About: 53 equal temperament

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In music, 53 equal temperament, called 53 TET, 53 EDO, or 53 ET, is the tempered scale derived by dividing the octave into 53 equal steps (equal frequency ratios). Each step represents a frequency ratio of 21⁄53, or 22.6415 cents, an interval sometimes called the Holdrian comma. 53-TET is a tuning of equal temperament in which the tempered perfect fifth is 701.89 cents wide, as shown in Figure 1. The interval of 7⁄4 is 4.8 cents sharp in 53-TET, and using it for 7-limit harmony means that the septimal kleisma, the interval 225⁄224, is also tempered out.

Attributes	Values
rdf:type	yago:Abstraction100002137 yago:Act100030358 yago:Activity100407535 yago:Adjustment100999787 yago:Calibration100999245 yago:EqualTemperament101000610 yago:Event100029378 yago:PsychologicalFeature100023100 yago:YagoPermanentlyLocatedEntity aircraft yago:Temperament101000411 yago:WikicatEqualTemperaments
rdfs:label	53 equal temperament (en) 53 temperamen sama (in) 53 temperamentos iguais (pt) Строй 53 равных делений октавы (ru)
rdfs:comment	53 temperamen sama dalam seni musik disebut juga 53 TET, 53 , atau 53 ET, adalah skala yang didapat dari membagi oktaf dengan 53 nada sama (rasio frekuensi sama). Setiap nada mewakili 21⁄53 rasio frekuensi, atau 22.6415 sen, intervalnya terkadang disebut . (in) Na música, 53 temperamentos iguais, chamados 53 TET (53 Tons em Eqüi-Temperamento), 53 EDO (53 Eqüi-Divisões da Oitava) ou 53 ET, são a escala temperada derivada da divisão da oitava em 53 etapas iguais (relações de frequência iguais) (? ) Cada passo representa uma taxa de frequência de 2 1⁄53 ou 22,6415 centes (? ), um intervalo às vezes chamado de . O intervalo de 7⁄4 é de 4,8 cêntimos em sustenido no 53-EDO, e usá-lo para harmonia de 7 limites significa que o (? )., o intervalo 225⁄224, também é moderado. (pt) In music, 53 equal temperament, called 53 TET, 53 EDO, or 53 ET, is the tempered scale derived by dividing the octave into 53 equal steps (equal frequency ratios). Each step represents a frequency ratio of 21⁄53, or 22.6415 cents, an interval sometimes called the Holdrian comma. 53-TET is a tuning of equal temperament in which the tempered perfect fifth is 701.89 cents wide, as shown in Figure 1. The interval of 7⁄4 is 4.8 cents sharp in 53-TET, and using it for 7-limit harmony means that the septimal kleisma, the interval 225⁄224, is also tempered out. (en) В музыке строй 53 равных делений октавы (сокращённо 53РДО, 53-тРТ, или 53-РТ) является темперированной шкалой, полученной делением октавы на 53 ступени равной величины. Каждый шаг, или наименьший интервал между нотами, есть частотное отношение 21/53, или 22,6415 цента. В Англии сохранилась энгармоническая фисгармония этого строя, изготовленная в 1872 году Т. А. Дженнингсом на Хакней Роуд в Лондоне по проекту . В 2006 году инструмент был восстановлен (Пэм и Фил Флюк), и теперь он действует, но ввиду уникальности не подлежит настройке. (ru)
foaf:depiction
dcterms:subject	Equal temperaments Microtonality
Wikipage page ID	3567721 (xsd:integer)
Wikipage revision ID	1115296209 (xsd:integer)
Link from a Wikipage to another Wikipage	Pythagorean comma Pythagorean tuning Schisma Nicholas Mercator Syntonic temperament Arabic music Josip Štolcer-Slavenski Robert Holford Macdowall Bosanquet Limit (music) Equal temperaments Microtonality Equal division of the octave Equal temperament Musical temperament Ottoman music Shohé Tanaka Comma (music) Harmonic seventh Major seventh Major sixth Major third Meantone temperament 7-limit tuning Cent (music) Tritone Ditone Just major third 31 equal temperament Dynamic tonality Five-limit tuning Ottoman classical music Perfect fifth 19 equal temperament Isaac Newton Jing Fang Major tone Just intonation Syntonic comma Holdrian comma Minor third Neutral third Whole tone William Holder Regular temperament Diesis Dominant seventh chord Mercator's comma Neutral second Septimal minor third Chromatic semitone Kleisma Minor seventh Minor sixth Schismatic temperament Septimal kleisma Septimal major third Septimal tritone Septimal whole tone Diatonic semitone Major limma Minor tone Perfect fourth Semiditone Quartertone Perfect octave Perfect unison Major diatonic semitone Major fourth Pythagorean major semitone Pythagorean minor semitone Utonal Just fifth Otonal

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