Cubist Landscape, also referred to as Tree and River and Paysage cubiste or Arbre et fleuve, is a Cubist painting created in 1914 by the French artist, theorist and writer Albert Gleizes. Tree and River is one of Gleizes' last pre-World War I landscapes. A comparison with earlier works such as Le Chemin, Paysage à Meudon (1911), Les Baigneuses (Gleizes) (1912), Harvest Threshing (1912) and Passy, Bridges of Paris (1912) demonstrates the artists' continuity with the theme of deep spatial vistas and wide panoramic views, though with a notable diminution of specific references to reality. The painting was reproduced in the German art and literary magazine Der Sturm (titled Baum und Fluss) October 1920.
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| - Cubist Landscape, also referred to as Tree and River and Paysage cubiste or Arbre et fleuve, is a Cubist painting created in 1914 by the French artist, theorist and writer Albert Gleizes. Tree and River is one of Gleizes' last pre-World War I landscapes. A comparison with earlier works such as Le Chemin, Paysage à Meudon (1911), Les Baigneuses (Gleizes) (1912), Harvest Threshing (1912) and Passy, Bridges of Paris (1912) demonstrates the artists' continuity with the theme of deep spatial vistas and wide panoramic views, though with a notable diminution of specific references to reality. The painting was reproduced in the German art and literary magazine Der Sturm (titled Baum und Fluss) October 1920. (en)
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| - Cubist Landscape (Tree and River) (en)
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| - Cubist Landscape, also referred to as Tree and River and Paysage cubiste or Arbre et fleuve, is a Cubist painting created in 1914 by the French artist, theorist and writer Albert Gleizes. Tree and River is one of Gleizes' last pre-World War I landscapes. A comparison with earlier works such as Le Chemin, Paysage à Meudon (1911), Les Baigneuses (Gleizes) (1912), Harvest Threshing (1912) and Passy, Bridges of Paris (1912) demonstrates the artists' continuity with the theme of deep spatial vistas and wide panoramic views, though with a notable diminution of specific references to reality. The painting was reproduced in the German art and literary magazine Der Sturm (titled Baum und Fluss) October 1920. (en)
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