohio - June 3, 1963, Los Angeles, California) was an active participant in the cultural flowering of interwar Los Angeles, described by Jake Zeitlin as a "small Renaissance, Southern California style". His artistic innovations and technical virtuosity gained wood engraving a foothold as a high art form in twentieth-century America. Landacre's linocuts and wood engravings of landscapes, still lifes, nudes, and abstractions are acclaimed for the beauty of their designs and a mastery of materials. He used the finest inks and imported handmade Japanese papers and, with a few exceptions, printed his wood engravings in his studio on a nineteenth-century Washington Hand Press, which is now in the collection of the International Printing Museum in Carson, California. (en)
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