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About: Jacob van Loo     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:WikicatFlemishPortraitPainters, within Data Space : dbpedia.org associated with source document(s)

Type: yago:WikicatBaroquePaintersyago:WikicatPeopleFromSluisyago:Artist109812338yago:CausalAgent100007347yago:Creator109614315yago:GenrePainter110123517yago:LivingThing100004258yago:Object100002684yago:Organism100004475yago:Painter110391653yago:Person100007846yago:PhysicalEntity100001930yago:Portraitist110455619yago:YagoLegalActoryago:YagoLegalActorGeoyago:Whole100003553yago:WikicatDutchGenrePaintersyago:WikicatDutchGoldenAgePaintersyago:WikicatDutchPaintersyago:WikicatDutchPortraitPaintersyago:WikicatFlemishPortraitPainters New Facet based on Instances of this Class

Jacob van Loo (1614 – 26 November 1670) was a painter of the Dutch Golden Age, chiefly active in Amsterdam and, after 1660, in Paris. Van Loo is known for his conversational groupings; particularly his mythological and biblical scenes generally attributed to the genre of History painting. He was especially celebrated for the quality of his nudes to the extent that, during his lifetime, particularly his female figures were said to have been considered superior and more popular than those of his Amsterdam contemporary and competitor Rembrandt. In 1663, three years after fleeing to Paris, Jacob van Loo was accepted into the Académie royale de peinture et de sculpture.