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About: Howard Cook     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:Whole100003553, within Data Space : dbpedia.org associated with source document(s)

Type: Thingfoaf:Personpersondul:NaturalPersonEukaryoteHomo sapiensArtistHumanAnimalyago:WikicatAmericanEngraversyago:WikicatAmericanMuralistsanimaleukaryotespeciesschema:Personyago:Artist109812338yago:CausalAgent100007347yago:Creator109614315yago:Engraver110058155yago:LivingThing100004258yago:Muralist110338498yago:Object100002684yago:Organism100004475yago:Painter110391653yago:Person100007846yago:PhysicalEntity100001930yago:Worker109632518yago:YagoLegalActoryago:YagoLegalActorGeoartistyago:SkilledWorker110605985yago:Whole100003553 New Facet based on Instances of this Class

Howard Norton Cook (1901–1980) was an American artist, particularly known for his wood engravings and murals. Cook spent much of the 1920s in Europe and returned to live in Taos, New Mexico. Cook first came to Taos, New Mexico in 1926 commissioned by The Forum to make a series of woodcuts to illustrate Death Comes for the Archbishop that would be published serially in the periodical. In Taos he was introduced to artist Barbara Latham by Victor Higgins. The couple married in May 1927. From 1928 to 1935, they traveled: to Europe, Mexico and the American South. Working for New Deal art projects, Cook produced murals for courthouses in Pittsburgh (Section of Painting and Sculpture) and Springfield, Massachusetts (Public Works of Art Project). He also produced a 16-panel fresco, The Importance