• Facets (new session)
• Description
• Metadata
• Settings
  • Rule: ActivityStreamsMapasEquivalentb3sb3sifpdbprdf-labelfacetshttp://dbpedia.org/resource/inference/rules/dbpedia#http://dbpedia.org/resource/inference/rules/opencyc#http://dbpedia.org/resource/inference/rules/umbel#http://dbpedia.org/resource/inference/rules/yago#http://dbpedia.org/schema/property_rules#http://www.ontologyportal.org/inference/rules/SUMO#http://www.ontologyportal.org/inference/rules/WordNet#http://www.w3.org/2002/07/owl#ldpoplwebskos-transurn:det:rdf:labelvirtrdf-labelvirtrdf-urlNone
    
  • Inverse Functional Properties: Disabled (fastest) Apply to subjects only Apply to objects only Apply to both subjects and objects
  • "Same As": Disabled (fastest) Apply to subjects only Apply to objects only Apply to both subjects and objects (recommended) Apply to subjects, objects and predicates (not recommended on big datasets) Apply to predicates only (special use cases only)

About: Five Blind Boys of Mississippi     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : umbel-rc:Organization, within Data Space : dbpedia.org associated with source document(s)

Type: Thingschema:MusicGroupschema:Organizationdul:Agentdul:SocialPersonagentgroupMusical ensemblewikidata:Q24229398Organizationyago:WikicatBlindMusiciansyago:WikicatCheckerRecordsArtistsyago:Artist109812338yago:CausalAgent100007347yago:Creator109614315yago:LivingThing100004258yago:Musician110339966yago:Object100002684yago:Organism100004475yago:Person100007846yago:PhysicalEntity100001930yago:YagoLegalActoryago:YagoLegalActorGeoBandorganisationyago:Whole100003553umbel-rc:Band_MusicGroupumbel-rc:Organization New Facet based on Instances of this Class

The Five Blind Boys of Mississippi was an American post-war gospel quartet. With lead singer Archie Brownlee, their single "Our Father" reached number ten on the Billboard R&B charts in early 1951. It was one of the first gospel records to do so. John Fogerty's goal for the line, "Rollin', rollin', rollin' on the river," in the song "Proud Mary" was to evoke male gospel harmonies, as exemplified by groups such as the Swan Silvertones, the Sensational Nightingales, and the Five Blind Boys of Mississippi.