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The concept of mingei (民芸), variously translated into English as "folk craft", "folk art" or "popular art", was developed from the mid-1920s in Japan by a philosopher and aesthete, Yanagi Sōetsu (1889–1961), together with a group of craftsmen, including the potters Hamada Shōji (1894–1978) and Kawai Kanjirō (1890–1966). As such, it was a conscious attempt to distinguish ordinary crafts and functional utensils (pottery, lacquerware, textiles, and so on) from "higher" forms of art – at the time much admired by people during a period when Japan was going through rapid westernisation, industrialisation, and urban growth. In some ways, therefore, mingei may be seen as a reaction to Japan's rapid modernisation processes.

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  • Mingei (en)
  • Mingei (ca)
  • Mingei (es)
  • Mingei (fr)
  • Mingei (it)
  • 民芸運動 (ja)
  • Мингэй (ru)
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  • El Mingei (民芸 Mingei? «arts del poble»), o «Moviment de l'art popular japonès», va prosperar al Japó a la fi de la dècada del 1920 i 1930. El seu fundador va ser Yanagi Sōetsu (1889-1961). (ca)
  • El movimiento Mingei (民芸運動 Mingei undō?, lit. « movimiento de arte popular») es un movimiento artístico japonés, principalmente basado en la alfarería y la cerámica, e inspirado por el movimiento inglés Arts & Crafts. Fue teorizado por el filósofo y diseñador (1889–1961) como respuesta a la industrialización de la sociedad japonesa debido a la influencia occidental y como reflexión sobre el papel de las tradiciones artísticas japonesas en un mundo en vías de modernización. Se desarrolló durante los años 20 y 30 del siglo XX, que corresponden al final de la era Taishō y a las dos primeras décadas de la era Shōwa. (es)
  • The concept of mingei (民芸), variously translated into English as "folk craft", "folk art" or "popular art", was developed from the mid-1920s in Japan by a philosopher and aesthete, Yanagi Sōetsu (1889–1961), together with a group of craftsmen, including the potters Hamada Shōji (1894–1978) and Kawai Kanjirō (1890–1966). As such, it was a conscious attempt to distinguish ordinary crafts and functional utensils (pottery, lacquerware, textiles, and so on) from "higher" forms of art – at the time much admired by people during a period when Japan was going through rapid westernisation, industrialisation, and urban growth. In some ways, therefore, mingei may be seen as a reaction to Japan's rapid modernisation processes. (en)
  • Le mouvement Mingei (民芸運動, Mingei undō, lit. « mouvement de l'art populaire ») est un mouvement artistique japonais, principalement de poterie et de céramique, inspiré par le mouvement anglais Arts and Crafts. (fr)
  • Mingei (民芸? letteralmente "arti folcloriche" o "arti popolari") fu un movimento nipponico che si sviluppò per favorire una ripresa dell'artigianato storico e del sapere tecnico delle professioni tradizionali, durante i decenni intercorsi tra gli anni venti e quaranta del XX secolo. Ideologicamente affine alle Arts & Crafts inglesi, venne teorizzato e portato avanti da Yanagi Sōetsu (1889–1961). (it)
  • 民芸運動(民藝運動、みんげいうんどう)とは、手仕事によって生み出された日常づかいの雑器に美を見出そうとする運動。「民藝」とは「民衆的工藝」の略語で、柳宗悦らによる造語。1926年(大正15年)に柳宗悦、富本憲吉、河井寛次郎、濱田庄司が連名で「日本民藝美術館設立趣意書」を発表したことが、運動の始まりとされる。全国の民藝館などで運動が続けられている。 日本民藝館の創設者であり民藝運動の中心人物でもある柳宗悦は、日本各地の焼き物、染織、漆器、木竹工など、無名の工人の作になる日用雑器、朝鮮王朝時代の美術工芸品、江戸時代の遊行僧・木喰(もくじき)の仏像など、それまでの美術史が正当に評価してこなかった、西洋的な意味でのファインアートでもなく高価な古美術品でもない、無名の職人による民衆的美術工芸の美を発掘し、世に紹介することに努めた。 (ja)
  • Мингэй (яп. 民 芸,"народное искусство") — концепция, разработанная в середине 1920-х годов в Японии философом и эстетом (1889—1961) вместе с группой мастеров, в частности гончарами Хамада Сёдзи (1894—1978) и Каваи Кандзиро (1890—1966). Это была сознательная попытка отделить обычные ремесла и функциональную утварь (керамику, лак, текстиль и т. д.) от «высших» форм искусства в период, когда Япония переживала вестернизацию, индустриализацию и урбанизацию. Таким образом, мингэй можно рассматривать как реакцию на быстрые модернизационные процессы в Японии. (ru)
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  • http://commons.wikimedia.org/wiki/Special:FilePath/Thrown_Bowl_by_Bernard_Leach_(YORYM-2004.1.166).jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Thrown,_Combed_tea_bowl_by_Shoji_Hamada_(YORYM-2004.1.1957)_(cropped).jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Taisho-Showa_Period_Ko-Mashiko_Ware_Mado-e_Dobin_Window_Picture_Teapot_Brooklyn_Museum.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Inu-Hariko_(Papier-mache_Puppy_Doll),_ca._1950_Brooklyn_Museum.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Meiji_Period_Fireman's_Coat_Brooklyn_Museum.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Meiji_Period_Futon-Gawa_(Quilt_Cover)_Brooklyn_Museum.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Meiji_Period_Happi_(Workman's_Livery_Coat)_Brooklyn_Museum.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Meiji_Period_Oshi-e_(Push_Picture)_Brooklyn_Museum.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Nihon_mingeikan_meguro_2009.jpg
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