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About: Antonio Viviani     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:WikicatPeopleFromUrbino, within Data Space : dbpedia.org associated with source document(s)

Type: Thingfoaf:Personpersondul:NaturalPersonEukaryoteHomo sapiensArtistHumanAnimalPainteranimaleukaryotepainterspeciesschema:Personyago:WikicatUmbrianPaintersyago:Artist109812338yago:CausalAgent100007347yago:Creator109614315yago:LivingThing100004258yago:Object100002684yago:Organism100004475yago:Painter110391653yago:Person100007846yago:PhysicalEntity100001930yago:WikicatFrescoPaintersyago:WikicatItalianBaroquePaintersyago:YagoLegalActoryago:YagoLegalActorGeoartistyago:Whole100003553yago:Wikicat16th-centuryItalianPaintersyago:Wikicat17th-centuryItalianPaintersyago:WikicatPeopleFromUrbino New Facet based on Instances of this Class

Antonio Viviani (1560–1620) was an Italian painter of the late Renaissance and early Baroque. He was also called il Sordo di Urbino ("the Deaf of Urbino"), because of his self-absorption while painting frescoes. He was born in Urbino, and there became a follower of Federigo Barocci, said to have been his uncle. He left some pictures at Urbino, in the style of Barocci, various frescoes in Rome, and a vast work in the Chiesa de' Filippini (San Pietro in Valle) at Fano (1618–1620), consisting of scenes from the lives of those apostles to whom the church was dedicated. These works are now in the Pinacoteca Civica of Fano. He also painted for the Oratory of the Santissima Annunziata in Urbino. In Rome, he is said to have gravitated to the syle of Cesare D'Arpino.