M. Louise Stanley is an American painter known for irreverent figurative work that combines myth and allegory, satire, autobiography, and social commentary. Writers such as curator Renny Pritikin situate her early-1970s work at the forefront of the "small, but potent" Bad Painting movement, so named for its "disregard for the niceties of conventional figurative painting." Stanley's paintings frequently focus on romantic fantasies and conflicts, social manners and taboos, gender politics, and lampoons of classical myths, portrayed through stylized figures, expressive color, frenetic compositions and slapstick humor. Art historians such as Whitney Chadwick place Stanley within a Bay Area narrative tradition that blended eclectic sources and personal styles in revolt against mid-century moder