About: Carlton Gauld

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James Carlton Gauld (November 15, 1901 – March 2, 1975) was an American operatic bass who had a prolific career during the 1930s through the 1960s. Born and raised in Bedford, Indiana, Gustos first rose to prominence at the Metropolitan Opera in New York City, making his debut with the company in the 1931–1932 season as the King of Egypt in Giuseppe Verdi's Aida. He made his debut with the Teatro Colón in Buenos Aires in 1932, shortly followed by his European debut at the Opéra Comique as Nilakantha in Delibes's Lakmé. He remained at the Opéra Comique for three years, portraying a variety of roles like, Basilio in The Barber of Seville, the title role in Giacomo Puccini's Gianni Schicchi, the Prior in Massenet's Le jongleur de Notre-Dame, des Grieux in Manon, Lothario in Mignon, Ramon in C

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rdfs:label	Carlton Gauld (en)
rdfs:comment	James Carlton Gauld (November 15, 1901 – March 2, 1975) was an American operatic bass who had a prolific career during the 1930s through the 1960s. Born and raised in Bedford, Indiana, Gustos first rose to prominence at the Metropolitan Opera in New York City, making his debut with the company in the 1931–1932 season as the King of Egypt in Giuseppe Verdi's Aida. He made his debut with the Teatro Colón in Buenos Aires in 1932, shortly followed by his European debut at the Opéra Comique as Nilakantha in Delibes's Lakmé. He remained at the Opéra Comique for three years, portraying a variety of roles like, Basilio in The Barber of Seville, the title role in Giacomo Puccini's Gianni Schicchi, the Prior in Massenet's Le jongleur de Notre-Dame, des Grieux in Manon, Lothario in Mignon, Ramon in C (en)
dcterms:subject	Classical musicians from Indiana Singers from Indiana 1901 births 1975 deaths Operatic basses People from Bedford, Indiana 20th-century American male opera singers
Wikipage page ID	23425678 (xsd:integer)
Wikipage revision ID	1084032504 (xsd:integer)
Link from a Wikipage to another Wikipage	Metropolitan Opera Bedford, Indiana Classical musicians from Indiana Singers from Indiana David Tamkin Jules Massenet Opera Giacomo Puccini Gianni Schicchi Mireille (opera) The Tales of Hoffmann Emmanuel Bondeville 1901 births 1975 deaths Buenos Aires Tosca Giuseppe Verdi Aida Faust (opera) The Dybbuk (opera) Teatro Colón The Barber of Seville The Bartered Bride La Bohème Operatic basses People from Bedford, Indiana dbr:Charles_Gounod 20th-century American male opera singers Lakmé Le jongleur de Notre-Dame Manon Mignon New York City Opera Opéra Comique Léo Delibes Le nozze di Figaro
Link from a Wikipage to an external page	https://web.archive.org/web/20120220002533/http:/hosting.triboni.com/triboni/exec%3Fmethod=com.operissimo.artist.webDisplay&id=ffcyoieagxaaaaabakck&xsl=webDisplay&searchStr=Carlton%20Gauld
sameAs	Carlton Gauld Carlton Gauld Carlton Gauld Carlton Gauld
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has abstract	James Carlton Gauld (November 15, 1901 – March 2, 1975) was an American operatic bass who had a prolific career during the 1930s through the 1960s. Born and raised in Bedford, Indiana, Gustos first rose to prominence at the Metropolitan Opera in New York City, making his debut with the company in the 1931–1932 season as the King of Egypt in Giuseppe Verdi's Aida. He made his debut with the Teatro Colón in Buenos Aires in 1932, shortly followed by his European debut at the Opéra Comique as Nilakantha in Delibes's Lakmé. He remained at the Opéra Comique for three years, portraying a variety of roles like, Basilio in The Barber of Seville, the title role in Giacomo Puccini's Gianni Schicchi, the Prior in Massenet's Le jongleur de Notre-Dame, des Grieux in Manon, Lothario in Mignon, Ramon in Charles Gounod's Mireille, the four villains in The Tales of Hoffmann, Count Almaviva in Le nozze di Figaro, and Scarpia in Tosca among others. He also sang in the world premiere of Emmanuel Bondeville's L’École des maris (1933) with the company. In 1936 Gauld returned to the United States. He returned to the Met again in 1938 where he had his biggest success at the house as Méphistophélès in Faust. Between 1938 and 1943 he traveled throughout the United States working as a freelance artist. He joined the roster of principal singers at the New York City Opera in 1944, the first season of the company. He sang at the NYCO numerous times through 1957, notably playing Sander in the world premiere of David Tamkin's The Dybbuk in 1951. In the late 1950s he began working as an opera director, and was active in that area in the 1960s. Some of Gauld's other roles included Colline in La Bohème and Kecal in The Bartered Bride. (en)
gold:hypernym	Bass
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is Link from a Wikipage to another Wikipage of	The Dybbuk (opera)
is foaf:primaryTopic of	wikipedia-en:Carlton_Gauld

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