• Facets (new session)
• Description
• Metadata
• Settings
  • Rule: ActivityStreamsMapasEquivalentb3sb3sifpdbprdf-labelfacetshttp://dbpedia.org/resource/inference/rules/dbpedia#http://dbpedia.org/resource/inference/rules/opencyc#http://dbpedia.org/resource/inference/rules/umbel#http://dbpedia.org/resource/inference/rules/yago#http://dbpedia.org/schema/property_rules#http://www.ontologyportal.org/inference/rules/SUMO#http://www.ontologyportal.org/inference/rules/WordNet#http://www.w3.org/2002/07/owl#ldpoplwebskos-transurn:det:rdf:labelvirtrdf-labelvirtrdf-urlNone
    
  • Inverse Functional Properties: Disabled (fastest) Apply to subjects only Apply to objects only Apply to both subjects and objects
  • "Same As": Disabled (fastest) Apply to subjects only Apply to objects only Apply to both subjects and objects (recommended) Apply to subjects, objects and predicates (not recommended on big datasets) Apply to predicates only (special use cases only)

About: Holehole bushi     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : owl:Thing, within Data Space : dbpedia.org associated with source document(s)

Holehole bushi is a type of folk song sung by Japanese immigrants as they worked on Hawaii's sugar plantations during the late 19th and early 20th century. Hole Hole is the Hawaiian word for sugar cane leaves, while Bushi (節) is a Japanese word for song. These songs were sung as the workers stripped dead leaves from sugar cane so that it could be processed more efficiently. Many of the workers who stripped cane were women. The songs were often about plantation life, how difficult the work was, relationships between men and women, and reminiscences of their hometowns. The melodies were based on folk songs from their home prefectures, mainly Yamaguchi, Hiroshima, and Kumamoto, among others.