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David Benjamin Sherry (born in 1981) is an American artist. Sherry's work consists primarily of large format film photography, focusing on landscape and portraiture, as well as photograms and painting, and has been exhibited in New York, Los Angeles, London, Berlin, Aspen and Moscow. He is based in Los Angeles.

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  • ديفيد بنجامين شيري (ar)
  • David Benjamin Sherry (en)
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  • ديفيد بنجامين شيري (بالإنجليزية: David Benjamin Sherry)‏ هو مصور أمريكي، ولد في 14 يناير 1981 في نيويورك في الولايات المتحدة. (ar)
  • David Benjamin Sherry (born in 1981) is an American artist. Sherry's work consists primarily of large format film photography, focusing on landscape and portraiture, as well as photograms and painting, and has been exhibited in New York, Los Angeles, London, Berlin, Aspen and Moscow. He is based in Los Angeles. (en)
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  • David B. Sherry (en)
name
  • David B. Sherry (en)
birth place
birth place
  • Stony Brook, New York, U.S. (en)
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  • William J. Simmons (en)
known for
  • Landscape photography (en)
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  • American (en)
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  • Suzanne Hudson (en)
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  • Perhaps this turn to a kind of “straight” photography stems from a realization that landscape indelibly bears the traces of human presence, mostly ruinous, and that this presence is deleterious enough to puncture the possibility of autonomy posited by Adams and other photographers of yesteryear. Adams avoided photographing people on the trails next to him and thus maintained a fantasy of natural preserve that he spent his later years defending as a form of social service. In Sherry’s photographs, people do appear, taking selfies in meadows or throwing themselves from bridges, tethered to bungee cords. In Swingarm City aka Caineville, Utah, June 2015, film crews work amid props and a green-screen ramp. Somewhat more elegantly, in what might also be his most potent rejoinder to Adams and the tradition he represents, Sherry shows Yosemite’s El Capitán dotted with climbers— specks on the enormous rock. In this new body of work, Sherry seems to veer toward a sort of humanism necessarily personal enough to incorporate identity but also capacious enough to allow for the possibility of exceeding it, the works offering themselves to a world that, soon enough, none of us will inhabit. (en)
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